I think I told you I re-signed up for a Netflix subscription when I picked up the NFL Network for Sunday RedZone. I love football, and perhaps even more so, I love the ritual of Sunday afternoons with my family, all of the games, and the host Scott Hansen.

(Now, this makes me think about the Greeks having lots of words for love. I love my sons, my wife…and football? Surely, I don’t love them the same. It shouldn’t be the same word, right? But we only have one, and under those rules, I do love the Dallas Cowboys. And now that I think about it, my love for a faceless organization is pretty unconditional. I can’t think of another product that I would continue to patronize if the product was inferior. I would stop using Dawn dish detergent if it didn’t clean the dishes. Why don’t I move away from the Dallas Cowboys after nearly 30 years of heartbreak? Heartbreak? It’s not heartbreak, it’s just sports. Maybe we need to rethink the words we use.)

So, this Netflix subscription has unlocked many new documentaries. I know more now about Jessica Wongso, Laci Peterson, a couple that was so badly mistreated over a home invasion/kidnapping/sexual assault that nobody believed, and several others. Most of them have, as their subject, murder or, at the very least, violence. I don’t mind violence in movies, but I mind it a lot in real life. (I mind sexual assault the most, I stay away from that at all costs. I did not know about it’s inclusion in the home invasion doc, and I was sorry immediately.) And I always recoil over any discussion on murder. So why do I gravitate to these sorts of films?

I prefer quirky, like Chicken People or Super Size Me, where no one dies. Even the Chimpanzee one on Max was pretty strange & terrific. There aren’t that many of those, though. Especially in relation to the tsunami of serial killers and psychopaths. A series on bad roommates and exes is good enough, tickling weirdos and toy collectors is better yet. (Not that all ticklers are weirdos because they enjoy tickle competitions, but some of them are. There are weirdos in any avenue. I would surmise there are more per 100 in competitive tickling, though.)

I wonder why there are so many murder-docs? Why are they so popular? This seems to say much more about us than it does about the filmmakers or even the subjects. So, what does it say about me? I wish a little that we could see our own AI algorithms, made up of our aggregate thumbs ups and downs, and how we actually choose to spend our time. What would my algorithm think about me?

But I probably don’t really want to know that. Sometimes, it’s best not to ask questions and enjoy the games, instead.