Love With A Capital L

A journey towards living an inspired life of love in the modern world

That Book — January 29, 2024

That Book

I wrote a book called Chronicles, Nehemiah, and Other Books Nobody Reads. It’s a terrific title, and I really love the whole thing. It’s not perfect, by any means. It’s a little unfriendly, there isn’t a Table of Contents and there aren’t page numbers. It’s a book of essays, so there’s no arc, and it follows no real discernible path. It’s equal parts memoir, the story of our faith community, The Bridge, and Bible commentary. It includes a number of blog posts from the Bridge site (and not this one), and a fiction piece called Bands We Don’t Even Like.”

At the end of every service, we stand and hold hands for closing prayer, and we do that (in part) because of 2 songs: “Dance, Dance, Christa Paffgen,” by Anberlin, and “Rumors Of My Demise Have Been Greatly Exaggerated,” by Rise Against. I explain why in the book, and I also break down the bible verse that most informs my every day (Genesis 28:16 “Surely the Lord is in this place, and I was unaware.”)

Incidentally, the Anberlin line is “if a touch is worth 1,000 words, then a touch is worth them all.” And I just now read an online lyric page that reads, “…then YOUR touch is worth them all.” If that is, indeed, what it says, I’m going to continue to pretend it doesn’t, and still says “…A touch is worth them all.”

The reason for the Rise Against song is, “Let’s take this one day at a time, I’ll hold your hand if you hold mine.” I can’t play this one in church because there are language issues, and I don’t play the Anberlin because it’s over 7 minutes long.

I’ve been dying to play a Morrissey song, and “Death Of A Disco Dancer” fit perfectly last Sunday, but that song is long, as well, so I just read the lyrics.

I love the book because it was my first, and it was my heart spilled onto the pages. Of course it’s not perfect, how could it be? It’s messy and feels urgent, like I had to get it out immediately or I’d never sleep again. It’s sweat, blood, joy, exhaustion, tears, confusion, frustration, brokenness and gratitude.

I didn’t think I’d write another one – I love the blog format. The sermon is such a cool art form because it’s also immediate, but electric and personal, human, flowing, physical, thoughtful, life-changing (for the giver as well as anyone who hears.) Blogs feel very similar. I’m writing this now and you can read it within 5 minutes. Books are different. I began this 2nd one a few years ago, put my head down and worked like crazy for most of last year, and finally finished it in October. The first people read a physical copy a few days before Christmas, and it won’t be approved by Amazon to sell there until late spring (hopefully). I self-publish for the same reason everybody else does, because it gets out fast and is relatively easy.

I started the process to put a little commerce store on this lovewithacapitall.com site to sell it, but it requires an upgrade, and I don’t feel like that now. As I write that last sentence, it feels silly. If I want the new book in the world, an upgrade is a small price to pay. We’ll see. It’s for sale now on Lulu.com, and it’s called Be Very Careful Who You Marry. It’s much friendlier, one subject (marriage), chapters, a Table of Contents, and even page numbers!!! I’ll tell you about it next time.

I am going to go back and clean up the last one, …Books Nobody Reads, and get that out again for summer or fall. Maybe you’ll love it like I do, but making anything is an interesting dance. Obviously, I’d love everyone to love everything, for this to be the biggest blog in the world, and for people to find tons of value in it, but the truth is, we are made to create. It’s an offering, isn’t it? We listen, live, process, and then we express it, however we express it. Maybe it’ll connect – after all, we’re all having these beautiful, and beautifully unique, intensely personal yet strangely universal, human experiences. And maybe it won’t. But it has to get out, we have to open our hearts and hands.

I tell you all of this to encourage & celebrate the impulse to build, to construct bridges between us, however we do. You either know you’re an artist, or you don’t – but you certainly are one. Let’s do this, I’ll hold your hand if you hold mine, and we’ll jump together.

Not At All About Youth Sports — January 25, 2024

Not At All About Youth Sports

Last night, I was at a basketball game (not misbehaving at all), wandering down paths in my head that only used this contest as context. I was thinking of the super-famous Marianne Williamson quote:

“Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. We ask ourselves, ‘Who am I to be brilliant, gorgeous, talented, fabulous?’ Actually, who are you not to be? You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won’t feel insecure around you. We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It’s not just in some of us; it’s in everyone. And as we let our own light shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.”

The team, full of “brilliant, gorgeous, talented, fabulous” young men “plays small,” and “shrinks” from their own power. So, how do we, as grown-ups, teachers, coaches, leaders, help them see themselves as children of God, help them to shine? That is the question I’m asking, and it’s also the question everyone else is asking, in some form or another. Whether the form is a basketball game or at our jobs in sales or management or ministry or in our marriages, it’s always the same question.

How are we liberated from our own fear, so that we can liberate others?

A coach on my son’s team is a very good friend, and we’re talking about exactly this today. How? How do we hold a mirror up to show them their own beauty and light? I have another very good friend who accepts so much less in relationships, thinks abuse is just what it is to be in ‘love.’ How do we help to open her eyes to who she actually is? Can we? Or is this a journey we ultimately take only with God?

I’m reading a book called the book of soul (with what is, ostensibly, a purposeful lower case title), by Mark Nepo. (Incidentally, the title is entirely lower case, but his name is entirely upper case. I don’t know what message that sends, probably nothing too great, but it’s good so far, so he can do whatever he likes in whatever font or case he likes.) He wrote, “immersion invokes the giving of ourselves completely to an endeavor until it reveals its meaning, devotion asks that we uphold our commitment to stay immersed in that which has meaning.” I think this applies to our conversation, but I can’t say I’m too sure why or how.

Maybe we immerse ourselves in ourselves, our identity. Give ourselves completely to learning who we are, our power, our shine. What could have more meaning? Then, we devote ourselves to stay committed to that divinely bestowed identity (our value, worth, brilliance, talent) even when we can’t see it. Maybe that’s what I’m feeling. It doesn’t tell me how we get her to see it, or how we convince that team to commit all of themselves to whatever they’re doing, on the court and/or in the rest of their lives.

Paul writes, in his letter to the Ephesians, “live lives worthy of the calling you have received.” These are all different versions of the same material, like walking, talking, loving cover songs.

That high school team lost last night. They’ll lose again, and so will we, in lots of different ways. Hopefully we all uphold our commitments to stay immersed, to shine, to live these beautiful lives worthy of our call. And in that, we might be able to show a tiny glimpse of what’s possible.

Who I Am. — January 22, 2024

Who I Am.

There are a few works (Barbie, Echo, Strange World) I’d like to discuss. Well, sort of. The site asked me my first name and what it means in the prompt. It’s Charles, but I have gone by Chad forever. Don’t ask me how you get Chad from Charles, I’m not sure that’s a usual shortening, but if it matters that much, you’d have to ask my mom. It was her decision. Why does the site care? Why would it prompt me with that?

I think the site believes that we can learn a bit more about each other, if we explore the meanings and etymology of our names. It’s wrong, of course. What does Charles, or Chad, say about me, who I actually am? Chuck Klosterman, in his book Fargo Rock City, says any review says almost nothing about the actual whatever (film, album, etc) being reviewed, and everything about the one doing the reviewing. If that’s the case – and it is – then you already know who I am, in the most significant way. Much more than if you knew my given first name is Charles or that I’m a Junior.

Barbie is both dumber and smarter than I expected. It’s purposefully cheesy and embarrassing, in parts, and deep and nuanced, in others. It’s really a fascinating film, perfectly cast and surprisingly well written. The characters are plastic, but developed as flash and blood, with lots of authentic facets of the human experience. I loved it and my mom hated it, which is one of the best compliments I can give. Nobody hates vanilla ice cream. It’s nobody’s favorite, but nobody thinks it’s gross, either. We all like it. Morrissey is my favorite singer, and my brother cringes at the sound of his voice. You can’t really love something without edges. The things that truly matter are, on some beautiful level, polarizing. Barbie is.

Echo is one of the best Marvel series on Disney+. Echo is a deaf Native American woman named Maya, the show is culturally wonderful and very violent. The most important sections of Black Panther were the music and practices of Wakandan culture. This is why the Tolerance Crew’s virtue of “colorblindness” is so dumb. Why would we all ever want to be the same???? My ancestry doesn’t have powwows or quinceaneras, and that’s too bad. But I have other things. I don’t want to lose my traditions and I certainly don’t want to eliminate theirs. I want us all to live in the most vibrant, colorful world as possible, where we are not simply tolerated (which is an offensively low bar to aspire to) but appreciated and loved. Echo was great.

Strange World was totally average, with amazing graphics.

I wonder what these last 3 paragraphs say about me. Probably you know that, as a target demographic, I am very easy to please. I want to like everything, so when I don’t, it’s depressing to me. Maybe when I don’t, it’s because I’ve just had an argument with the Angel, or my stomach hurts, or I’m preoccupied with the drama of friends and family. Books are a little exempt from this, because they take much longer to consume.

I’m reading one now, called As Good As Dead, by Elizabeth Evans, that has an act of unfaithfulness as it’s inciting event. I don’t know if I’ll finish it, even though Elizabeth Evans is awesome. That kind of betrayal hurts my soul and my soul is damaged enough simply living an engaged life in the world. Enough real life unfaithfulness exists to suffer. Maybe I don’t need the nauseous response of a fictional anxiety.

Yes, that last paragraph reveals much more of who I am than the 4 letters of my name ever could. Listening to There Is A Light That Never Goes Out is more important to me and who I am than a German lineage.

The first thing I wanted to know when I began talking to a prospective romantic interest is what sorts of cds she owned, not her middle name. (Incidentally, the Angel’s collection was awful, but she’s so jarringly gorgeous, exceptions were made.) I don’t care as much, now that I’m not a teenager, but that doesn’t mean I don’t care at all. Or that it’s irrelevant.

The honest truth is that it matters if you like Pulp Fiction, and why or why not, and it will always paint a more accurate self-portrait than any of us will admit.

NOT Another Post on Youth Sports — January 9, 2024

NOT Another Post on Youth Sports

This is not another post on youth sports. It’ll feel like it is, but that’s only because youth sports is the superficial context for a deeper reality. Sort of like superhero movies not actually being about superheroes, at all. If we make the mistake of believing The Winter Soldier is about muscles and exaggerated fight scenes, we’ve missed the metaphorical forest for the neon-lighted trees.

I think officiating basketball has to be just about the hardest thing to do in the whole wide world. There’s almost no one that can do it at a level in shouting distance of competence. My biggest issue with this is that it puts these athletes at risk for injury. A boy goes out to learn the lessons sports can teach so effectively (about himself, others, cooperation, resilience, perseverance, and on and on), and the ridiculous ineptitude of the referees leaves him open to all kinds of assault far outside of the rules of the sport. Last night, as the game transmogrified into gang warfare, twice (!!) a boy put both hands on another and threw him to the floor, another boy has his shoulder separated in what was inexplicably deemed a completely clean play by the deafening silence of the whistle. The last play of the game, as a young man went up for an offensive rebound, he was clubbed with a forearm in his chest and power-bombed to the hardwood. There was, again, no call, as the 3 officials ran from the court as if they were being chased by ravenous pit bulls.

That was last night. And now the site prompt today is, What Is Your Mission? These 2 events are related, bound tightly in my heart, soul, and mind. You see, I want to be a referee. A very good one. This sounds like a unicorn, the imaginary stuff of myth and legend, and maybe it is, but I don’t actually want to be a referee. A very good referee is, by nature, absolutely taken for granted. If a contest is officiated well, they are unnoticed, no comments on how well they did, or how they allowed the players to decide the outcome. They just showed up and did their job with excellence.

I want to live my life in such a way that I do the extraordinary in such a way that everyone in my circles can take it as a given. I want to be consistent, reliable. I want to show up to every situation, to give the best of me (the best of what I have to give, honestly and openly) in every moment.

I want everyone who sits in the congregation to know that I am well-prepared, and that, for the next 40-ish minutes, they will be taken care of. I want my boys to know, when they look in the stands at their games, that I am there…so much so, that they don’t even bother to look. That I will always be waiting in the parking lot to take them home. I want them to know I will give my life for theirs in a heartbeat.

I want the Angel to know so deeply that she is adored by her husband, who will always be interested, faithful, and engaged, and that she will always be cared for, appreciated, and loved to the moooon and back. There would be no need for comment or thanks, because it is just beautifully sewn into the fabric of her life.

I want the staff at the gym to see me every day at the same time, that it is wholly unremarkable. I want you to know I respect and honor you in ways that may be unusual in the wild, but not here, now, with me. You will know you’re safe to try, to ask, to disagree, to jump without looking, because you know I’ll catch you.

I want you to be aware that I’ll make tons of mistakes living a full, passionate life – and take for granted that I’ll listen, recognize, acknowledge, apologize and grow from these missteps. That when it happens, (and it will), you’ll know I am committed to the art of becoming.

You should also know this is obviously not me, not yet. I’m probably much more like these high school basketball officials, allowing others to get hurt when I should be carefully protecting them. Creation can take some time, often in baby steps, and can often be embarrassingly slow. And it’s usually done alone, in the darkness of routine and practice, but since the site prompt asked what my dream, my mission, is, this is it.

Dumb Site Prompt — January 3, 2024

Dumb Site Prompt

The prompt is, “What colleges have you attended?” I started at a branch campus of a major state university, then quit school altogether, only to transfer to a small-ish private liberal arts college, where I’d graduate with a business administration degree (marketing concentration). Then 15 years later, earned a degree and ordination from a Bible college & seminary.

I never liked school, hated every day of the branch campus and liberal arts college. But later, in a strange twist, loved every moment of the Bible school. Who knew?

I used my business degree to get a management job at a multinational company, where I was a terrible manager. When I gave my 2 week notice on the eve of my wedding, the relief in the general manager’s face was evident. He could finally be rid of me without having to fire me.

Then, after a short stint working at a retail store in a mall, I used that degree to drive a truck, delivering medical equipment to hospice patients. The degree was useless, but the job changed my life forever. After many years there, loving dying people and their families, I took the online Bible classes (working full time with a wife and 2 small children doesn’t leave much, no, doesn’t leave any time for sitting in class), lost my home in a flood, mourned the closing of the church I attended, began a new church in my new living room, and just held on with both hands.

I thought the site prompt was dumb today, but as I’m writing, thinking about the doors that opened, that closed, with the benefit of hindsight, on the 3rd day of a new year, I don’t think it’s so dumb anymore.

If I hadn’t taken 5 1/2 years to complete a 4 year degree (due to credits that wouldn’t transfer, several switched majors, and 1 unfinished semester), I would never have met The Angel. Our first date was in that last 1/2. If I hadn’t spent years working through the night, I wouldn’t have discovered the many many treasures of the Bible and of me that I did. If that flood wouldn’t have swallowed my home, we wouldn’t be here, in this town, with these neighbors. If the old church hadn’t closed it’s doors, if the old pastor/mentor hadn’t completely broken my heart by ignoring me in the years since, we wouldn’t have this amazing Bridge Faith Community and the Bridge would have a very different pastor than the me they have now.

Every new year, I reflect on what was, what is, what could be, but I do this with soft hands. If I had tried to control my life, tried to stay within the lines of what should be, wrestling white-knuckled with the steering wheel… well, I don’t know what sort of life I’d have now, but I know it wouldn’t be this one. It wouldn’t be this messy, beautiful, full, wonderful life.

I still don’t know what my Word of the Year is, and I’m starting to think it doesn’t matter. Maybe my word is blank to illustrate the hands that are, and have always been, holding me, and the blank space where all of the should’s and supposed to’s used to go. It’s just here and now, just the next step, just faith, just trust. Just staying awake to the Love that is holding us all together. Just. Maybe that’s my word: Just. Just me. Just you. Just us. Just all of this divine energy, crackling all around us. Just loving.

Pierced — December 20, 2023

Pierced

This is not a post on the site prompt, youth sports or the woeful state of high school officiating. I have no shortage of material on those things, I’m just a little tired of typing the word referee.

Snowpiercer is a film starring Captain America, about an environmental catastrophe that kills all living things, except those lucky (?) enough to board a train that endlessly circles the globe. It sounds like a thin premise on which to base a movie or a tv series, much better suited to a novel, but it was excellent. (I am about to ruin the end. When do spoiler ethics expire? Surely 10 years is enough, isn’t it?)

At the end, Captain America fights Ed Harris and 2 others, believing the earth had slightly warmed and could now support life, set off a bomb that crashes the train. 2 people, both “train babies” (humans born on the train, never having set foot outside or breathed fresh air), one 16ish and one 8ish, ostensibly the only survivors of the crash, walk away through the snow, where they/we see a polar bear in the distance.

My very great friend saw this as an allegory on the death of the human race. The polar bear would surely eat them. As a matter of fact, being so naive and uneducated on dangerous predators, she reasoned they would likely serve themselves up trying to pet it’s soft white fur. The animals might survive and repopulate, without the destructive influence of you & me, and the earth would quietly, beautifully heal.

I hadn’t even considered this conclusion. As they walked, hand in hand, together into a brand new world, I found it unbelievably hopeful. Everything was possible, as a 2nd Adam & Eve, they could also survive and repopulate, free of their ancestors’ destructive influence, and the earth (including a new lineage of kind, innocent-ish people), would quietly, beautifully heal.

She’s right, of course. They are destined to be food. She’s super smart and hilarious, you’d love her like I do immediately.

But I don’t care about right and wrong, in this context. I don’t care about realism or food chains and predator/prey relationships. When the credits rolled, all I saw was a beginning, our beginning. Not an end. We are new and can build whatever we want, a New Creation with no ties at all to “how it’s always been.” Just because it was, doesn’t mean it is now.

It’s a pretty good illustration. The philosophy we can choose is one of hope and faith in God (that He is still here and hasn’t abandoned His creation), in us, in our divine design, that we can still remember who we are and what we’ve been called into. That, even with thousands of years to the contrary, we can live lives of love and peace instead of indifference, -isms, and war. All we have to do is blow up the old paradigm and have the courage to walk away from that garbage.

Have a fantastic Christmas, everybody.

One Thing — November 2, 2023

One Thing

The prompt today is “One Thing I Think Everyone Should Know,” and I’ll get there in a minute.

First, last night I watched this documentary on Max called “Last Stop Larrimah,” about a missing (likely murdered) man in Larrimah, Australia. Larrimah had 11 residents, now it has 10, and no one knows who did it or why. Anyone could have done it, all 11 simultaneously liked and hated each other. But the review I sort of read referenced the often blurry line between telling a story and making fun of the subjects. The Larrimanians, well, they live in a town of 11 in Australia, so they’re quirky and odd. They are not like the people we see at the Whole Foods or high school basketball games.

I finished Birdman this morning, which plays like a documentary of the making of a Broadway play. It isn’t a doc, it’s fiction, and it won an Oscar several years ago. Birdman sounds/looks exactly like a movie I would LOOOOVE, except that it wasn’t. I didn’t like it at all. The performances were outstanding, especially Edward Norton’s, but left me standing in my living room, wondering why I felt nothing at all but sad. The story was, more or less, about the artifice of the industry – the only things that were real was the insecurity and desperate need for validation. Maybe they were on the other side of that same line, maybe they were making fun of their subjects, too. Maybe it was intentional.

An awful lot of things, on film and IRL, walk that line. We all carry that insecurity & desperation, we all have our quirks and personalities. As we walk around, feeling the friction of others who are nothing like us (or who are too much like us), how do we respond? Are our emotions and judgments celebration of another’s unique strangeness or are we laughing at the labels we place on them, labels that obscure their hearts but emphasize everything else.

I liked Last Stop Larrimah, and didn’t like Birdman, for pretty much the same reason: I really love people. This isn’t always an easy position to take, there is always violence and evil. There is never a shortage of examples of inhumanity. But in the face of the never ending avalanche of mistreatment and de-valuation, we simply have to persevere. Otherwise, those examples will continue, ad infinitum.

Birdman didn’t like it’s characters, and thats ok, I suppose. They didn’t, either. This tension between who they were and who they thought they should be or who they were trying to prove they were drove every plot point. Their self-loathing motivated every twist and turn. And I can’t help but think the critic who viewed Larrimah through the lens of ‘otherness is less, which makes it a punchline’ felt the same. He (or she) wanted them to be like us, cool and oh-so sophisticated, with the same hopes, dreams, decor and jeans. Wanted them saddled with the same self-loathing – and when they didn’t wear that on the outside, he branded them with it.

So, what do I want everyone to know? That we are amazing and wonderful. That we don’t have to be any of the should’s, that we don’t have anything to prove, that we don’t have to live like that for another second. That differences are just the best. That there’s nothing to make fun of, there’s nothing to mock. That we are who we are, and that is so much more than good enough. That’s what I want everyone to know.

Artists — October 10, 2023

Artists

Who are my favorite artists? That’s what the site wants to know today, and I have lots and lots of answers.

I recognize the idea is to lists singers, writers, painters, filmmakers, right? Morrissey & Rodin, Roth & Tarantino. There would have been a time that I would have jumped at the opportunity to make a list and explain (in great detail) why for each. Actually, I would still love, and may, in fact, do just that.

But I’ll start this list, not with Morrissey, but with my sister, who spent last week seeing U2 play at that new ball in Las Vegas, then Cirque du Soleil then next night, then visiting Red Rocks the next. I have a picture where she was, apparently, flying. In another one she was doing handstands on sand – I get those a lot. She’s a yoga master, and like all yogis, she yogas everywhere. She is now in her 50’s and has figured things out, to where her life is wild, imaginative and blindingly vibrant.

Next are my neighbors, who are teachers and young parents. Their daughter is a fireball of talent, which is fairly predictable, because her parents are overflowing with abilities, like musical superheroes. They’re also kind and funny, and last month brought home materials and built a deck onto their home. I guess their superhero-ism isn’t only musical.

You see, I think the greatest works of art are not albums or films, but our lives. We’ve all been created with limitless creativity and possibility, and when we can spot it, it’s exciting and hopeful. We are all inspired to do the same. It’s like invitations into our own lives, where we are free to run as fast as we can (whatever that means, whatever “running” is for any of us.)

The last one in this list is the one I’m most familiar with: The Angel. As the walls of her employer crumble, she is graceful and more and more stunning every moment, even as some of her dark hair is replaced with gray. Everybody with sense is abandoning that ship, yet she stays, she says “to care for her people.” Her people are, of course, all people. Now, completely superficially, she’s the most beautiful woman I know. I sometimes have to be careful on Sundays, I can easily lose my train of thought when I see her. But in a surprising twist, she’s way better inside, and I can think of no better compliment than that.

These artists, and their creations, aren’t perfect – it’s no accident that 2 of them are 2 of the people I know the deepest, and have had the biggest arguments with – but great art never is. We love Kurt Cobain and Against Me, we connect with them in ways we never could with Britney Spears and Backstreet Boys. The latter are sterile and produced, and the former are authentic and messy. Notes are missed, we might not understand the words, they’re flawed, with sharp edges. We love them. This is art, it’s the expression of the soul, not necessarily technical prowess, but humanity and, in that, intimate connection.

My favorite artists are Jetpack WordPress bloggers, self-publishers, youth sports coaches, RNs & CNAs, realtors, landscapers, therapists, teachers, secretaries – There’s no end to this list, I really could go on and on. I picked 4 to name here because…well…there isn’t a why. Part of my artistic call and talent is to point out awesome wherever I find it. There are constraints to this format, but there are no constraints to my life. And if every moment I can recognize and appreciate the countless artists I see, if every moment I can love another person and their art, then my life will be a masterpiece, too.

So, This Is What This Feels Like — September 18, 2023

So, This Is What This Feels Like

The Angel is home from work sick today. She works in an elementary school, so early-September illness is part of the job description. As we all know, children are sometimes very cute, and they are always germ farms, little individual super-spreaders. Everybody feels great when school starts, but as the runny noses (wiped on forearms and sleeves leaving slime trails like giant slugs) begin, viruses and infections are generously given to all inside. It’s inevitable, we take our turn and move on.

So as it is the Angel’s turn now, we watched the Reese Witherspoon vehicle Sweet Home Alabama today. As far as rom-coms go, it’s above average. But there is one very notable, very surprising, characteristic.

Reese is someone called Melanie, Jake/Josh Lucas is her childhood boyfriend. They marry, she moves away and meets McDreamy (from Grey’s Anatomy fame) – Andrew/Patrick Dempsey – and they want to marry, so she has to go sweet home to Alabama to secure Jake’s signature on the divorce papers. All sorts of hijinks ensue. You see, she hasn’t told anyone from her new New York life that she was ever born, much less from embarrassing (but wonderfully quirky and endearing) parents in Alabama, and was once married. (I’ll spoil the ending in a minute.) Obviously, it’s fairly rote, could’ve been written by an early AI rom-com program.

There are a few movies, like the Karate Kid and the Hunger Games, where the stars/heroes are the worst. Daniel Larusso and Katniss Everdeen are, by miles, the most unlikeable characters in their respective stories. Reese and Josh Lucas are terrible, the script says they are “in love,” but they clearly hate each other’s guts. Their marriage was a train wreck, and honestly, it’s good she moved away and they both moved on (sort of).

Moving on in the same way we hang on to old awful relationships because we’re seeking “closure,” whatever that means. This mythical “closure” doesn’t have anything close to the power to make these relationships healthy, but we hang on and Hollywood calls it romance. Go figure.

The great big exception is McDreamy. Our recent pop culture creates, almost exclusively (except for superheroes), caricatures of men, where they are always confused, embarrassing, and ‘hilarious’ in their utter uselessness. They are Raymond Barone, we shake our heads and laugh.

McDreamy is awesome. Not only is he gorgeous, but he is principled and classy, he loves Reese unconditionally and forgives her lies, deception and infidelity. It’s quite jarring to see a man played like this. He’s confident and assured, which allows him to choose her, not because he needs her or that she completes him (2 reductive movie tropes), but because he will love her, they will love each other, without balls, chains, manipulation, or co-dependence. That’s what he thinks. That’s what marriage is. She does not want this kind of adult relationship, though.

She leaves him at the altar, and he says precisely what we are all thinking, as we watch a deep, positive depiction of masculinity: So, this is what this feels like. Yes, this is what it feels like to be left at the altar, but it’s also what it feels like to see our expectations met by a man who behaves well; kindly, gently, selflessly. He is a unicorn, at least on film. But he exists in real life. I know many just like him, and it is absolutely beautiful to watch and enjoy.

She made the wrong choice, to be sure, but we all won. Sweet Home Alabama is an A.

Why The Safety Dance Is So Important — August 29, 2023

Why The Safety Dance Is So Important

The Safety Dance is an ‘80’s song by Men Without Hats, not the be confused with the far superior Australian legends Men At Work. The biggest difference, to help us keep them straight, is that Men Without Hats had, as far as I can remember, 1 pretty good song (and a singer with a questionable haircut), and Men At Work were awesome.

In the grander scope, Men At Work are important. Down Under and Who Can It Be Now? are the monstrosities, but Overkill is the best. Lead singer Colin Hay gave significant contributions to the Garden State and Scrubs soundtracks. We are better people with better lives with Men At Work in them.

Men Without Hats, on the other hand, are mostly forgettable without the overwhelming number of ‘80’s 1 Hit Wonder compilations. But what I didn’t realize is how valuable The Safety Dance is to us today, in our current situation.

The song has one of the very worst lyrics ever written. “We can dance, we can dance,” (and here it is, get ready:) “everybody look at your hands.” It’s horrible, only there because it rhymes, as if a 2nd grade student wrote a poem at recess while everyone else was playing 4 square. We all cringe because there’s nothing else to do with it.

Meaningless awful lyrics are nothing new, but what’s interesting is that The Safety Dance also has one of the very best lyrics. “We can dance if we want to, we can leave your friends behind” (and here it is, get ready:) “’Cause your friends don’t dance and if they don’t dance, Well, they’re no friends of mine.” Awesome. I happen to agree, but the judgment twisted into the wordplay makes it so perfect.

It’s weird that the same band wrote both, creating a sort of dissonance. Our brain doesn’t know what to do with this. Are they embarrassing songwriters, or brilliant? Can both be true? Or does one cancel out the other? Does the bad drag the good down, or the good pull the bad up? Or. Or does it not matter at all, it’s just a dumb pop song and who cares about pop songs?

What I know for sure is that the last question is totally wrong. It’s not a dumb pop song. In fact, it can have a ton to teach us about moving around in an increasingly fractured world, where so many of our perspectives are from behind lenses of fear.

We are encouraged to set up divisions based on one facet of our personalities, one particular category (whether it is how we vote, wear our hair, shoe size, our color, sex, nationality, or anything else). In other words, we separate ourselves because others have an “everybody look at your hands.” We define others easily, cutting them up into pieces and then locking them in boxes based on just 1 piece.

The thing is, most everybody has a “your friends don’t dance and if they don’t dance, then they’re no friends of mine,” too! The reason I like everyone is the same reason I like The Safety Dance, because I choose to overlook our “everybody look at your hands.” Maybe not overlook, but I do choose to not judge the entire song because of one lyric.

I have an “everybody look at your hands,” and so do you. Everybody does. Maybe mine is that I voted for Donald Trump or Joe Biden. Maybe yours is that you have an addiction or a rough, checkered past. Or that you didn’t. Or that you live there, or wear that. Those things don’t have to close every door to keep us in & them out because somebody convinces us that we should be afraid of or distrust just one lyric in an otherwise good song. Our worlds get smaller, darker, and scarier with these overreactions.

We don’t have to like every song, Dave Matthews Band and Slipknot songs still exist. But the radio is better, more textured and interesting when everything doesn’t look and sound and think the same. So are our lives. Imagine how many songs we turn off immediately after their “everybody look at your hands” moments. This is no longer an acceptable place to live.

The Safety Dance is so important because, if we can adopt a Safety Dance mentality, where we can hold each other’s 10’s and zeroes, and stop missing so much beautiful music, we can begin to rebuild our lives and our world in a brand new cool new-wave image.