Love With A Capital L

A journey towards living an inspired life of love in the modern world

WW84 & Luca21 — June 23, 2021

WW84 & Luca21

Last weekend, as a little bit of an act of aggression towards my son who had gone with a friend (who was NOT ME!!!!) to the beach for 4 days (4 DAYS!!!!), I watched Wonder Woman 1984. We had not yet seen it and this is usually the type of movie we watch for the first time together. But he was away and it was available on a free trial of HBO, so… In case you haven’t seen it, if you Google it, the first result is the question “Is Wonder Woman 1984 the worst movie ever?” Ha! It wasn’t great, but it started me on a path that leads me here, with you.

But first, let me tell you we also watched Luca, a Pixar film on Disney+. This one was tremendous and my favorite part in a movie of favorite parts was Luca’s wide eyes.

Before we tie WW84 and Luca’s eyes into a tidy bow, there’s a song called ‘Roses’ by the Band Camino and here are some of the lyrics:

“Why you wanna be a sad boy, waste your time?/Lookin’ for something that was right here all along/I think we’re gettin’ it wrongIt’s too bad/When did it get cool to be so sad?/We’re spinnin’ backwards, did we all go mad?/Yeah, we’re only human but wе’ve got hands and hearts and noses/So stop and smеll the — roses.”

There’s a young man I coach who is so similar to me, he drives me crazy. He hated the Wonder Woman sequel, but he happens to be that certain wonderful age and disposition where every single thing is just horrible. I know the age well, hyper-critical, painted with elitism, sarcasm and a deep grouchiness.

The younger me thought it was super cool to be bored, jaded, sad and dismissive of most art, most everything actually, because I was so far above it all. It was awesome to make fun and pick apart anything. I was sooooo funny and disaffected. And I was totally miserable.

Luca left the water for land and was overwhelmed with wonder. There wasn’t anxiety or routine or a mountain of inadequacy. There wasn’t a hierarchy of people or things he ‘should’ like or not, no such thing as a “guilty pleasure” – just pleasure. Just beauty. Just roses.

Of course he would have to deal with the thorns, like we all do, but unlike many of us, he chose to not be overcome with those sharp points. There was the local bully and antagonist Ercole Visconti (there always is) but there was also the lovely Guilia. Luca had the same choice we do. Which one do we allow to color our experiences? To which do we give the keys to our heart? Which one gets to chose our perspective?

Wonder Woman probably wasn’t a great film, but so what? Not every film has to be Fight Club or Pulp Fiction.

Has there ever been a circumstance where tearing something down led to the teeniest bit of our own growth?

Another ‘Roses’ line goes, “Maybe you’re the person that you always wanted to be,” and after a lot of thought, the truth is, the person I want to be is one who likes stuff, who can see beauty wherever I look. I want to live a life of wonder and joy, so I do (mostly), and I think if we did more of that…

Well, you know how it is when you get a new car and it seems like those are the only cars on the road? Maybe it’s like that with love and wonder and Luca and positive energy. Maybe it’s like an electricity that each of us feel and absorb.

So, yes, I think if we did more of that, there would be more of that. We’ve got hands and hearts and noses, so let’s just try to stop and smell the — roses.

Our Why — June 14, 2021

Our Why

As you are probably very well aware, I care for youth sports a great deal and coach when I am qualified (which meant soccer and basketball when the kids were young and needed more of a babysitter than a coach and means only baseball now.) Every year there is a shortage of volunteers and that’s sometimes depressing even if it is predictable. The truth is, if I had an ounce of good sense, I wouldn’t do it either.

The most common guess is that nobody does it because of the time commitment, but that’s not true. Like everything else, we make time for what we value. If she says she doesn’t have time to call you back, it’s not because she doesn’t have time, it’s because she doesn’t have time to call you. Most parents who “don’t have time” are at all the games and always have time to write nasty texts about their future major leaguer’s playing time.

Having said that, parents are usually the biggest obstacle. As a parent of 2 athletes, I am comfortable saying that we are the absolute worst. We think our kids are the most talented, sweetest, hardest working people who have ever graced a field or laced up a pair of sneakers. Sure, we’re wrong, but that hardly matters. It only matters when you are the coach, like I am, and you’re honest that your son will get all of the preferential treatment possible.

Players are next in line. I find myself saying “nowadays,” “when I was young,” and “we used to ___” more than I ever thought I could. Yes, kids are different, probably because of the last paragraph, but they’re not monsters. They’re not all monsters.

You should know that I’m writing because, late last week, all of the coaches got an email detailing the myriad of ways we were misbehaving and the consequences we would face if we were to continue acting like petulant babies overflowing with insecurity and bad judgment. At that moment it became obvious that coaching wasn’t the most thankless position, it’s league president. Now why would anybody want to do that???

But I know why. And I know why I continue to choose to ignore my own good sense. It’s precisely because of all of the reasons not to engage. 

We give our time to kids who need someone to trust, to count on, who will look at them, see them and to trust them back. To the kids who need fresh words and new stories believed and spoken about them. That is a far superior use of our moments than Netflix or scrolling through social media or even more hours of overtime. By giving our most valuable resource, these kids see that time isn’t our most valuable resource after all, they are.

We serve the parents (or the coaches serve us) because more people loving our children is muuuuch better than less. 

But it’s the kids that give us our real why. I see a boy in my weight room who comes in every day. I ask everyone to do 7 sets of everything because it’s the number of completion, of wholeness. 7 because of Genesis 1. I sometimes ask him to do 8, because in John’s gospel, he gives 7 “signs” and then continues with an 8th (which is the resurrection of Jesus), signifying a new week (!!!!) and a new creation. I ask him to do 8 because he’s becoming a new person. He listens, or pretends to. And today after the 7th, he looks me in the eye and says, “I’m doing 8.” He is why we do any of it.

It’s how we love and it’s how, in whatever small or gigantic way we can, tell stories of a whole new world, one practice at a time.

I have nothing to say about the miserable behavior in the email. There’s always one or two, isn’t there? 😉

What If You Do? — June 8, 2021

What If You Do?

At a baseball game last night, we lost. That’s ok. I don’t ever mind wins and losses. (Well, I do a little…sometimes more than a little.) What I do mind is the how. How did we play? How did we compete? How did we show up? How did we carry ourselves? How was our mindset? How how how.

So last night our how was rough. I saw it in their eyes, their countenance, their posture, and just as a positive how elicits a favorable result (not always a win, but always something good), our loss was a direct translation of our how. It’s probably mostly that way in our careers, marriages, homes, our lives, right? We often sleep-walk through the ruts & routines of our days. We’re tired, uninspired, listless, frustrated, passive and the tapes in our head keep us firmly stuck in that loop. Maybe it’s settling for less, or maybe it’s just a lack of vision. Maybe it’s just that our eyes are closed to the opportunities, the beauty, the glory of God crackling all around us desperately trying to jar us from our despair.

In an weekly email I subscribe to, Caitlin Winkley writes, “Are your thoughts contributing to the type of woman you want to be, the type of life you’d like to live and how you want to feel?

Or, are your thoughts fueling your old story, leading you to feel worry, doubt, unsurety, powerless and fearful?”

(I don’t know why she assumes everyone on her email list is a woman, but I really don’t care. She’s awesome and this is wisdom for everybody, regardless of any demographic category. This might be a very good time to discuss the things that offend us, but we’re discussing other things today…I DID read once that we get offended by small things when we don’t have big things to think/care about and give our energies to, so that’s all we’ll say about that here, now.)

Do we need a renewal of the mind? Did each of my players last night live into a picture of the “type of woman” he wants to be? Did they give what they had to give and feel how they want to feel? Did I?

Are we doing that today at work or school or home or wherever?

OR are we feeling doubt, worry, unsurety, powerlessness? Are we overrun by fear?

Unsure is the perfect word, isn’t it? Because those adjectives she uses are paralyzing, making our feet heavy and still, holding us tightly to the ground when we have always been meant to fly. And then the tapes: Really??? Are you really meant to fly? You??? What if you fall? What if you are wrong? What if you don’t have what it takes?

What I have learned, even as I too often listen to those familiar tapes in my head, is that those questions aren’t that far removed from, “Did God really tell you…” from Genesis 3. They were lies then and they are lies now.

What if you swing and miss? What if you don’t catch it? What if you make a bad throw? What if you give all you have and still lose? What if you fall? What if you’re wrong?

What if if you don’t have what it takes?

To paraphrase a famous parable, “Oh but my darling, what if you do?”

Sports might not always be the perfect metaphor for everything (I guess), but they are very close.

Outside Of A Hotel Dance Club — May 25, 2021

Outside Of A Hotel Dance Club

I read this book last year called Misericorde, by Cynthia Morgan. It’s part of The Mercy Series (part 2 is out, called Clandestine, and now we impatiently wait for book 3 & 4). I’ve referenced it several times before because it contains this peach: “May we show our thankfulness through kindness and appreciate our blessings through generosity,” and as far as vision statements for life go, it’s terrific.

Last year, the author (who happens to be a good friend) asked me to do what she called a “Reverse Book Review,” where she asked questions, I’d respond, and that interview would become the review. It’s a great idea and of course it is, she’s brilliant.

One of the questions was “Who was your favorite/least favorite character and why?” I answered: “My least favorite is easy: Sauvage. In a space that is forgetting any resemblance of gentleness or care, his absolute lack of humanity is repulsive. My favorite has been Chevalier or Levesque for the same reason. As I raged at their apathy and unwillingness to DO SOMETHING, I knew why they didn’t (or couldn’t.) They did for the same reason we stand idly by while the least of us are utterly taken advantage of and great violence is inflicted. Morgan couldn’t have known the specific political/social landscape when she wrote it, but this story is perfect for us, now. I guess it’s perfect for any time, because we are too often Chevalier or Levesque and not enough Tzadkiel and Lourdes. (As it turns out, why I love them is that they DID finally DO SOMETHING and I am proud of them, and it gives me hope for us, for me.)”

You don’t need to know who Tzadkiel or Levesque or Sauvage are to know who they are, right? They are you & me. Sometimes we are the wounded, sometimes we’re the one who delivers the pain, and perhaps most disturbingly, sometimes we are those that stand on the sidewalk while the damage is done. When my often-overwhelming passivity pulls the strings on my decision making process, it leaves me crushed and discouraged. Why didn’t I just (whatever)? Why couldn’t I have just…?

And I know why here, too.

Once when I was in college, I witnessed a guy hit the woman he was with with a bottle outside of a hotel dance club. My friends were in the bathroom and I was watching the whole thing happen from the window. Sick and outraged, I waited for the guy to leave and my friends to come back, then we ran outside like heroes. Only I knew I wasn’t.

25 years ago and this still haunts me. Of course it does, how can it not? I can see him do it and I can see her face. I sure hope she didn’t then get in his car, but I’m pretty sure she did.

It’s interesting what will shape each of us into the collage that we are at any point on the timeline. Or, in this case, the mosaic that I am now. Watching such a despicable happen and choosing to bend to my fear broke me forever in ways I couldn’t understand through that hotel window. But it’s the repair, isn’t it? The beauty of a mosaic lies in the reorganization of the cracked and broken pieces.

I used to ask, anytime kindness, civility or common sense broke down, “how can they do that???” I don’t ask that anymore. I know, I know. I understand Chevalier and Levesque because they are a mirror of what we can become and an invitation to become something more of what we were created to be. I wrote that I was proud of them, that they gave me hope. And I guess what I really meant was if their story wasn’t over, mine isn’t either.

The Stairs — May 13, 2021

The Stairs

I haven’t written for a minute because I’ve been sick with the COVID. Mine is a very mild case, but it does carry with it an unpredictability. Every morning I wonder if today will be a good day, if I’ll have energy, a headache, a stuffy head, or just how severe my chest tightness will be. This, of course, isn’t awesome, but over the last 2 weeks I watched a loooong documentary that I had been meaning to catch. It’s called The Staircase and details the death of a woman and the murder trial of her husband, who happens to be famous author Michael Peterson.

I suppose it’s actually about the justice system in this country, with these people, their families and communities as the backdrop.

The Staircase is 13 episodes – 8 original with the next 5 added over the last 20 years of this ridiculous saga. So, I watched every one and have no idea how this woman died. Maybe she fell, maybe she was beaten, maybe an owl (no kidding, an owl!) attacked her. Who knows? I don’t know if everyone is telling the truth or if no one is, if they’re all just doing the best with the limited information they have.

Not everyone was telling the truth. There was a crooked investigator in North Carolina named Duane Deaver who we can all be quite certain was a villain in this story. Maybe he’s not anymore, maybe in being found out, he was forced to look in the mirror and his soul and changed his life. I often dream like this. Just because we are one way today doesn’t mean we have to stay that way. The boxes inside which we put ourselves and each other are really just tape on the floor that we can easily escape…or they should be. There’s an honest discernment involved. Obviously, we don’t want this guy anywhere near evidence or in any position of authority where he can steal any more years of any more lives, but there must not be a period where a comma should be.

I did not like The Staircase. I didn’t really like any of the characters too much, especially Michael Peterson. His arrogance was gross, his pontificating was inane and endless, I even found the tone of his voice grating by the 3rd or 4th episode. I just wanted it over. I cared about the owl more than anything else.

Afterwards, I looked up on Google to find out why anybody liked it. And guess what I found? One of the women on the documentary crew named Sophie ended up in a relationship with Peterson, who was first found guilty by a jury and then finally ended up pleading guilty to the murder of his wife. This love connection sounds awfully strange, but it’s an excellent illustration of my tape on the floor description, isn’t it? She didn’t label him or classify him as anything. She simply saw him as a human being, and I like that more than I can tell you. I can’t imagine what she saw in him, but Sophie is easily my favorite person in The Staircase and the one I’ll take with me long after I forget every last minute of this American tragedy.

The Angel Has A Scar — May 4, 2021

The Angel Has A Scar

I just spent the last hour writing a post on Absalom’s hair. Here are the verses: “In all Israel there was not a man so highly praised for his handsome appearance as Absalom. From the top of his head to the sole of his foot there was no blemish in him. Whenever he cut the hair of his head—he used to cut his hair once a year because it became too heavy for him—he would weigh it, and its weight was two hundred shekels by the royal standard.” 2 Samuel 14:25-26. And then I related that to the careful crafting of image on Facebook and Instagram, talking about how we get confused. That fantasy becomes our idea of reality, and the familiar inadequacy of our own layered, imperfect lives gnaws away and mocks our “blemishes” and less than glorious hair.

And I worked and worked. It was pretty uncomfortable honestly. I have COVID so I’ll use that as my excuse. I referenced Narcissus and Dorian Gray. The story is one of pride, as so many stories are. I know that. But what to say about that?

You know, Zoom is not the best thing to happen to these parts of us. Every meeting I have, I end up focusing on the way the skin folds under my chin, wondering if there is a way I can suspend the camera from the ceiling. I sometimes even direct private message someone else in the group and ask if they think I have a condition. And I do these Facebook minis where I wonder when I got so old and tired. And last Sunday, I filmed the message from home and wondered if I was sitting up straight enough or if my shirt was drawing attention, disappearing into the rolls of my stomach. I have no hair and what little I do have is receding. It’s easier every week to shave, there’s less to deal with. I have marks on my face from teenage acne and years of abuse.

I understand why we live on social media. We probably shouldn’t share that last paragraph. But I’ve always loved those parts of us the most, the parts that aren’t quite right, the edges and quirks. The Angel has a scar on her lip where a dog bit her when she was 13 and it’s awesome, it drives me crazy. And some dumb Snapchat filter would erase it.

There was a time when I tried to collect every Morrissey recording and there was this one they called “I know very well how I got my note wrong.” The actual song is heartbreakingly lovely and about a minute and 20 seconds in, the guitar makes a mistake and everyone laughs. It’s one of the best things I own. I miss picking up the pictures and thumbing through them, laughing at the ones where people weren’t looking, making faces, ones I didn’t know I took. The ones that I’d delete now and keep taking until we got one where we all looked great, everyone’s smiling and nobody’s blinking.

Absalom was perfect.

I don’t want us to be perfect, I want us to be human. That’s enough. In fact, it’s way more than enough. It’s honest and broken and flawed and beautiful and most of all, it’s true.

Shirkers — April 29, 2021

Shirkers

“There are movers. There are shakers. And there are shirkers.” That’s the very catchy tag line for the Sandi Tan documentary Shirkers that I watched today.

This is a different circumstance because all of the many colored blocks that populate the calendar on my phone had to be erased, leaving me with oodles of free time. Free time that has been suggested/issued/commanded by the PA Department of Health. In the DoH phone call to check on my symptoms (none) and/or exposure (constant), they kindly asked me if I would be complying with the quarantine order and I thought that was a nice gesture. I guess they can’t make me, per se, but I do love you a lot, so I’m on lockdown.

(I don’t want to talk about COVID or quarantine guidelines & regulations. Also, because everyone is home, I can’t talk about Father Yod and the Source Family doc I began that is inappropriate for young viewers. Soon, soon.)

Now. Shirkers. It’s a pretty great documentary but I don’t think I would’ve liked the movie it’s based on at all. The film is from Singapore and at least 5 times too art school pretentious for me.

Mostly, we have our imaginations squeezed out of us by the time we make it to middle school, replaced with standardized tests and the overwhelming stress of future success hanging in the form of grade point averages. We have “what could be” beaten into “it is what it is,” “why not” into just “not.” Shirkers was founded on the idea that something new is not only possible, but here in their heads screaming to be expressed.

I don’t care if I would’ve liked the film. I want to live in a world where art exists that I find horrible or offensive, because that means I cold love it, too. You can’t love the middle of the road. You can’t love white bread. I value the risks of dreaming of a new day, where yesterday isn’t necessarily today. It might be, but it’s up to us to decide if it will be. If we sand off all the edges, all we’re left with is circles rolling in and out of our souls and lives, never making an impact.

Bad art (I’m not saying Shirkers was bad art. The truth is that I don’t know, nobody knows, some charlatan stole and trashed the audio files) is essential to forward motion. The line between compete unwatchability and the best thing you’ve ever seen is thin and blurry at best, invisible at worst. I’d like to totally ignore that line and listen to the creative impulse in each of our heads & hearts and follow that, instead. Of course, maybe it’s destined for the rubbish heap, but what if it’s not? As it says on so many inspirational plates and blocks of wood, “Oh but my darling, what if you fly?”

Fixing — March 9, 2021

Fixing

There is a documentary on Netflix called “How To Fix A Drug Scandal.” Like all Netflix documentaries, it’s great – well made and endlessly fascinating. It’s about 2 women in 2 different Massachusetts drug labs who, in different ways, cheated the system and cost thousands (thousands!!!) of people their freedom. Now, maybe those people were guilty and maybe they weren’t, but they certainly were treated unfairly by a group of federal & state employees concerned with ease, comfortability and their own positions of power. It was gross. I don’t want to talk about it anymore.

There is something important I learned in it, though, that I do wish to talk about.

I lost a buddy to a drug addiction last month, and it was heartbreaking. Addiction is heartbreaking. 1 of the women tasked with testing the drugs seized in arrests turned out to be a very serious drug addict herself. She was an over-achiever throughout school, valedictorian of her high school class, extraordinary athlete, college degree, great job. At that great job, she became a user. How did that happen? I used to think drug addicts looked a certain way or followed a certain template, but I was wrong. They look just like me.

I know 2 attorneys that are awesome. Outside of the 2 of them, I have to admit that attorneys have historically held a poor reputation in my head. It’s not a reputation that is set in stone or anything, but nonetheless poor. The narrative had gone that defense attorneys are the morally bankrupt ambulance- and fame-chasers, who will do and say anything. I know that’s harsh, but this opinion has sadly been reinforced over years of perceived example. The defense attorneys in this doc may actually be morally bankrupt ambulance- and fame-chasers, but as they explained their call, it sounded noble and beautiful. Their behavior sure was noble and beautiful. By the end, I wanted to become a defense attorney. I wonder if those years of “perceived example” were just that, perceptions based on easy generalizations and lazy cliche.

This reminds me of the story of Jonah in the Bible. All of the characters who are supposed to be the good guys, aren’t, and the characters who are not, are. It’s jarring and confusing. The prosecutors are elected officials who should be wearing white hats while keeping us safe from the villains. Except, they’re the ones unfairly meting out a perverted mis-representation of “justice” to those unlucky enough to cross their desks. It becomes more and more difficult to know who is trustworthy. And as that ground shifts, our anxiety grows.

I guess I have usually wanted to understand which end is up, who is ‘us’ and who is ‘them,’ who is ‘right’ and who is ‘wrong.’ The problem is, as we discover, there is no us and them, just us. I could be the prosecutors or the drug addicts. Another problem is that an honest faith journey includes an endless process of watching ideas (set in stone, absolutely figured out and under control) that we believed, no, that we knew, spectacularly annihilated. Those idea that are exposed as much too small and fit into very inadequate boxes.

It seems to me that we’re made (and when I say we, I mean all things) for expansion and these boxes we create out of our fears lead to contraction, where it’s not only the boxes that are tiny and restricting, it’s our lives. We’re faced with a choice, hold on with white knuckles to a fading paradigm or release it to become something closer to truth.

It’s nice, being wrong so often. I don’t really need boxes anyway.

Superheroes, etc. — March 1, 2021

Superheroes, etc.

We’ve seen 8 episodes of Wandavision now. What once was confusing and gimmicky is now clear and focused, the gimmick has faded into a deep character-driven exploration of grief. We all knew this, probably, but the genre hasn’t historically been a space for deep character-driven anything. At least that’s what we all have been led to believe. To say you’re a superhero guy implies you’re stunted emotionally and especially socially, living in your parents basement wishing for a girl who likes action figures and cosplay as much as you do.

Aside on cosplay: The last time I participated in anything that could be called cosplay was when I was 8, with a lightsaber and bathrobe or a towel safety-pinned around my neck. Good times, man. But if that’s what your deal is, I’m down with that. I don’t live in my parents basement, either. I am married with 2 kids, and haven’t played with action figures since high school. I loved it then and would probably love it still. I don’t think I’m stunted in any way. I wouldn’t, though, would I?

But I really love superhero movies and would sign a petition to classify them as films, nowadays every bit as nuanced and layered as any random indie film nobody sees and is critically adored. They just use a different delivery device. Peanut butter is still peanut butter if it’s on celery or an apple or a cracker or a chocolate bar. Courage, fear, friendship, kindness, and love are real if they’re in your town or Hogwart’s.

This has taken a while to come to grips for me, as a fairly insufferable snob with negative opinions on popularity. If everyone likes it, I figure it’s like white bread or McDonald’s hamburgers; nothing to love but nothing to hate, inoffensive, safe, produced for mass consumption. But Endgame raked in 2 billion dollars and everybody saw it and screamed with joy when Captain America held Mjolnir (the hammer of Thor). It’s hard for me to understand that sometimes everyone likes something because it’s actually very good.

While we’re talking about that hammer, when Thor regained it and woke up to the idea that he could still be “worthy,” who didn’t understand? Who hasn’t felt the inadequacy of “Am I good enough?” Even the god of thunder feels like me and you. This is the sort of arc that takes half a dozen movies to move from sickening arrogance to heartbreaking insecurity. Have any of your friends fallen apart because the image they wrongly based their entire value on turned out to be pretense? If I am not what I do, what I can produce, then what am I? Of course, it’s as true and relatably human in a cubicle or corner office as it is in the last son of Krypton.

We live in a culture that needs it NOW, spoon-fed with a tidy conclusion – and that was always perceived as the realm of superhero stories. Our hero would vanquish the villain as the credits rolled. Infinity War ended with half of all living creatures reduced to dust and we had to wait a year for any other resolution. That first story in the Marvel universe took 23 (!!) films. That’s why it mattered soo much and was sooo devastating when Tony Stark made the sacrifice he did.

Wandavision took 4 episodes before anything happened that even considered making sense of the sitcoms from different decades. Many of us checked out, but those who stayed are now being rewarded with a richly imagined psychological drama. Vision says at one point, “what is grief but love persevered?” Of course, I cried then. So did you and everybody else because Wanda is now our sister, dealing with the kind of loss and suffering that breaks us into a million pieces. Does the fact that the lovely her life is dead somehow hurt less if she can fly? The decision to do this on a weekly tv show tied into and through the previous films allows us to truly know her story, and as it turns out, it’s ours.

I could write forever about Rocket and his loneliness or the Quill/Yondu father-son dynamic or Gamora wrestling with the sins of her own father or Natasha wrestling with her past and if she’s done too much and gone too far to ever return… but I won’t. You already know.

Us Against You — February 11, 2021

Us Against You

I’ve been telling everyone who will listen how much I love the author Fredrik Backman. Last month I read and wrote about Beartown, a devastating novel about a community and a horrible thing that happens that threatens to tear it to shreds. Reading it was a rough experience. So you can imagine how surprised I was to be reading its sequel, Us Against You. The story continues to detail the fallout from this horrible thing in this community. We often think the horrible things are like band aids; we tear them off and then throw it in the garbage and we don’t have a band aid anymore. It’s really more like a tattoo; it might fade but that’s about the best case scenario. It will probably leave traces behind so we can always see where it was, how and when we got it and how much it hurt. We are different afterwards, changed.

This horrible thing leads to a vastly transformed landscape. Relationships deteriorate between spouses, parents & children, neighbors, teammates. Maybe the most damaged is the relationship they have with themselves and the people they thought they were.

I learned a lot about me through these 800 pages across 2 books, about who I am and who I want to be and how far apart those people still are, sometimes.

These characters are faced with decisions to respond, to stand…or not.

The choice to speak or not. To move forward or not. To build or destroy.

Some make great decisions that cause them such unbelievable pain and loss.

Some act in shameful ways and their careers advance, their teams win.

Sometimes relationships fall apart for no more complex reason than we don’t hold them together.

We don’t know how to come home, so we stand on the porch unable to turn the handle while those inside ache at our absence as if we were worlds apart instead of on the other side of the door.

The whole narrative could’ve changed, reconciliation was still possible, if only we could turn the knob. If only we could take 1 step, tell the truth, say something, stop. If only.

This horrible thing happened between 2 people and ravaged an entire town for generations. There are no victimless crimes. But it would also be a mistake to suppose that the horrible thing was the only ravager. The entire town, over generations, carelessly set the scene for this horrible thing between 2 people. Everything is connected. By the end, it was so hard to tell who were the victims and who were the perpetrators, but this writer didn’t seem to mind leaving it to me to figure that out. And (with the exception of 1 15 year-old girl) I couldn’t. What I discovered is that it’s a lot like real life, that the brainless simplicity of us/them is never adequate. Maybe its authenticity is what made it so uncomfortable.

This is a very difficult post to write, not because I can’t think of anything to say, but because there’s just too much. My head and heart are overflowing with ideas that I delete, false starts and a screen that is blurry through new tears.

Earlier, I typed “the whole narrative could’ve changed,” and I think that’s what is so heartbreaking to me. It takes work and attention, food and water, but often we don’t have those to give, for whatever reason. So the distance between us grows and we stop seeing, stop listening, stop saying.

The books were amazing. I’m sad but, like always, hopeful. This story in Beartown is our story and like that one, we can change it. We don’t have to stop listening, seeing, saying. We don’t have to stay on the porch, we can come in and fall in love again. One Sunday there was an empty tomb, a moment where everything changed forever, and there can be one today, too.