“There are movers. There are shakers. And there are shirkers.” That’s the very catchy tag line for the Sandi Tan documentary Shirkers that I watched today.
This is a different circumstance because all of the many colored blocks that populate the calendar on my phone had to be erased, leaving me with oodles of free time. Free time that has been suggested/issued/commanded by the PA Department of Health. In the DoH phone call to check on my symptoms (none) and/or exposure (constant), they kindly asked me if I would be complying with the quarantine order and I thought that was a nice gesture. I guess they can’t make me, per se, but I do love you a lot, so I’m on lockdown.
(I don’t want to talk about COVID or quarantine guidelines & regulations. Also, because everyone is home, I can’t talk about Father Yod and the Source Family doc I began that is inappropriate for young viewers. Soon, soon.)
Now. Shirkers. It’s a pretty great documentary but I don’t think I would’ve liked the movie it’s based on at all. The film is from Singapore and at least 5 times too art school pretentious for me.
Mostly, we have our imaginations squeezed out of us by the time we make it to middle school, replaced with standardized tests and the overwhelming stress of future success hanging in the form of grade point averages. We have “what could be” beaten into “it is what it is,” “why not” into just “not.” Shirkers was founded on the idea that something new is not only possible, but here in their heads screaming to be expressed.
I don’t care if I would’ve liked the film. I want to live in a world where art exists that I find horrible or offensive, because that means I cold love it, too. You can’t love the middle of the road. You can’t love white bread. I value the risks of dreaming of a new day, where yesterday isn’t necessarily today. It might be, but it’s up to us to decide if it will be. If we sand off all the edges, all we’re left with is circles rolling in and out of our souls and lives, never making an impact.
Bad art (I’m not saying Shirkers was bad art. The truth is that I don’t know, nobody knows, some charlatan stole and trashed the audio files) is essential to forward motion. The line between compete unwatchability and the best thing you’ve ever seen is thin and blurry at best, invisible at worst. I’d like to totally ignore that line and listen to the creative impulse in each of our heads & hearts and follow that, instead. Of course, maybe it’s destined for the rubbish heap, but what if it’s not? As it says on so many inspirational plates and blocks of wood, “Oh but my darling, what if you fly?”