Love With A Capital L

A journey towards living an inspired life of love in the modern world

Dinner — July 12, 2024

Dinner

The site post is asking who I’d invite to a dinner party, and it’s too easy. I’d invite the same people with whom I spent the last week; the Angel and my 2 sons. We were on a family vacation. This year, we chose not to go to the beach (well, not exactly…the Angel and I went on a beach trip a few weeks ago, just the 2 of us) and to, instead, spend the week in the woods of Pennsylvania.

Last Sunday was the 12th anniversary of the faith community we started in our house, the Monday we set out for adventure (sort of). We stayed at an Airbnb, went to a waterpark, which was much better than I expected, and to a small tourist town, which was worse that I expected. We did other things, but mostly just were with each other. It’s such a blessing to actually like your family, 5 stars, highly recommended.

So, I’d like. To have dinner with them. I’d like to share bites of our meals, steal fries, laugh out loud, and discover brand new facets of the people we are becoming in every conversation and every precious moment.

The youngest will leave for college after this year, the oldest is now working at a terrific job he loves. Thankfully, they are both here now, but they will not always be. The youngest also has a fantastic girlfriend, so we seem to be 5, often. We have to love them, but as you are well aware, we don’t have to like them. They’re smart, hilarious, quick-witted and not as deep as they will be. They hide some things they don’t yet realize they don’t have to carry alone. They’re a little unsure of themselves in some situations, confident and purposeful in others. A nice metaphor for identity and comfort in who we are, is the struggle to find a place to put your hands. These 2 boys are amazing to watch find where they are going to put theirs.

And my feelings for the Angel have been well documented. In one of the shops in that little overrated town, I saw a crafted sign that said, “I’d rather fight with you than kiss anyone else.” That’s true, when the person you’re fighting with is the woman of your dreams. But that’s enough about her, you already know.

And now we’re home from vacation, and just finished one of these perfect dinner parties. And I am overwhelmed with gratitude.

My Favorite Thing — June 17, 2024

My Favorite Thing

The site is asking a fun question, “What is my favorite thing about myself?” Now, this is a space we don’t often like to explore, either because we can’t see the great in us, or because we can, but don’t want to seem arrogant or boastful.

Humility isn’t thinking less of ourselves, like one of those negative voices in our heads that lie like rugs and tell us we’re not enough, that we’re worthless. Humility is an accurate picture of ourselves, that’s all. It’s seeing, acknowledging the beauty in us, as well as the not so beautiful parts. It is knowing who we are, honestly, with all that entails.

I have believed those voices for many of my years, only relatively recently have I allowed some new programming in to recalibrate my self-image. And, baby, that’s a nice, new development.

I love how much I love music, how art touches me in the deepest reaches of my soul. I love that my heart responds in the way it does to Morrissey. Not everyone’s does; those people are wrong, and I’m sad for them. I love the color of my eyes, and the shape of my head (to make my shaved bald dome not look so odd.) I can catch and throw baseballs easily.

I wonder if tomorrow’s site prompt will be the things we like least about ourselves? I could/would answer that, too.

But my favorite thing about me is… Well, there are 2. First, you know that friend who is enthusiastic about everything? This ride, this movie, this song, this moment is his/her favorite EVER. That’s me. I’m like a golden retriever. I’m pretty present. I leave my phone in the car so that you are the only one on earth for me right now. I get excited for new releases, lose sleep over your wedding, because these are the moments of my life (our lives) and they are real and awesome. Built into this is immense, overwhelming gratitude.

And the second is how sensitive & empathetic I am. I feel everything (for me and for you) soooo deeply.

Of course, as it usually works, the best thing is also the worst thing. I do have to be careful of being what’s called a ‘prisoner of the moment.’ I am an “always” and “never” person, because this is happening now, which means it’s the only thing happening.

AND, my soft mushy heart makes my life significantly harder and infinitely more painful. It’s wonderful, and it’s horrible.

But these things are me, how I was created, the gifts I’ve been given, and I wouldn’t have it any other way.

23 — May 29, 2024

23

Last time, we talked about “having it all” or living a “best life.” This week was my 23rd wedding anniversary, so maybe I should have mentioned that.

I’m a simple man, and that’s a very good thing, because my life and ministry is primarily to climb into complicated, chaotic situations. Work, for me, is connection/relationships and doing the best I can to bring peace and hope into anxious, hopeless, sometimes wildly unstable spaces. This is work, but the thing about having identical personal & vocational missions is there’s no division between on and off. I don’t really have days off. But I don’t want them, either. To me, this is purpose, and it’s heavy and keeps me up lots of nights, but I wouldn’t want it any other way.

However, the truth is, I couldn’t do it at all if my home & marriage wasn’t a place of physical, emotional, spiritual rest. It’s very difficult to step into the drama of others when your life is dramatic. There’s simply not enough left to fully engage with the storms others are facing when we’re exhausted with our own raging storms. If I’m being punched in the face, it’s harder to notice your fight, much less come to your aid.

This brings me to the Angel. She’s calm and easy. It’s 23 years but sometimes feels like 100, but, at other times, feels like I met her yesterday. I don’t know what 23 years feels like, or should feel like, but what I know is that I am completely, totally open with her (as the Bible says, “naked and unashamed”), but I also get butterflies when I kiss her, just like the first time.

I told her last night, that I very often focus (at least out loud) on the ‘lover’ aspect of our relationship. I very often tell her how foxy she is, and how 23 years of marriage has done nothing to dull my attraction to her. So, on a public pie chart, that’s the biggest piece. But on the pie chart of my heart, it’s probably a smaller piece than the rest. She’s my best friend, my partner, an inspiration and model for living a life of faith. She gives strength by simply being who she is in a world that isn’t always kind to the beautiful ones. Kind, merciful, the best mother to her sons and mentor to the rest of the people lucky enough to be in her orbit. She’s creative and confident, capable, talented, driven, brilliant, gifted hand over fist by her Creator. Did I mention knock-down gorgeous? How staggering is it that when thinking/speaking about the best looking woman in the world, her looks aren’t anywhere close to the best thing about her? We’ve built a calm life from the ground up, so that we can walk anywhere, enter into any circumstance, because this soft, loving home is waiting to refill all we’ve lost outside.

We make choices, right? The best choices feel easy & obvious in retrospect, but upon further inspection, require days and years of building. The path to our particular marriage and home is marked with uncomfortability and perseverance (only Heaven knows how many arguments and sleepless nights this path has contained, so far), where it might have been easier to check out (in whatever form “checking out” takes) than to keep building. “Having it all” certainly isn’t easy, and it has lots and lots of exit ramps, but those obstacles don’t make it less of a blessing. Maybe they make it more. More significant, more valuable, more our own.

I have no idea why she’d marry someone like me, but that’s her problem, not mine. My responsibility in all of this is to remain grateful, with wide open eyes to this amazing life I’ve been given.

One Small Step — May 13, 2024

One Small Step

What’s one small improvement you can make in your life? That’s the site prompt today, and probably deserves an answer.

I watched 2 documentaries and a movie this weekend. I’m still recovering from a cold that I am getting more and more resigned to carrying for the rest of my life. And it was raining, so it was a perfect weekend to climb under a blanket and watch something other than the NBA playoffs.

Finding Andrea is a 3 episode series following the disappearance of a woman in Kentucky who, incidentally, belonged to an organization that searched for (and was instrumental in finding) missing persons. She was complex, hiding the many facets of her life to the point that very few would claim to have actually known her. She died having lived a mostly dishonest, inauthentic life with lots & lots of secret compartments. She was probably killed by her sister and her boyfriend (at least that’s the implication I took from the doc). I don’t imagine we’ll ever know, because Andrea wasn’t the only one in the family who wasn’t interested in honesty. Her own dad would rather protect the possibly guilty daughter/boyfriend (who didn’t participate in the film) than be further torn apart by the truth. I guess I can’t blame him, who knows what I’d do in his place??

Max Joseph was a co-host of the Catfish TV show, and created a documentary called 15 Minutes of Shame with Monica Lewinsky. Lewinsky knows of what she speaks, as her life was torn apart by a series of very public poor decisions and behavior. This film looked at a guy who tried to sell and sanitizer at a ridiculous price during COVID, a woman who sent an ugly joke on Facebook and became the object of national scorn, and a man who was “cancelled” over a mistaken hand gesture in a company van. We think we know these people based on 1 small aspect of their personalities or an isolated incident, sometimes misunderstood, always without any shred of context. I don’t know Andrea’s dad, and to assume I know his motivations based on 2 or 3 clips is the height of arrogant condescension. Of course, he seems like something, the hand sanitizer guy seems like a scumbag, the woman seems heartlessly callous (as do the political pundits who condemned her). The hand gesture guy is obviously pretty silly, and the product of a culture gone power-crazy. But how do we actually know? I bet I seem all kinds of ways, based on extracted phrases in any one of these posts, or in overheard conversations at my dinner table.

The movie was My Big Fat Greek Wedding, and was absolutely as great as I remembered. It’s funny and feels good. But what’s notable is that no one is played as only a fool. Everyone acts like a fool at times, everyone is embarrassing in moments, but they all just seemed like “normal people.” Sort of. Admittedly, most are caricatures, but the caricatures leaned towards a positive, good nature rather than the mean, minimizing, debasing cartoons we are usually fed. I would guess that Ms. Vardalos sees the rest of us, sees “normal people,” through beautiful lenses that believe the best. I would guess that she likes us. That her idea of “abnormal” is abuse, betrayal, and violence. I believe the same.

We are made to walk together, to hold hands, and to love each other, and I’ll never be convinced otherwise. Maybe the shamed examples in 15 Minutes weren’t sorry they were caught as much as they were heartbroken they were led down a path so antithetical to their design. I thought the fiction of the movie was far closer to truth than the documentaries, because it showed the world in which I live, where the overwhelming majority are like you, trustworthy and awesome. Monsters exist, but in such small numbers, they stand out like neon signs at midnight. We’ve just bought lies for too long, choosing to acknowledge the missteps and failures as complete pictures, that we stopped seeing the beauty in each other.

I don’t know who Monica Lewinsky is, no matter how many pages I can read on the internet about her. And I’ll say the improvement I can make is to stop pretending I do.

You Just Are. — April 29, 2024

You Just Are.

Here’s the first thing I read today (from Morning Brew): “In unsurprising news, middle school kids in Norway have been feeling mentally healthier and performing better academically since a public health initiative banned smartphones in schools, according to a new study. After three years of the policy, girls’ GPAs increased, while visits to mental health professionals decreased by 60%—and girls from lower-income families benefited the most. There wasn’t much effect on boys’ academic standings, but both boys and girls experienced 43%–46% less bullying after putting their phones away.”

And here’s the second (from Mark Manson’s newsletter): “We are often drawn to chaotic romantic partners because their chaos guarantees that we will feel needed…We can become insecure around stable romantic partners because we worry that they’ll never fully need us. And that’s because: they won’t.”

The first one is something we would call fairly obvious, right? Social media and screen time are behind any number of concerning effects. So, why will we not follow in Norway’s footsteps? And further, why do we need studies to make decisions to eliminate our phones in schools? Why wouldn’t we just choose to ban our own phones for hours, during the day? Why don’t we turn them off from time to time? We won’t, but studies like this make me ask why not.

The second is less apparent, maybe. I’ve often wondered why we stay in overly dramatic relationships, is it really as simple as our own insecurity? We’re not actually needed, chaos doesn’t require us, just more chaos. Drama doesn’t care what the drama is, or who is involved, as long as there is drama.

Now, is it possible they’re connected? If our phones are the new most important relationship in our lives, our de facto romantic partners, do we allow the chaos and damage they inflict, because they make us feel needed? We quickly, instinctually, reach when it beckons. Silence is evidence of loneliness, a lack of “likes” shows our irrelevance or unworthiness. I only exist if others see and comment. The internet is chaotic by nature, it doesn’t neeeed us, wouldn’t miss us if we unplugged, the ocean doesn’t care of we drown. Mental health is of no consequence to the machines in our hands. But that doesn’t mean we don’t believe we’re necessary, important, and valuable to their survival, especially the quality of their lives.

Your value isn’t tied to followers or subscribers. Or to your girlfriend or boyfriend, for that matter. All of this is based on lies that our performance is the most important thing about us, bringing us back to the first question we ask (and keep asking ever after): Am I good enough?

That answer is yes, no matter how crazy your life is or how many messages are in your inbox. You just are.

Weirdos — April 17, 2024

Weirdos

I watched Asteroid City and Red, White, & Wasted last weekend. They’re quite different, but they share some characteristics. Or, at least I thought they shared some characteristics.

Asteroid City is a film made by Wes Anderson, the famously quirky creator of gems like The Royal Tenenbaums and The Life Aquatic with Steve Zissou. He’s totally unique, his movies look like no one filmmaker’s. Not only did no one else make them, no one else could possibly have made them As a matter of fact, he’s a pretty big exception.

Every genre, begins with a true innovation (inasmuch as anything is true innovation), and is immediately followed by a B group that drives roads recently paved, then C, D, E, & F groups, that simply copy a commercial blueprint. When this happens, the genre is “Dead,” and we all mourn the A’s and move on. Take grunge music, for example. Nirvana, Mudhoney, Soundgarden, Mother Love Bone, and others were the A set, cutting paths into landscape where none exist. Then, Pearl Jam, Stone Temple Pilots, et al, came along, who were sometimes great, followed by a few averages, then by absolute trash like Puddle of Mudd and Ugly Kid Joe, who looked the part and sometimes sounded the part but lacked the soul of the A’s and B’s, for whom the music wasn’t a moneymaking enterprise, and was dna.

Wes Anderson has no B’s. No one even tries to be as idiosyncratic as he is.

I liked Asteroid City very much, but I love weird things. I love cultures, people and ideas that are different from my own. This is an odd movie. I don’t pretend to know what it means, or really even exactly what happened, but my understanding isn’t always necessary to an experience.

Now, Red, White & Wasted is a documentary that, on the surface, seems up my alley. I appreciate weirdos doing their weird things, freaks who are freaks – in other words, people being just who they are, who are different and embrace that other-ness. They’re weirdos, just like you and certainly like me and probably all of our favorite people. The caveat to my love of these films is that the filmmakers cannot judge the subjects. If the people behind the camera are making fun of the people in front of it, it’s mean, smug and condescending, and I can’t stand mean, smug, and condescending. Different people aren’t lesser people, obviously, they’re just different. Wes Anderson knows this.

ANNND, the documentary has to have an arc; a beginning and an end. That’s the genius of documentary filmmakers, they find the narratives in our real life clusters. Maybe Red, White, & Wasted didn’t laugh at it’s people, but they didn’t celebrate them, didn’t appreciate them, and didn’t show any sort of movement. Now, it’s entirely possible there was no movement among all of the gross -isms and the horrific degradation of human beings, especially the women. But I have trouble believing that. There is always movement, always understanding. (Ok, maybe not always.)

So, Asteroid City was beautiful and weird, and it didn’t matter too much that I didn’t perfectly understand what in the world was going on. That sounds just like life, and I sure love that, so maybe that explains my perspective.

Red, White & Wasted, on the other hand, was weird and ugly, and I knew very well what was happening. I just love people too much to like it.

Anxious People — March 15, 2024

Anxious People

I just finished Anxious People, a novel written by Fredrik Backman. It’s the 2nd time, and I’m fairly certain I’ll read it every 6 months for the rest of my life. I finished the last 50 or so pages in my bedroom with the door closed, my son is home from work today, and I can’t stop crying.

(It’s nothing he hasn’t seen, he’s pretty comfortable with this kind of scene, but I don’t want to stop until the tears have finished on their own and I’m good and ready to stand.) It’s sometimes difficult to explain these tears. I’m not sad, I’m in love, and they are quite different tears.

If I were to be a book, I would want to be this one. It’s about a bank robber, hostages, death, beautiful boundless life, music, books, fathers & mothers & sons & daughters, spouses, marriage, divorce, mistakes, suicide, forgiveness, deep hopelessness and the perseverance of deeper hope, God, and love – for ourselves, each other, and this wonderfully complicated mess of today, every day, and this world.

This week was full. My mushy heart was broken several times, and grew 2 sizes every time. I was very very hurt and very angry, argued, fought, slept, wrote lots of pages of things I’d probably never say, sang too loudly, danced, ate less food than I wanted, threw baseballs, ran, lifted weights, screamed, laughed, held hands, kissed, my spirit fell so far I thought we might never get up, then we did. And here we are, alive and so thankful.

There’s no big, ‘important’ purpose to this post. I really just wanted to say hello, and that I hope you’re ok. Actually, now that I think about it, what could be more important than that?

George Clooney v. James Franco — March 12, 2024

George Clooney v. James Franco

I’ve watched several films lately. We’re going to cancel the cable tv in our house, so I’ve been spending a little more time on streamers than channels. There is a sort of greater truth hidden in the fact that the more channels you have, the less chance of finding anything to watch. We have access to everything, now, does that create a sort of paralysis? Is that why so many of us spend so much time on social media sites? Do we spend hours on TikTok because their algorithm decides what we’ll watch, and not us? With these apps, we are mostly passive consumers, we eat what is put in front of us.

Is that why it’s so hard to find something to order at restaurants with 15 page menus? I have grown accustomed to asking the servers what the best thing is, and just get that. Who would know better than the server? Is that the human version of scrolling through the social media algorithm? In the presence of too many options, they decide what I’ll like for me.

Anyway. The Monuments Men is one of the best movies I’ve seen, or at least one of the movies I’ve liked the most. Those 2 categories are different. Radiohead’s Kid A is a great album, and I just hate it. If I ever hear one note of it again, it won’t be because I chose to. It’ll be because I ended up in a place that would, and I’ll be looking for an excuse to leave immediately. But I really love every Alkaline Trio album, and probably none are what a critic might call “great.” I love Point Break, but Citizen Kane is a “great,” important film.

I think Monuments Men is both. It’s based on a true story, concerning the value of art in our lives, in our world, and the lengths aware, intelligent people will go to preserve all of it (even the pieces they surely don’t like.) It’s beautiful and I loved every second of it.

George Clooney directed and acted in it, and if I’m honest, I’d watch anything in which he has any part. He’s gorgeous and has all the charm and likability. I’d like to play basketball or go on a road trip with him.

I have a very great friend who was seeing a boy, who isn’t a nice person. He’s not a nice person to her, or anyone else. But there is a pattern that is difficult to understand. He has 4 children (3 mothers) whom he does not see or support financially, has spent more time in jail than out, is a violent substance abuser, and has a line of women (whether it is romantic, or sisters and cousins and a mom who all go to extraordinary lengths to enable his poor behavior) waiting to be the next to be mistreated by him. Without exception, they are mistreated and wait by the door, just in case he would choose to do it again. It’s very strange.

If he looked like George Clooney, I might understand. He doesn’t. If he acted like, or had the boundless charisma of George Clooney, I might understand. He doesn’t. If he were both, I would certainly understand, but he is neither. It’s very strange.

James Franco makes movies that usually aren’t very good, he’s not too handsome or talented or likable, and he has a solid career. He continues to make movies. Same phenomenon. Why would we continue to stand in line, to pay money to watch James Franco movies? Very strange.

But maybe the James Franco analogy really doesn’t hold up. He isn’t hurting us, isn’t manipulating us, isn’t abusing us. He’s just making bad movies. And maybe you think they’re not bad movies. Maybe you don’t like Point Break. That’s the wonder of artistic expression, and it’s why we’d fight and die for the right to create, regardless of our personal tastes. We live in a culture where the diversity of thought and opinion is awesome, where difference doesn’t subtract, it adds exponentially. We’re a better world with James Franco movies than without. (I can’t believe I just wrote that last sentence.) We don’t simply tolerate each other, we appreciate, we love each other. We hold hands and dance to wildly contrasting types of music, types of music that would not get along if they met at a party. But this isn’t a party, it’s our lives, and everybody belongs.

(Except maybe that guy my friend was dating. At least not until he stops damaging everybody he sees on purpose. Then, he’s more than welcome to come in and make himself at home.)

Silly Site Prompt — February 27, 2024

Silly Site Prompt

The site prompt today is, “If you could be someone else for a day, who would it be, and why?” W

hy would I ever want to be anyone else???? Why would I want a different life? And If I did want a different life, why wouldn’t I set a new course and change mine?

Maybe our lives would become different if we’d simply lean in to the beauty that is already there that we’ve been missing, wishing we could be someone else. Nope, I wouldn’t want to be anyone else. I’m very grateful and happy where and who I am right now.

A Design For Life — February 26, 2024

A Design For Life

This morning, I was listening to a playlist (the modern ‘mixtape’), and the song “Internet Killed The Video Star,” by the Limousines came on. It’s a perfect title and a terrific song, and it has this peach of a lyric:

“Well, I’m a horrible dancer; I ain’t gonna lie, but I’ll be damned if that means that I ain’t gonna try. Yeah, I’m a shitty romancer, baby; I ain’t gonna lie, but I’ll be damned if that means that I ain’t gonna try. Get up, get up, get up, and dance.”

So, I texted this song and lyric to my brother and sister, and she shared with me the message from her yoga class (written by yoga master Becky Hemsley):

“I know there may have been times in your life when you’ve stopped dancing, stopped singing, stopped being yourself, because someone was watching you. Judging you….We’ve been taught that we must only be ourselves if it suits other people…The birds sing – not because we might listen – but simply with the joy of being alive….So sing as loud as you wish, and dance as much as you like. You do not exist for the enjoyment of others. You exist to be alive. Properly, fully, beautifully alive.“

Sometimes the world sends you messages so obvious, so clear, so coincidental that coincidence is impossible. It’s a specific message from the Creator of the Universe to us – in this case, a message to dance and/or romance, or share the message to dance and/or romance, or witness to the importance and imperative that we all dance and/or romance. I’m choosing to do all 3 today.

We have been conditioned into self-consciousness, even when that means we miss out on all sorts of beauty and wonder. When did that happen? When did we stop dancing (even if we’re bad at it)? Who told us we’re bad at it? For that matter, who are they to decide? When did we stop romancing (even if we don’t know how to do it yet)? When did we stop singing, stop living, and when did we replace it with just quietly getting by?

Well, I don’t think we should do that anymore. I think we should dance whenever and however we want. It’s super fun to be so free.

And as far as romancing, the characteristic that makes each of us so sexy is confidence, passion, interest, joy. We are good dancers when we dance when we love to turn the music up and move. We are great romancers when we lean in and give our authentic selves to each other, with vulnerability, honesty, trust, and open-ness. We are great lovers when we love. And the more we practice, the better we are.

You don’t have to apologize for dancing or singing. If anything, you can apologize for not dancing and singing earlier. Have a good time. This life is a gift, and it can be very hard and hurt a lot, so we are well served to enjoy it when we can, to move our hips when whenever we feel like it.

The next song in the playlist was “Murder On The Dance Floor,” where Sophie Ellis-Bextor sings, “you better not kill this groove,” which is more solid advice as we design our lives. The point is to not kill any more grooves, to not squash anyone else’s dancing, and to sing and romance as loud as we can.