Love With A Capital L

A journey towards living an inspired life of love in the modern world

Ego Was The Villain — June 1, 2026

Ego Was The Villain

Guardians Of The Galaxy, vol 2, is a fine movie. It’s not that great, it’s not even the best of the Guardians trilogy (Vol 1 is). But it does have an interesting idea that I think about often. To summarize, we discover Peter Quill (the leader of the Guardians) is half human & half god, when he meets his father, Ego. Ego’s big plan is to plant pieces of himself on every planet in every galaxy, so that eventually, every planet will be an extension of him. He’ll be everything, everywhere. He wants to make Quill a part of that plan, Quill doesn’t want to be a part of that plan, so they have to fight.

When I watch it, Ego is the villain. I’ve taken it for granted that everyone sees it that way, that Ego is always the villain.

In my area, there’s a mega-church. A mega-church is just like it sounds: a gigantic church. I’m not certain what the qualifications are for organizations like this, but it’s so massive, it might be a SuperDuperMegaChurch or just a SuperMegaChurch. Maybe those who know use words like Colossal or Monstrous, or maybe have dropped the ‘church’ part altogether and just go by mega-behemoth or something. The one in my area used to be called an acronym of letters, the last 2 being Bible Church, but once they began to grow and grow, they kept the letters and changed what they meant, dropping Bible Church. I guess they outgrew the first group of words.

Like most mega-churches, they have a main campus and lots and lots of branch campuses (campi?) in surrounding towns. If you go to one of them, you can watch the preacher give the sermon live-streamed (or recorded) on movie screens. Like the Walmart effect on smaller stores, often times local churches suffer (and sometimes die), as their membership moves into the newer, fancier, bigger, trendier arms of the giant.

I wonder if the members of a mega-church think Ego is the villain? Maybe they think it’s nice to have a shared value system. McDonald’s exists on the same principle: Everyone having the same hamburger everywhere is comfortable and awesome. Maybe they like Ego, and think he’s very charismatic (he is played by Kurt Russell, who might be one of the most handsome men ever on earth) and buy into his vision for a universe united under him.

This isn’t too much of a stretch. We also try to whitewash cultures, too, trying to mash each textured, interesting area, people, history & practice into one bland piece of white bread that is for everyone and no one because it’s missing anything ethnic. If we eliminate all of the differences, then… then what?? Every store is a Target and restaurant is a Texas Roadhouse or Applebee’s, with the same fashion and corporate art on the same colored walls. The food is quite good at Texas Roadhouse, and Target has great stuff. Corporate art is pretty nice. Maybe we want to eliminate differences, and sand down every sharp edge. Amazon.

Maybe to the Roadhouse or mega-church CEO, GOTG 2 is a tragedy. Maybe he/she cries when Ego is defeated.

This might sound like I don’t think Amazon or McDonald’s has a place in our world, they certainly do, I just think it’s not a better place when they have ALL the places. I happen to like the pastor of the church on the corner near my house, he has a cool quirky delivery and is awfully likable. And, full disclosure, I might have a bias, I pastor a local church, and I love my job and our small community. Even if I don’t like the pastor on the corner, I do like the world that has space for him/her. I value places where we know and are known, where we can’t hide, where we can engage and connect. (YES, I KNOW that this can happen at mammoths, it’s just not the rule.) I prefer the record shop clerk who recommends a new album you’ve never heard “but will just love,” to the cashier who doesn’t remember your face or name, much less your favorite album. I love differences & new perspectives. I like opinions (even, maybe especially, if I don’t agree) – I want more than 2 political parties. I want to hear about your life & experiences, how you see the world around you. I don’t want to get on an airplane for 3 hours, get off, and not know I’m anywhere new. I love you and your story.

Ego was the villain to me.

Rose Colored — May 18, 2026

Rose Colored

There is a series I started this morning on Hulu called The Dark Side of the 90’s. I assume it’s just another entry in The Dark Side franchise – I’ve already watched The Dark Side of Wrestling, there’s probably many, many more. There are lots of Dark Sides. This one is particularly interesting to me, I am often overcome by nostalgia for this decade.

[This morning?? Yes, I started it at 4am. It’s sometimes challenging to stay asleep, and today, it was very hard with a nasty stomachache. I am loving the series, but I am quite grouchy because a great series at 4am softens the blow, but is still at 4am. Sigh.]

I put that last paragraph in brackets as if it was an aside, just an unimportant extraneous footnote. But I am now seeing that it’s not, it’s the main idea.

You see, you love me a lot, you read these posts and have an idea of me that is all sunshine and rainbows. You imagine a man who loves easily and abundantly, with massive arms and perfect skin and hair. And that’s the point. I don’t have ANY hair. My skin is not smooth, it’s rough and scarred from losing too many battles with teenage acne. My arms are sort of big, but not at all what anyone would call massive. I do love easily and abundantly, but that hurts me A LOT, too. I’m super sensitive, but this hyper-sensitivity can make me awfully high maintenance. I’m pretty cool and like me a lot, but maybe not always.

The 90’s (music, films, tv, style, culture, etc) were awesome. I don’t have to tell you, everybody knows Generation X was the best generation to belong to by a thousand miles. It was a simpler, far more authentic time.

But that’s not all it was.

The first 2 episodes were about Jerry Springer and the Viper Room. The Viper Room was owned by Johnny Depp, a deeply cool hangout for the deeply cool, where creatives could connect and be social but away from the eyes of the world. It was also where they could do mountains of heroin and where River Phoenix died. Johnny Depp could also be described as deeply cool, but as we discovered through the years and in his court trial against ex-girlfriend Amber Heard, he’s also an abusive, alcoholic train-wreck. (Or maybe he’s not, I don’t know him at all. But now, we think we know everything about everyone.)

I watched the Jerry Springer Show, but now I don’t have anything nice to say about it. I have plenty of nice things to say about Jerry Springer, but not his show. It did help to knock down any boundaries left from Jenny Jones and Geraldo. That’s good, isn’t it?

In my head, the 90’s were all Nevermind, Pulp Fiction, “Fade Into You” (by Mazzy Star), flannel shirts, Kurt Cobain, and Counting Crows. It was college, long hair, and a President who played the saxophone and needed help defining “IS.” Morrissey released Kill Uncle, Your Arsenal, Vauxhall And I, Southpaw Grammar, AND Maladjusted.

But it was also Korn and Limp Bizkit, Titanic, Columbine and OJ Simpson. Yes, it had Kurt Cobain, but it also had Kurt Cobain’s suicide.

The internet started and it’s absolutely amazing, revolutionizing life and the human experience…and it kind of stinks in lots of ways, too. We got connected and more lonely & isolated then ever. We had more and more of everything and our mental health crashed.

We tend to see through some very stylish rose colored glasses, but they’re the kind of glasses that filter out anything we might not want to look at. AND we tend to see through some ugly cracked glasses that keep us from seeing any kind of light in the darkness. I guess maybe we just really struggle with complexity, with holding lots of emotions, sometimes totally opposite emotions, at the same time. We seek simplicity. Is it possible that everything is everything, all at the same time?

So what’s the point?

Who knows? All I know is that every single beautiful memory I have throughout my life involves people. Maybe I wouldn’t have loved “Smells Like Teen Spirit,” if my friends and I didn’t sing along together in our car at the mall. Every. Single. Beautiful. Memory. It was never about the thing, it was always the relationships. And maybe, if we can just remember that now, as we’re living the next beautiful memories, everything would be a lot simpler.

2 Movies — March 30, 2026

2 Movies

Last night, the Angel and I decided we’d watch a movie. She likes romantic comedies, love stories, and I like her, so that’s what we watch. (She also doesn’t want to watch too often, so I always get to choose what’s on tv.) But what to watch that’s not vapid and awful??? It’s a process, as you probably know, and we scroll and scroll.

We landed on It’s Complicated, with Meryl Streep and Alec Baldwin as exes…I guess that’s about all I know for sure. In the first 15 minutes, Baldwin cheats on his new wife with Streep (whom he first cheated on to destroy the marriage.) I am not the mayor of Prude City. However, as I get older, there are plot devices that are too heartbreaking to be effective as plot devices for me. Sexual assault in any form is a deal breaker. I can’t even watch 300 again (and that’s a very quality super-stylish and super-violent epic that I once liked) because there’s a scene that I simply can’t stomach. No sexual violence, non-negotiable. Adultery, it seems, is now another one that is proving hard to take, certainly in a comedy, as if it’s just another pratfall or punch line. Maybe I’ve seen too much wreckage and cried too many tears.

I don’t know if they end up together, if he leaves his current trophy wife and goes back, or what, because we turned it off to get a snack and never went back. Instead, we watched something called Look Both Ways. This was about a woman in a Sliding Doors-esque situation, where her life hung on one moment in which she took a pregnancy test: In one future, it is negative. In another, positive.

I found Sweet Home Alabama an interesting surprise, for only one reason. The man Reese Witherspoon was engaged to that she ultimately left, was McDreamy (Patrick Dempsey), a good man, totally respectful and kind to her at every turn. The love interest was a huge jerk, and she made the wrong choice, 100%.

This Look Both Ways was surprising in the same kind of way. The 2 romantic leads were the new Superman, David Corenswet, and the new MCU Falcon, Danny Ramirez. The main character has a best friend, parents, and a boss. The dad was Luke Wilson. I mention all of the men because they were so exceptional, as characters. None of them are no-integrity cads. None of them behave in the abysmal way in which boys are too often depicted.

It’s become pretty common to watch and listen to really negative depictions of human beings, and the lives we make, and sometimes fall into, and call it real life. Breaking Bad is supposed to be real life. Antiheroes are the rage. We think villains are more layered and interesting, but as it turns out, they’re not.

Look Both Ways carries conflict, hurt, confusion, and there are bad decisions, but the people remain…well, I guess there’s no other word to use than good. The people remain good. They don’t always do the good or right thing, and some of the things they do drive me crazy, some are self-destructive, some are immature, but we understand why they did them. They’re not mean spirited or immoral or violent or even particularly selfish.

They’re just real. They are all of the people I know. They’re trying to move forward, to make themselves happy, proud, satisfied, trying to find their purpose and someone to love. They’re trying to take the next best step, and sometimes they fail at that, but they keep trying. They’re actually the real ones, the slice of life we find far more often. They’re the ones we trust, that sometimes hurt us, but never because they decide to hurt us, but just because we sometimes do. They’re the ones trying to help, trying to take care of their neighbors, opening themselves and loving themselves and others despite the possibility (inevitability) of pain.

Sometimes we find treasure in the strangest places. Superhero movies can be more honest than documentaries. And sometimes, a silly rom-coms is the most accurate portrayer of truth going.

I don’t know what happened with Alec Baldwin and Meryl Streep (2 of the finest actors ever on screen), and their excellent director and great cast and pedigree of a fantastic film, and I don’t care at all. It’s the other one, with its positivity and hope for us, that matters. I really, really loved it.

Shoelaces — March 24, 2026

Shoelaces

I often wonder why I am the way I am. As I have asked many times before (and wondered countless times more), do I like the things I like because I am the way I am? Or have those things influenced me, gently nudging me (or violently shoving me) into the way I am now, which will not be the way I am tomorrow or next month or in 30 years?

I love a book called The Mezzanine, by Nicholson Baker, published in the mid-1980’s and which finally made its way to me around 1996ish. It’s a short, 130 page story of a man who tears a shoelace and goes to buy a replacement over his lunch hour. That’s all. Seriously, that’s what happens, and that’s all that happens.

This is not a book that everyone will like, obviously. But I really do. My job is to be the pastor of a church and I very often teach about paying attention to our lives. Look closer, feel the hands in your own, listen, kiss a little longer, notice, lean into this gift we’ve been given. The Mezzanine has entire chapters on escalators, milk cartons and straws. It’s about shoelaces but it’s really about presence.

I think we miss too much. We miss the trees beginning to respond to spring, the pre-budding of the flowers, the warmth of the seats and steering wheels, the way the verse slides into the chorus. And we take everything for granted – especially the people. The things we loved when we met are the things that we’d most like to change, or in the best case, the things we most easily ignore. Why is that? Is it simple familiarity? Or is it distraction?

At the end, he discusses the paperback he holds (Meditations, a collection of the words of Marcus Aurelius), he turns his eye to philosophy, and the great philosophers. I don’t know if he intended this novel to be his philosophical manifesto, or if he even saw a small, “insignificant” book about shoelaces to be philosophical at all. Probably. His is an attitude of being – or more specifically, being here, now. What could be more important, or necessary, than that?

Do I care so much about it today because I read that book then? Or did I read that book then because I have always cared so much about it, even before I could articulate what “it” was?

The answer is, who cares, right? It’s most likely both. Either way, the point of all of anything is to show up to our lives, to not wake up wondering what happened yesterday and wished we would have paid attention, right? The influences in our lives (or at least the positive ones) all push & pull us, sometimes kicking and screaming, into the present, and the reality of who we are, and who we’re going to be.

It’s not really shoelaces at all.

Grace — February 9, 2026

Grace

There are 2 new Morrissey songs out (“Make Up Is A Lie” & “Notre Dame”), before a new album release in March. We have been hearing stories, these last few years, about at least 2 complete albums worth of material. One of those albums (Bonfire of Teenagers) has been called “the best work of his life.” The album that is coming out contains some of these songs, plus some that were not on either unreleased album. At least this information is some of what I’ve heard.

The 2 songs were released a few weeks apart, and baby, I was so excited. Each time, I woke up like Christmas morning and immediately listened.

They’re both really, really horrible.

Over the course of such a long, beautiful career, there is bound to be some stinkers. And there have been. It’s odd that the first 2 releases of his comeback could possibly be so bad. It doesn’t say great things. Was there honestly nothing better???

I’m not angry or anything, just maybe disappointed. I wasn’t dreaming of another Queen Is Dead or “Ask,” but I hoped maybe we’d get another You Are The Quarry or even Kill Uncle.

But here’s the thing, we now have the memory of goldfish and attention span of fruitflies. Our last video or post or book or game is THE ONLY VIDEO/POST/BOOK/GAME. Who cares about anything else? If the line isn’t up and to the right, you can take it down the road, we’ll replace you with somebody else. One misstep is ruinous. Last night, the New England Patriots were whipped by the Seattle Seahawks in the Super Bowl. Drake Maye (quarterback of the Patriots) didn’t play particularly well, and some commentators are wondering today if he’s actually as good as we thought. After 1 less than stellar game in a season where he was 1 vote short of the league MVP.

Is there room for grace in such a judgmental place as this? Does our last note erase all the other notes we’ve ever played? If you don’t like this post, will you unfollow me? Will you never read anything I write again?

These songs of Morrissey’s are terrible, but in March, I’ll have another Christmas morning when the album they’re on comes out. And if these songs truly are a reflection of what’s on it, I’ll be awfully disappointed, but it won’t make me love him less, and it certainly won’t make his impact on my life less significant. It’ll just mean this isn’t awesome. And I’ll keep waiting to be the first in line for his next release.

Panic! — November 24, 2025

Panic!

Today, I’m listening to Panic! at the Disco (that strange, misplaced exclamation point is not a typo on my part – though it was dropped for the 2nd album, as they attempted to become the Beatles, and the Beatles didn’t have a strange, misplaced exclamation point. Then, when that album wasn’t as commercially successful, they brought that punctuation back for the rest of their existence. Maybe people just were disoriented & confused, maybe there were 2: Panic! At The Disco and Panic At The Disco, and we couldn’t like them both.

I don’t hate that 2nd album, Pretty.Odd, and in fact, it has one of the songs I listened to most for a several year span (according to my iPod), “Nine In The Afternoon.”

I know we aren’t supposed to love them, for some of the same reasons we aren’t supposed to love Fall Out Boy (pretense, ridiculous song titles, etc.), but whoever decides what we’re “supposed to” love is wrong. That person (or group, or board) is always wrong, incidentally. There is no such thing as a guilty pleasure.

Guilty pleasures are those things we like that we “shouldn’t” like, like the Bravo Network, Growing Pains, Matchbox 20, and cargo pants. Nonsense. If you happen to like ‘80’s Kirk Cameron (actually, if you happen to like ‘20’s Kirk Cameron, for that matter), then who is anyone to tell you you’re pleasure is misplaced or shameful? Cargo pants are the coolest and Mad Season is a GREAT album.

I recently discovered that Panic! At The Disco is problematic, and that might be a reason to move away from them. Apparently, they’ve been accused of being sexist, transphobic, homophobic, and/or racist. I think there might be more, but I didn’t go any further than the AI headline.

The truth is, I don’t know if I care.

I’ve asked a form of this question before. Does “Baby Be Mine,” by Michael Jackson, suffer under the weight of a mountain of allegations? Is the “Himself” stand-up special from Bill Cosby stained so badly that the jokes are no longer hilarious? What about Kevin Spacey and Seven or The Usual Suspects? And what are the transgressions that warrant a reconsideration of the artwork? I think Hemingway was a terrible person, now what? Brandi Carlisle was absolutely awful TO ME, personally, and that did totally change the way I hear her output. But that seems a little selfish, that it only counts if it happens to me.

I’m listening to the Vices & Virtues album right now, and if I was forced to decide now, I guess I don’t care. I can’t help from dancing (a completely involuntary response!!) to “Baby Be Mine.” Maybe that makes me a bad person. But I bet, if you listen to “Trade Mistakes,” you’d be a terrible person, too.

I think I do care, though. I want to care. I want to expect more of humanity, of my neighbors, of us. I want us to love and take care of each other. Is that too much to ask?

And is this similar to shopping at Walmart or buying Nike’s or anything from Shein? If we want our corporations to behave better, shouldn’t we withhold our money until they do? And wouldn’t that make sense to carry that into our record stores and theaters?

Is this what a guilty pleasure is? In that case, maybe it’s not so nonsensical, and maybe it requires even more thought. (But maybe that consideration shouldn’t happen while I’m dancing to Panic! records…)

Culture War — October 20, 2025

Culture War

I am a man who was raised on pop culture.

I use the term “pop culture” often, but I don’t know why I add that first qualifying word. Why isn’t it just culture? And why does adding pop, or popular, immediately feel reductive? In a world such as ours, where every single aspect of our lives is touched/manipulated by the breakneck speed of advancing social technology, is there really any separation?

Whatever. I guess maybe I don’t actually know what we’re talking about when we refer to culture. Here are 2 definitions. 1. the customs, arts, social institutions, and achievements of a particular nation, people, or other social group. And 2. a set of meanings, behavioral norms, and values used by members of a particular society, as they construct their unique view of the world.”

When I started this post, I planned to talk about Chuck Klosterman. But now I’m wondering how we construct our “unique view of the world.” Of course, we all have lenses through which we see everything around us. How we think, believe, act, take in and interpret information, and what we do with that information are all included, but are these parts of us so integral to our identity a conscious decision? I guess what I’m asking is are we intentionally constructing this “unique view of the world,” or passively, mindlessly accepting what may be the most important thing about us??

Why do you do what you do? Why do you believe what you believe? Do you ever think about the social institutions and/or achievements that define us and our time? There is a real danger, as history gets faster and faster, eras become compressed – what took decades now happen in months – that the dog we were comfortably walking is now dragging us along as we struggle to hold on and try to stay alive.

Where are we?

In the Talking Heads song, “Once in A Lifetime,” David Byrne sings (talks), “ And you may find yourself living in a shotgun shack. And you may find yourself in another part of the world. And you may find yourself behind the wheel of a large automobile. And you may find yourself in a beautiful house, with a beautiful wife. And you may ask yourself, “Well, how did I get here?”

How did I get here?

I have always hated Talking Heads, and I think this song is mostly dumb (maybe I just think it’s dumb because I have no idea what he’s talking about) and unlistenable (I think Talking Heads songs are unlistenable because they are), but it’s interesting, in this context. How often have I “found myself” somewhere, with someone, and the only thing I can ask is, “How did I get here?”

The next verse begins, “And you may ask yourself…” And I guess I think that’s the answer. My sons are 18 and 20 and making decisions independent of the Angel and I. Now, of course, this is terrifying, but it’s also the design. These 2 young men need to discover who they are, and that process only happens through a messy differentiation. I don’t want them to live like me. I want them to live like them. I don’t want them to love Jesus like I do, I want them to love Him like they do.

And I think I was joking earlier when I said it was terrifying. I mean, yes, this breaking away to identify themselves includes so many, um, questionable twists and turns, decisions I might not have made and certainly would have advised them against. And that is not easy or smooth, but terrifying? No. What is terrifying is if they wake up some morning and find themselves as these new people and have no idea where they are or how they got there. If they trade my “unique view of the world” for someone else’s, if they just simply adopt another’s perspective without the wrestling that comes with individual formation and growth.

That doesn’t just go for them, it goes for me, too. What do I think, and why? Hm, this wasn’t at all the water I meant to splash around in, on this Monday afternoon. I probably should have just stuck with a nice long post about how awesome Chuck Klosterman is.

Sheen — September 17, 2025

Sheen

The special new Netflix documentary is about Charlie Sheen. Now, I have always regarded Charlie Sheen as some sort of sideshow oddity, like an embarrassing example of the worst of celebrity culture. His is a life built only upon the religion of excess. Like the writer of Ecclesiastes, he devoted his life to tasting every single thing there was to taste, as much as a human could manage, then much, much more. I didn’t think he was a particularly talented actor, thought he built a name and career on his family name. (Yes, of course, I loved Platoon and Wall Street, everybody did/does, but figured they had little to do with him, and much more to do with the scripts and director. I’ll be open to the possibility that I am wrong.) We all saw the tiger blood and “winning” debacles, the wild drug abuse, and insatiable sexual appetite. Was there really any more to him than a tabloid caricature??

The best documentary films say, in all cases, yes, there is more. (This is one of those.)

And it made me think about our current cultural obsession with the opposite – that there is no more to anyone than one small sliver of the whole. We are all fighting all the time because we are no more than our political affiliation (or any other ideology), divided sharply along party lines. That man/woman, who is this, who has done that, is, has been, will always be, this.

There was a running back for the Baltimore Ravens several years ago (actually, it’s 11 years ago!!!) who was arrested for abusing his then fiancé (whom he would later marry). Maybe this is a poor example, as the brand from domestic violence might be one that should never fade. Should it? Never? But Charlie Sheen was also arrested for domestic violence. And it might be the perfect example because it is one of the most heinous offenses, one of the most difficult for me to forgive.

What does it matter if I can forgive, neither Ray Rice or Charlie Sheen asked me, and I’m quite certain they don’t care if I do or not. But it does matter, because Ray Rice isn’t the only abuser in the world. There’s probably at least one on every street all over the globe, in our schools, grocery stores, churches. Now what?

Are they monsters?

Over the last few days/weeks/years, I’ve heard many different types of people referred to as something less than human: serial killers, school shooters, politicians & presidents, CEOs, pedophiles with their own private trafficking islands, and on and on. Are they sub-human?

Charlie Sheen was a maniac with a massive illness hellbent on self-destruction. Is that an excuse, or a reason? It doesn’t change what he did, but it does expand the tiny slice of the identity pie. And maybe that’s the important thing. Maybe the Menendez brothers (Menendi) should face consequences for the rest of their lives, but what they endured as children sure does shift the perception of what they did. Maybe each time we learn more and more, each time our incomplete outline gains a new dimension, each time we ask questions like “should it?” or “never?” about a professional athlete, that produces a shift that – well, it doesn’t really change them, or what they did, but it does change us.

Then, when we sit across from a Trump republican or a Harris democrat and argue about immigration or government departments, we can quickly understand that how they see this issue is not even close to the entirety of who they actually are. Then, when we want to shut them down as unfeeling, ignorant, uninformed rage-monsters, we remember Charlie Sheen and, instead, maybe we could ask why, maybe we could discover who they are and, consequently, why they feel the way they do. Then, maybe we could stop fighting narrow-mindedness with narrow-mindedness and have a conversation, one with patience, kindness, and respect. Maybe this Charlie Sheen doc can give us the key to unlocking, and setting free, a shared humanity.

Or maybe it’s just a celebrity train wreck. I guess it’s whatever we want it to be.

Catfishing Again — September 8, 2025

Catfishing Again

There’s a documentary on Netflix called Unknown Number: The High School Catfish, about a 15 year-old girl who starts getting absolutely horrible, menacing texts from numbers she doesn’t recognize. No one else recognizes them, either, because they’re from a text app that seems to be designed for exactly this type of thing. Why do they exist? Why would I want a randomly generated phone number for text messages? I cannot think of even 1 time I thought, “I wish I had a different number to text ____.”

I guess it’s pretty much like the Ashley Madison website. These sites & apps are for what they’re for, with no pretense or apologies. Ashley Madison’s business model is infidelity, period. Text apps are for catfishing. I don’t need burner accounts or phones, and I don’t need a super secret special number because I don’t mind if you see that it is from me, Chad. Maybe you do. But if you do, maybe you can also not use it to send abusive texts to your children? (I recognize I just gave away the reveal in the film, but it was bound to happen. My mom spoiled it for me, too.)

Anyway. The doc wasn’t great. At least, that is to say, I didn’t really care for it. It was so provocative you couldn’t look away, like the junkyard fire I saw 2 days ago. But the best documentaries paint pictures and tell stories to ask questions we don’t necessarily want to ask. People are almost never monsters. We hear their stories and end up understanding, even if we don’t like them. We see the tiny, incremental steps it took to cross the lines they crossed. They become more than the caricatures we see in headlines and click bait, they’re complicated & nuanced. We see ourselves in them.

After enough exposure, the judgment begins to be siphoned out of our hearts. Slowly. But if they are human beings, like us, then what? If we can forgive them, give grace to others, allow them to fall and be redeemed, then maybe we can be forgiven, redeemed, too. Maybe we shouldn’t be defined by the worst things we’ve done. Maybe we shouldn’t define others by the worst things they’ve done.

That’s what I love about documentaries.

This one had a villain. She did the thing, barely took responsibility, continued to lie, pretend, cried, thought she had been punished too harshly, and at the end, we didn’t understand. They didn’t ask the questions that would’ve invited her into the introspection that might have given depth. We didn’t, couldn’t, see ourselves.

[I do not blame the filmmaker, Skye Borgman, who has made many films that are brilliant. She deserves all of the awards she’s won. This makes me wonder if she simply couldn’t impel this woman to walk through the door out of villainous caricature. Maybe she did ask all of the right questions, but the answers gave so little, all that was left was the shocking story itself.]

Scooby Doo and other cartoons (and cartoon’y movies) have good guys and bad guys, but it’s hardly ever that defined in real life. When it is, it’s jarring and uncomfortable. They are usually great characteristics for documentaries – jarring and uncomfortable – but for different reasons altogether. I was happy when it ended.

Then, next time I turned on the tv, I could get back to rewatching Fisk.

Top Ten — August 20, 2025

Top Ten

As you might have guessed, I have been making lists of “Top ___” lists as long as I can remember. Top 5/10/25/100 albums/songs, soundtracks, top 10 moments in professional wrestling history, top 3 MLB pitchers/shortstops, top 5 pizza shops, etc. You get the idea. This is not a new idea to me.

A very good friend once had a husband who made a list of his Top 500 songs. It was mostly awesome, (he turned out to be not awesome at all), but when you get past the first few, it gets pretty muddy and begins to be governed by little more than which one you listened to most recently. It’s obvious “There Is A Light That Never Goes Out” is #1, but is “Rebel Yell” or “Possession” 14 or 15? I’d say “Heartbreaker” by Pat Benatar is somewhere in the area of 153, and so is “Overkill,” by Men At Work – who is to say which is 153 or 154 or even 171? AND are we including all Morrissey/Smiths songs? Because if we are, then the kind of list we’re making starts at, roughly, 40, with the exception of “I Can’t Help Myself” by Gene, which is either 1 (if Morrissey is omitted), 2 (if we’re only including “…Light That Never Goes Out”) or 6 (if everything is in play).

My Top 5 songs, incidentally, are 1. “There Is A Light That Never Goes Out,” The Smiths. 2. “I Can’t Help Myself,” Gene. 3. “Good Enough,” Sarah McLachlan. 4. “Hey Jealousy,” Gin Blossoms. 5. “Just Like Heaven,” The Cure. The 5 don’t change, but when “Just Like Heaven” is on, it’s #3.

Movies are an interesting proposition, though, as far as rules. Do you count entire series/trilogies as 1 or each individually? Will there be all 3 Lord Of The Rings films, or do you call it Lord of The Rings and leave it at that? What I’ll do is give my favorite of the series/trilogy and not include any others. And are there any genre limitations? Nope. Documentaries alongside fiction? That’s right. Here we go (maybe I’ll expand, if I feel it’s necessary). And we’ll decide at the end if this is the actual order…

Fight Club. Pulp Fiction. Kill Bill, vol 2 (and ONLY vol 2 – if I were to make a list of the movies I hated the most, vol. 1 would be high on that list). Point Break. Star Wars, ep. 8: The Last Jedi. Eternal Sunshine of the Spotless Mind. Captain America 2: The Winter Soldier (this will be the only entry from the MCU, although it probably could have been the first Avengers, Endgame, or Thor:Ragnarok. Any of those would be fine, too). Into The Spiderverse. LOTR: Return Of The King. The Dark Knight.

Now, I’m thinking about movies I loved that might have been high at different points in my life. I loved Dogma and Vanilla Sky. (Yes, I recognize Vanilla Sky is not the greatest, but for about 15 minutes in 2001, I thought it was just the cat’s pajamas.) Fraternity Vacation was exactly the kind of movie to really matter to a 13 year old. The Matrix, Adaptation, We Bought A Zoo, 12 Monkeys, and Knives Out all could’ve maybe made the list on a different day (with many others). But looking at the list – which is not in order, except Fight Club, that is #1 – maybe they couldn’t have. Those 10 are just about right.

I wonder what that says about me. Do we become the people we are because of the art we choose, or do we choose that particular art because we are those kinds of people? The Angel can’t get through 5 minutes of Pulp Fiction. Of course, she’s wrong, but why? What happened to make our interests so varied? Or did nothing happen, are we just pieced & wired together differently? Who knows? And honestly, who really cares?

When I took the Angel out on our first date, the first thing I did was look at her cd collection. It was cool and quirky, and it made me like her even more. As it turned out, the collection was her roommate’s. The Angel had about 15 cds, including Mariah Carey, Celine Dion, John Secada, and Backstreet Boys; it was like a traffic accident. Why would anyone possibly own these particular albums? After 25 years together, I still can’t answer that question, but what I did learn is that what we like isn’t nearly as important as I thought. Maybe it isn’t important at all. She finds no joy in Sarah M or The Cure, either. And I think she’s just the greatest, #1 in my list of favorite people.

I still make the lists, they still matter to me, I still care…I guess I just don’t need you to care anymore.