Love With A Capital L

A journey towards living an inspired life of love in the modern world

Forged Religion — March 4, 2021

Forged Religion

There is a new Netflix documentary called…well, I don’t know what it’s called. Give me a second. It’s called Murder Among the Mormons and it’s about old, cool, found documents, LDS church history, pipe bombs and ultimately deception.

While it all occurred during my life, I didn’t remember any of it and it played like drama and twisted and surprised me at every revelation. I loved every minute of it, though that’s pretty awful to say that about any murder anywhere. What does that say about me? I mean I loved the series. Is that better? Maybe only a little, but I really don’t want to talk about the questionable ethics of death as entertainment.

What I do want to talk about (there may or may not be spoilers here) is how lies and secrecy wreck everything. The LDS church followed a practice of suppressing any information that might contradict the gold plates of church history and doctrine, which brought to mind the words of the wise turtle Oogway (in King Fu Panda), “One often meets his destiny on the road he takes to avoid it.” By trying so hard to squash inconvenient truth (whether it is actually truth or not) to protect a faith system so fragile, the result is the exact opposite. If the foundations of our lives can be destroyed by a letter about a magical white salamander, then maybe the foundation deserves to be ground into dust and reconsidered.

Religious systems are an interesting creation. We erect walls and then fight and kill over their position, protecting our power and status and mountains of money. What starts as an beautiful expression of love and worship towards God morphs into a massive altar to our own abilities and desires. No wonder we all run from the whole sordid mess, throw the baby out with the bathwater, and struggle to build new walls of purpose and meaning without faith. Religion isn’t Yahweh, the LDS isn’t Jesus, and we are not and have never been gods. Once we can figure that out, we can loosen our grip on our doctrines and trust the Truth of God to be bigger and more resilient than some guy in a hidden room inventing pretend letters, diaries and origins. In other words, trust God to be God, even without our arrogant ‘protection.’

Jokers — February 23, 2021

Jokers

So, last week was another week in 2021, which is shaping up to be even more of a bear than 2020. I’m soon going to be able to stop that sentence immediately after “last week was another week,” and we’ll all know what that means.

I lost a buddy I knew last week to a drug overdose. (This was the “horrible thing” I referenced in last week’s post on pyramid schemes and discouragement.) He left behind a wife and 2 small children. He struggled with addiction since high school, maybe earlier, and his was one of those stories that they say will end in a jail cell or a coffin. 2 days before his overdose, he posted a long grateful note of thanks to God on Facebook. It was his 7 months clean anniversary.

It’s common to wonder in situations like this, why? Why was he so disturbed, so sick? What was so bad that he would spend his life in the familiar pattern of detox and relapse? Or the question I asked of my own dad, that will surely haunt his family, why weren’t we enough? Where did these demons even come from?

I know some of those answers in my buddy’s case, if all that he had shared over the past 4 years had been true. This is not a certainty, of course. His service was for a person I never knew and barely recognized. If there weren’t pictures, I would have questioned if I stepped into the wrong church. But with this, for some reason I believe him. Like so many, the damage inflicted upon him by his family of origin (broken, dysfunctional in every way) was crushing, ultimately leading to his death. They dutifully carried on what are called generational curses. Midnight Oil, in the terrific song “Forgotten Years,” sing, “Few of the sins of the father, are visited upon the son.” In this case, it was significantly more than “few.” It was an avalanche of excrement for him to dig out of, too much in fact, and he simply could not.

Now. I have to be very careful when I get overwhelmed with the weight of loss and sadness, it can be pretty oppressive and increase my already hyper-sensitive soul. And there, on my dresser, was a borrowed copy of the movie Joker. I had good advice from the Angel to, under no circumstances, watch it while in this state. Very good advice that I ignored.

This movie was, essentially, a re-imagining of my buddy’s life. Abuse, neglect, illness, loneliness, depression, on and on – the Joker turned his violence outward and my buddy directed his mostly at himself. But other than that difference, it was the downward spiral of self-loathing that looked for all the world completely inevitable.

Was it?

One of the arguments against both is that, at some point, we have the choice and responsibility to build something new, something better. Maybe that’s simplistic ‘bootstrap’ psychology from those who have never been in that sort of darkness. (I happen to know that darkness, so total that the hope that there could ever be light again has faded and been replaced with emptiness.) But maybe it’s not.

We have the ability to choose life, don’t we? I know it doesn’t feel like that, it feels more like there are footsteps marked out for us from which we are unable to deviate. That our lives are scripts where improvisation or rewrites are impossible. That we are powerless to our fate.

If you’re familiar with me or my work, you’d think this is the point where I start painting pictures of love conquering all, detailing pyramid schemes of love, how love drives out that fear, how a small perspective shift and a bit of imagination and a hug will break those chains… but I’m not going to do that here. I just don’t feel like it this morning.

I believe those things I usually say, I have to. Otherwise, I’d have to resign myself to the robotic hopeless futures of those 2 sweet boys, and that is something I can not, something I will not.

Joker is a fictional character, but his story is real for so many of us. But it’s a really bad story and one that we have to believe can change. The 4 minute mile was impossible until it wasn’t. It just has to start with one (or an army of us) who keeps running into the impossibility.

One Of Those — February 15, 2021

One Of Those

Last week another horrible thing happened. Yet another. I’m telling you, there is no truth to the phrase, “we aren’t given any more than we can handle.” Sometimes, we are, we just don’t get to tell the story afterwards.

This has been a hard year, 2021 is taking over right where 2020 left off. I heard a man (I’m pretty sure it was Hank Fortener) say once that he was in a time of incredible stretching. Me, too. I am stretched to the point where my muscles feel like they’re about to tear into shreds. The kind of tearing that never can be put back together. But then again, I happen to be one of those insufferable types who stubbornly holds on to hope anyway. Maybe those muscles won’t tear at all, and instead the stretching will create a new strength. It doesn’t feel like that, but that’s sort of what hope is, isn’t it?

I’m learning that we will most often choose the option that hurts us the most. Of course, it might feel good now, but it leaves lasting scars. I lie but everybody finds out (everybody always finds out) and the consequences are bigger and far more painful than had I never lied in the first place. I do it anyway. I eat a bunch of sugar that tastes fantastic but (now that I’m no longer 12) I’ll feel rotten for 3 days. I eat it anyway. I stay in the relationship that leaves me feeling worthless and used because of course it’s easier than leaving but it also validates the suspicion I have that I am worthless and unloveable. I keep going to those sites where I have to erase the history but can’t erase the shame. I keep sinking a needle into my arm or wherever still has veins even though my marriage and family is feeling the polar opposite of high and picking up the pieces of that wreckage is impossible. I know this and make that choice anyway.

It seems like our deep self-loathing is insurmountable. My big dumb idea is for a pyramid scheme of love, where I love 2 people and they each love 2 people and so on until everybody is loved and we begin to act out of that abundance rather than our searing emptiness. It’s a dumb idea. Especially when all evidence points to our desperate need to cling to our brokenness, to choose self-hate over self-love, at all costs.

The big flaw in “love others as you love yourself” is that we don’t love ourselves. Maybe we are already loving others exactly like we love ourselves – not at all.

So. I’m sad today (and for the last few days). Do you know why I cry these tears? Because my eyes are wide open and my heart is in perfect working order. Why isn’t everybody?

Here’s the thing. When my heart isn’t broken and I am seeing clearly (instead of through these blurry pools where my eyes used to be), I know my pyramid scheme idea is a good one. Well, maybe it’s not a good one, but I really like it. I’m a man who sees a beach full of drying starfish and throws them back into the water 1 at a time. Maybe it won’t make a difference in the grand scheme…yeah, sigh…maybe it won’t. But I’m still that person doing it anyway. What I can tell you is that sometimes you will love someone and walk next to them and they kill themselves anyway. Yes, that’s true and real and happened last week. And you will, like me, wonder during restless nights if you could’ve/should’ve done more, if you should’ve walked closer for longer. And maybe if we did, they would’ve killed themselves anyway.

So we’ll sit on the beach for a little while looking at all the starfish wondering why in the world they keep ending up here. And then we’ll stand up and pick one up and throw it back into the water. And then another. And then 2 more. And then we’ll start dreaming again, wondering why a pyramid scheme couldn’t work, why love couldn’t work. Now maybe it couldn’t, but the way we’re going sure isn’t working, and it’s all I have.

Us Against You — February 11, 2021

Us Against You

I’ve been telling everyone who will listen how much I love the author Fredrik Backman. Last month I read and wrote about Beartown, a devastating novel about a community and a horrible thing that happens that threatens to tear it to shreds. Reading it was a rough experience. So you can imagine how surprised I was to be reading its sequel, Us Against You. The story continues to detail the fallout from this horrible thing in this community. We often think the horrible things are like band aids; we tear them off and then throw it in the garbage and we don’t have a band aid anymore. It’s really more like a tattoo; it might fade but that’s about the best case scenario. It will probably leave traces behind so we can always see where it was, how and when we got it and how much it hurt. We are different afterwards, changed.

This horrible thing leads to a vastly transformed landscape. Relationships deteriorate between spouses, parents & children, neighbors, teammates. Maybe the most damaged is the relationship they have with themselves and the people they thought they were.

I learned a lot about me through these 800 pages across 2 books, about who I am and who I want to be and how far apart those people still are, sometimes.

These characters are faced with decisions to respond, to stand…or not.

The choice to speak or not. To move forward or not. To build or destroy.

Some make great decisions that cause them such unbelievable pain and loss.

Some act in shameful ways and their careers advance, their teams win.

Sometimes relationships fall apart for no more complex reason than we don’t hold them together.

We don’t know how to come home, so we stand on the porch unable to turn the handle while those inside ache at our absence as if we were worlds apart instead of on the other side of the door.

The whole narrative could’ve changed, reconciliation was still possible, if only we could turn the knob. If only we could take 1 step, tell the truth, say something, stop. If only.

This horrible thing happened between 2 people and ravaged an entire town for generations. There are no victimless crimes. But it would also be a mistake to suppose that the horrible thing was the only ravager. The entire town, over generations, carelessly set the scene for this horrible thing between 2 people. Everything is connected. By the end, it was so hard to tell who were the victims and who were the perpetrators, but this writer didn’t seem to mind leaving it to me to figure that out. And (with the exception of 1 15 year-old girl) I couldn’t. What I discovered is that it’s a lot like real life, that the brainless simplicity of us/them is never adequate. Maybe its authenticity is what made it so uncomfortable.

This is a very difficult post to write, not because I can’t think of anything to say, but because there’s just too much. My head and heart are overflowing with ideas that I delete, false starts and a screen that is blurry through new tears.

Earlier, I typed “the whole narrative could’ve changed,” and I think that’s what is so heartbreaking to me. It takes work and attention, food and water, but often we don’t have those to give, for whatever reason. So the distance between us grows and we stop seeing, stop listening, stop saying.

The books were amazing. I’m sad but, like always, hopeful. This story in Beartown is our story and like that one, we can change it. We don’t have to stop listening, seeing, saying. We don’t have to stay on the porch, we can come in and fall in love again. One Sunday there was an empty tomb, a moment where everything changed forever, and there can be one today, too.

Funeral — January 26, 2021

Funeral

There was a funeral last Friday for a lovely woman.

I’ll sometimes force my sons to attend funerals or memorial services with me, to which they usually respond, “I don’t want to,” because they’re teenagers and human. I usually ask, “why?” because I am their dad and horrible, to which they say, “I don’t like them.” Here, I lie and say, “nobody likes them.”

I tell them that lie because sometimes you have to do things you don’t like and it’s mostly better if everyone else is doing things they don’t like, too. Like eating vegetables or running.

The truth is that I love them. I know how that sounds, but it’s not to be confused with loving death, dying or anything weird like that. I’m not a psycho. They’re thin spaces, and I find thin spaces – where, according to Eric Weiner in The NY Times, the “distance between heaven and earth collapses and we’re able to catch glimpses of the divine” – absolutely inspiring and beautiful.

When you stare out of the car window, flowers, grass, guardrails, and other cars blur into one undefined smudge. Nothing is clear. You can’t even tell where the flowers start and the Honda ends. This is like my life. I have a full schedule, see a lot of people, go a lot of places, drop off and pick up from practices, grocery stores, and on and on. Too often, I hurry, don’t stop to listen, don’t pay attention.

Last March when the world stopped turning, I dreamed of a new normal where we would find that we quite liked the slower pace. Instead, almost a year later, the new normal is just the old normal with more Zoom meetings and Amazon deliveries. It’s still a blurry smudge if we’re not careful.

Funerals operate like isolated March 2020’s. They stop us where we are, open our eyes, heaven and earth collapse, and we are invited to see these divine glimpses. Now, maybe we don’t accept the invitation. Maybe we stuff our emotions and check the boxes on what “has to be done,” work like crazy until we can finally get back to work (because who knows if the company will actually be standing if we’re not there to hold it together.) Maybe we numb and check out. Maybe we pretend we’re SuperSpiritual and read from the list of cliches while we convince ourselves that it’s somehow selfish to acknowledge the honesty of the loss and stifle anything that looks like tears and feels like grief.

But, baby, if we do accept the invitation… The clean lines of the Honda, blades of grass and bright colors of the flowers come into focus and we can actually see the beauty all around us that we’re too busy to notice any other time. We cry our eyes out when we need to and often find those tears surprisingly becoming laughter and smiles at the wonder of our tremendous gratitude.

[There is a pink elephant in this room. What if the tears are of sadness but also anger or rage or bitterness or resentment? Then, there is no laughter and gratitude is in short supply. This sort of situation is even more important that we accept the invitation into presence. There’s a character in the movie Magnolia who says, “we may be done with the past, but the past isn’t done with us.” The longer we run from the fact that there are chains around our necks, the longer those chains stay around our necks, strangling us slowly, perhaps imperceptibly, just taking our lives a breath at a time. I know it’s horrible, but we face what comes, dump it on the ground, look at it, and then we maybe pick it up and do it all again next week, but at some point, we leave a little on the ground, we pick up a little less, until the tears feel less like acid and more like peace. It’s not quick and it’s not easy, but we have to believe it’s possible. If the tomb was empty once, nothing is impossible ever again.]

So, all of this mourning, grief, celebration, gratitude, looking at an empty place at the table or in the chair… well, it hurts like crazy when our hearts break. But we are awake. Our eyes are wide open to the blessings of today, and open to the blessings of yesterday, when they were here (It was awesome when they were here) and what a gift it was that, of all the people in the world, they were here with us and it was great.

Bears — January 19, 2021

Bears

Last weekend I finished Beartown, a novel written by my new favorite person in the world, Fredrik Backman. It’s difficult to know if you need to post about everything, and you probably shouldn’t, but I can’t seem to tell the difference and we’re friends, so here we go.

Here’s something to know about me: I love depth, complex themes, ambiguity, and don’t mind violence (mostly, I’ll explain in a second) or salty language at all in art. Fight Club and Pulp Fiction are my favorite movies. I’ve relatively recently started drawing lines at sex on screen and that’s simply because I squarely believe it’s not for me. We can talk about that another time, because it’s too big and complicated to drive by. But the violence I mind very much is of the sexual type. I cannot stomach rape or assault in any case or any context. There is a scene in 300 where a person manipulates, coerces someone else’s wife into a nauseating act and now I can never watch that movie (which I liked a lot) ever again. I barely got through it once. With my growing intolerance for this sort of plot device, I’m noticing that it is not an unusual subject in films I now have to avoid.

A possible exception: Carey Mulligan stars in a new film called Promising Young Woman, where she avenges the rape of her best friend and from there goes on to exact retribution on any similar feeling male she happens to find. At least I think it’s about that, and if it is, I’m in. I’m concerned that the initial act would be too much and that there would be a moral at the end where she gets punished. I don’t want her to be punished.

This is the thing about Beartown, the central points the story revolves around are a hockey game and the rape of a 15 year old girl. Once I realized the latter was coming, I cringed and contemplated leaving it unfinished. He’s such a masterful writer, I continued. I still don’t know if I’m sorry that I did.

If you have read anything here before, you’ve probably heard me write about destroying the walls that separate the imaginary divisions of us and them. We’re all just us. I’m empathetic to a fault, can see every side of every move, which makes me very non-judgy, forgiving and accepting. But I just wrote 2 paragraphs earlier that “I don’t want her to be punished.” I want this revenge fantasy to be consequence-free.

Now, of course it’s not. The best friend will endure consequences forever, will probably always be afraid of the dark. But the violators (I recognize that violators are not all male, but the proportions are so skewed, that’s what we’re concerned with) should absolutely face Carey Mulligan’s brand of justice. They should suffer consequences, too, in addition to the hell of being the kind of someone who would steal from another like that.

Now. Last time I wrote that I could be a CIA executioner or capitol rioter. We’re all us, isn’t that what I said? But here, there’s got to be a line here, right? I guess we all have blind spots. This is mine. Maybe I’m not as non-judgy, forgiving, and accepting as I thought.

Where is that line supposed to be, where we can start to scream for justice? In the Psalms, (in the Holy Bible!), writers asked God to bash the babies of their enemies on rocks, among lots of other awful things. Does that mean I can, too? Is that a holy position to take, this bashing on rocks?

I know, I know. It doesn’t mean I can, and it is most certainly not a holy position just because it’s in a holy book. And apparently, as far as I can tell, that line isn’t ideally supposed to be anywhere in our hearts. (That is not to be confused with political/social justice. Sometimes animals… um… sometimes we belong in cages.) I think it’s in that beautiful holy book because we need to acknowledge & examine each honest human emotion. If we are always hiding our trash in basements or corners, we can’t ever take it out.

The reason racism, sexism, nationalism, and any other -ism persists is because we’re too busy pretending there isn’t a monster under the bed. Who knows why my stomach turns at this particular atrocity more than others (that’s probably for a psychologist to figure out), but it does. Sure, it makes me want to do all sorts of things that would land me in prison, but it does make me want to act and as the oft repeated (and oft ignored) Edmund Burke quote goes: “The only thing necessary for the triumph of evil is for good men to do nothing.”

So. I want to throw up every time any woman is dishonored and something is violently taken that should only be carefully given. I want to completely rework the system in their mercy and favor. I also want to castrate with rusty pliers those that would do the taking. And I also hope & pray to one day (maybe not today, but one day) love the perpetrators like I do the victims. All of these things can be true, and maybe all of these things are holy.

Wormwood — January 15, 2021

Wormwood

2 days ago, I woke up sleepy and instead of working or reading, I watched the Netflix series Wormwood. This odd journey detailed a man’s death, first played to the family and the public as a suicide, then a botched CIA experiment where they gave unwitting participants LSD that caused the suicide, and finally revealed to be an execution perpetrated by the agency itself. It was a day for me and a lifetime of searching/discovery for the man’s son. Not only did the intelligence agency take one man’s life, but many others as collateral damage. They just took longer to die than a fall/jump/throw from a hotel window.

As I watched one disgusting revelation after another, it occurred to me that I wasn’t actually surprised at all. Born post-Watergate and the Vietnam war, I have never known a day where I trusted any government agency or politician for a moment. The show did a masterful job at slowly pulling back the curtain, surely eliciting shock and disbelief from some. Sadly, not from me.

I said to my wife, “and then these 2 guys killed him,” incredulously. These 2 guys believed in something so much that they would heave another person through a window to protect it. Maybe, if the thing being protected is so fragile that it requires such action, it should be allowed to fall. How many deaths over the course of humanity have been attributed to just such blind obedience and disregard for life?

I have a buddy who has been an addict his entire life, practically. When he’s clean, he is quite judgmental of the ones who aren’t. He tells stories of their disease with a familiar air of superiority and condescension, as if they are a completely different species with different wiring and mismatched parts. And I look at him with the same sort of incredulity that I communicated to my special lady about these 2 guys.

What I want to explain to my buddy is that he is them. They are him. It’s unbelievable that he can’t see it, but he has divorced himself from the reality that there is so little that separates his situation from theirs.

But that’s the thing, right? We need to draw lines that separate us from them to maintain that superiority, shaky though it is. We desperately want to be ok, we really want there to be a fundamental difference.

But there’s not.

What makes those 2 guys believe so strongly they would kill? Who knows, but I know I’ve hated another and in the Bible, it says that’s just the same. Maybe it’s fear. Of course it’s fear. The 2 guys protect what they love at all costs. Would I point a gun at an intruder in my own house, while my family slept? Would I pull the trigger? Maybe. I suppose I’d have to get one first, but if I did, maybe I would.

I read these books by Fredrik Backman and perhaps his greatest gift is destroying those walls, those myths that they are so different. The characters in his stories we dislike the most are the most sympathetic, forcing us to examine what lies inside our own hearts. My buddy is wrong, he could be them, and so could I. He is them, and so am I.

2 weeks ago, a protest became a riot inside of the U.S. capitol building, and as I watched on a screen in Pennsylvania, I had thoughts and feelings about those people. Those people. Are we really so different? The same whose marches turned into riots in May were outraged at what happened in D.C. Why? It’s the same impulse. There is an us and we are right and there is a them and they are wrong. We are superior. They are inferior. You see where this line of thinking can take us.

Now, I think those 2 guys were WRONG to throw that guy out of a window, and I’m RIGHT about that. But maybe that’s not the point. Maybe a better question would be, what made 2 guys so afraid that they would? What contributed to my buddy’s addiction? What motivated a group of folks to release, as the headline screamed, “tear gas in the rotunda?” I bet I’d be able to understand the answers to those questions, I bet I’d see far more similarities than differences. Maybe we’ve just been asking questions that lead to division and misunderstanding. Maybe we’ve been building ever more walls when we should be tearing them down. And maybe those walls that we’ve erected to keep them out have done the opposite and isolated us from our shared humanity, making us shells of who we could be, who we have been created to be.

Hurt — December 28, 2020

Hurt

There’s this show called Song Exploder on Netflix and of course I love it. It is exactly my type. When the Angel and I walk around a clothing store, when we see a striped long sleeve shirt (or ‘top’), we both know and instinctively stop. This show is my long sleeve striped top. Or MaryAnne on Gilligan’s Island. Princess Leia. Janet Wood. I have opinions and specific tastes. Song Exploder is perfect.

This morning I watched the episode detailing ‘Hurt,’ by Nine Inch Nails, on the album The Downward Spiral. Released in 1994, it was a big hit and for 1994-me, it’s themes of loneliness and inadequacy were, um, familiar. The problem with the album was that it always gave me a headache and made me feel a little physically ill as I listened. In this Song Exploder show, Trent Reznor (who is Nine Inch Nails) explained that there were things you could “hide” in a song to make the listener “uncomfortable,” or “unsettled.” My physical reaction was totally unconscious but purposeful in it’s creation, and now looking at the album through 2020-me eyes, it’s even more brilliant.

I don’t really like the songs on the album too much anymore, but this one still moves me. It was covered by Johnny Cash and was reborn, for a new generation. And as it turns out, for it’s creator. The loneliness, inadequacy and pain that made it so relatable for me weren’t pretense at all. They were absolutely authentic, and he spoke about when the Johnny Cash version happened, he was questioning his worth, ability, talent, if he was enough.

This is the universal narrative for me, and to tell you the truth, it’s mostly why I do any of the things I do. To try to speak fresh words to this very human affliction, which is not affected by class, image, status, money. The voices in our heads scream us down just the same. Nine Inch Nails was famous, successful, popular, and unfulfilling. Johnny Cash covering that song was a re-telling of the looped false story in Reznor’s head, that told him he was not now, not ever, going to be enough. That beautiful cover was a crack in that wall.

Now, he seems easy and assured in interviews. I’m sure it comes and goes, like it does for all of us, but at least it comes now, right? It’s almost the new year and that means it’s time for dreaming. Wouldn’t it be cool if our lives could be covered by Johnny Cash and we could finally see them with new eyes? If we could finally see ourselves as we actually are, free of the sledgehammers in our heads? The song sounds different to him now. And to me. It’s not so hopeless anymore.

We’re Here — December 22, 2020

We’re Here

“I want someone to know I’m here.” That is the heartache expressed by the title character in the book Britt-Marie Was Here. This is another novel written by Fredrik Backman, which may be a poor choice as I’m still recovering from My Grandmother Asked Me To Tell You She’s Sorry and The Deal Of A Lifetime.

I read once that if you take LSD, you are never the same as you were before. If you were a 5, you’re not a 5 anymore. That’s how I feel about those books. Like I was cracked wide open and now I’m a permanently different Chad.

Anyway. It’s Christmas in 2020 and on the one hand, we desperately need the hope of Christmas and the birth. On the other, I can’t imagine the despair of another holiday in isolation. This season is usually among the most depressed, presumably because the cold gray short days spent alone against the backdrop of other families gathered around a warm fire. What if I don’t have a family? What if the family I do have is broken? What if there’s 1 less around that fire? What if I don’t have a home, much less a fire? It’s no wonder the depression we barely keep at bay all year gets amplified in November & December.

This Britt-Marie book is about a woman newly single, alone because the husband she has pretended was faithful has been publicly exposed as what she knew he was. She’s kind of awful, but as Backman slowly peels back curtain after curtain, she’s all of us. She wants to be seen, wants to matter to someone.

We’re a culture that largely walks with our heads down, on our way to the next thing, saying “How are you?” as a greeting, but not at all interested in the answer. Even without a global pandemic and quarantine, we had been increasingly disconnected for years. This leaves us like those copper pans where nothing sticks. And we call it survival.

But it’s not. It’s killing us. We’re invisible and we are not meant to be invisible. We are meant to be together, sharing the moments of our lives. We are meant to ask how you are and to wait for the honest answer. We are meant to cry together, to celebrate together.

As I read, the thing that kills me is that I know how many Britt-Marie’s must be in my town, neighborhood, on my street, invisible. And this is a fact that is simply unacceptable. My dream is that we are all seen, accepted. That we all belong. That we are all loved. That the reality of Christmas become a reality in practice, that it’s not just a story of fairy-tale hope we tell in churches on Christmas Eve.

I want someone to know we’re here.

Less The Rock and More Lobot — December 16, 2020

Less The Rock and More Lobot

Last week, I posted “So, Let Me Tell You About Yesterday,” on both of my blog sites. I write on the Bridge page and I write on a page called Love With A Capital L. Both are about spirituality because everything is. What’s different is that on the Love page, I don’t always mention God by name, like the book of Esther, but it’s always about Him. This ‘Yesterday’ post ended up in both spaces, and it received an extraordinary response on both.

I am a man who thinks (or probably more accurately, over-thinks) and I wondered, why? Why do some things strike chords and others swing and miss? Why this one? Why not that one?

Who knows? Maybe I don’t care, maybe I shouldn’t. If too much time is given to thinking about response, we’ll subconsciously (or not) begin to bend and shape ourselves into whatever position we think they’ll like best.

This can happen easily in any creative expression.

The bigger tragedy is how easily this can happen in our greatest creative expressions; our lives.

We look for approval, for the most “likes,” resembling actors on a stage. It’s interesting, the things that mean the most to me are those that are the most authentic, but when the artist attempts to mean the most to me, the very thing that was so appealing is compromised, disappears, and immediately stops meaning the most to me. It’s like the theory that observation affects behavior, so any study of “natural” behavior is impossible (unless it’s secret and invisible and probably unethical).

You know I’m going into the idea that we have an “audience of One,” right? That’s not terrible because that One is the only One who knows who we actually are, so moving towards that vision of us is, essentially, moving towards the version of us that is the most pure and true, the most authentic.

The filters I use that make me look like a cat or like I’m always supercool, pensive and mysterious aren’t me. I have rough skin and deep creases around my eyes from years and years of smiling. The sweater I wore on Sunday makes me look much better than I actually do. I get angry and am awfully mean to me from time to time, thankfully much less than I used to. I shave my head because it’s thin and moving backwards, less the Rock and more Lobot from Star Wars. I like to think my jokes are all pretty terrific and could edit a short YouTube video that makes me compare favorably to Dave Chappelle, but in real life, well… you know, probably he’s not even that funny all the time. (On second thought, he probably is.)

The idea here is not to point out all the ways we’re messy, or to advertise my faults. It’s not even to stop using filters. It is to love, and be loved, anyway. It is to see those rough edges. It is to dance with who and where we are right now, even as we acknowledge that we are, as my friend says, “perfectly in process,” moving (sometimes slowly) towards who we’ve been created to be. One of the coolest aspects I learned about the Scriptures were their absolute commitment to honesty. Not everyone is shiny, nobody is perfect. (Well, One is.) They yell and scream and shake their fists at God. They often make terrible decisions and aren’t always the heroes of the story. But it’s real. And Beautiful. Just like us.