Love With A Capital L

A journey towards living an inspired life of love in the modern world

One Thing — November 2, 2023

One Thing

The prompt today is “One Thing I Think Everyone Should Know,” and I’ll get there in a minute.

First, last night I watched this documentary on Max called “Last Stop Larrimah,” about a missing (likely murdered) man in Larrimah, Australia. Larrimah had 11 residents, now it has 10, and no one knows who did it or why. Anyone could have done it, all 11 simultaneously liked and hated each other. But the review I sort of read referenced the often blurry line between telling a story and making fun of the subjects. The Larrimanians, well, they live in a town of 11 in Australia, so they’re quirky and odd. They are not like the people we see at the Whole Foods or high school basketball games.

I finished Birdman this morning, which plays like a documentary of the making of a Broadway play. It isn’t a doc, it’s fiction, and it won an Oscar several years ago. Birdman sounds/looks exactly like a movie I would LOOOOVE, except that it wasn’t. I didn’t like it at all. The performances were outstanding, especially Edward Norton’s, but left me standing in my living room, wondering why I felt nothing at all but sad. The story was, more or less, about the artifice of the industry – the only things that were real was the insecurity and desperate need for validation. Maybe they were on the other side of that same line, maybe they were making fun of their subjects, too. Maybe it was intentional.

An awful lot of things, on film and IRL, walk that line. We all carry that insecurity & desperation, we all have our quirks and personalities. As we walk around, feeling the friction of others who are nothing like us (or who are too much like us), how do we respond? Are our emotions and judgments celebration of another’s unique strangeness or are we laughing at the labels we place on them, labels that obscure their hearts but emphasize everything else.

I liked Last Stop Larrimah, and didn’t like Birdman, for pretty much the same reason: I really love people. This isn’t always an easy position to take, there is always violence and evil. There is never a shortage of examples of inhumanity. But in the face of the never ending avalanche of mistreatment and de-valuation, we simply have to persevere. Otherwise, those examples will continue, ad infinitum.

Birdman didn’t like it’s characters, and thats ok, I suppose. They didn’t, either. This tension between who they were and who they thought they should be or who they were trying to prove they were drove every plot point. Their self-loathing motivated every twist and turn. And I can’t help but think the critic who viewed Larrimah through the lens of ‘otherness is less, which makes it a punchline’ felt the same. He (or she) wanted them to be like us, cool and oh-so sophisticated, with the same hopes, dreams, decor and jeans. Wanted them saddled with the same self-loathing – and when they didn’t wear that on the outside, he branded them with it.

So, what do I want everyone to know? That we are amazing and wonderful. That we don’t have to be any of the should’s, that we don’t have anything to prove, that we don’t have to live like that for another second. That differences are just the best. That there’s nothing to make fun of, there’s nothing to mock. That we are who we are, and that is so much more than good enough. That’s what I want everyone to know.

Artists — October 10, 2023

Artists

Who are my favorite artists? That’s what the site wants to know today, and I have lots and lots of answers.

I recognize the idea is to lists singers, writers, painters, filmmakers, right? Morrissey & Rodin, Roth & Tarantino. There would have been a time that I would have jumped at the opportunity to make a list and explain (in great detail) why for each. Actually, I would still love, and may, in fact, do just that.

But I’ll start this list, not with Morrissey, but with my sister, who spent last week seeing U2 play at that new ball in Las Vegas, then Cirque du Soleil then next night, then visiting Red Rocks the next. I have a picture where she was, apparently, flying. In another one she was doing handstands on sand – I get those a lot. She’s a yoga master, and like all yogis, she yogas everywhere. She is now in her 50’s and has figured things out, to where her life is wild, imaginative and blindingly vibrant.

Next are my neighbors, who are teachers and young parents. Their daughter is a fireball of talent, which is fairly predictable, because her parents are overflowing with abilities, like musical superheroes. They’re also kind and funny, and last month brought home materials and built a deck onto their home. I guess their superhero-ism isn’t only musical.

You see, I think the greatest works of art are not albums or films, but our lives. We’ve all been created with limitless creativity and possibility, and when we can spot it, it’s exciting and hopeful. We are all inspired to do the same. It’s like invitations into our own lives, where we are free to run as fast as we can (whatever that means, whatever “running” is for any of us.)

The last one in this list is the one I’m most familiar with: The Angel. As the walls of her employer crumble, she is graceful and more and more stunning every moment, even as some of her dark hair is replaced with gray. Everybody with sense is abandoning that ship, yet she stays, she says “to care for her people.” Her people are, of course, all people. Now, completely superficially, she’s the most beautiful woman I know. I sometimes have to be careful on Sundays, I can easily lose my train of thought when I see her. But in a surprising twist, she’s way better inside, and I can think of no better compliment than that.

These artists, and their creations, aren’t perfect – it’s no accident that 2 of them are 2 of the people I know the deepest, and have had the biggest arguments with – but great art never is. We love Kurt Cobain and Against Me, we connect with them in ways we never could with Britney Spears and Backstreet Boys. The latter are sterile and produced, and the former are authentic and messy. Notes are missed, we might not understand the words, they’re flawed, with sharp edges. We love them. This is art, it’s the expression of the soul, not necessarily technical prowess, but humanity and, in that, intimate connection.

My favorite artists are Jetpack WordPress bloggers, self-publishers, youth sports coaches, RNs & CNAs, realtors, landscapers, therapists, teachers, secretaries – There’s no end to this list, I really could go on and on. I picked 4 to name here because…well…there isn’t a why. Part of my artistic call and talent is to point out awesome wherever I find it. There are constraints to this format, but there are no constraints to my life. And if every moment I can recognize and appreciate the countless artists I see, if every moment I can love another person and their art, then my life will be a masterpiece, too.

So, This Is What This Feels Like — September 18, 2023

So, This Is What This Feels Like

The Angel is home from work sick today. She works in an elementary school, so early-September illness is part of the job description. As we all know, children are sometimes very cute, and they are always germ farms, little individual super-spreaders. Everybody feels great when school starts, but as the runny noses (wiped on forearms and sleeves leaving slime trails like giant slugs) begin, viruses and infections are generously given to all inside. It’s inevitable, we take our turn and move on.

So as it is the Angel’s turn now, we watched the Reese Witherspoon vehicle Sweet Home Alabama today. As far as rom-coms go, it’s above average. But there is one very notable, very surprising, characteristic.

Reese is someone called Melanie, Jake/Josh Lucas is her childhood boyfriend. They marry, she moves away and meets McDreamy (from Grey’s Anatomy fame) – Andrew/Patrick Dempsey – and they want to marry, so she has to go sweet home to Alabama to secure Jake’s signature on the divorce papers. All sorts of hijinks ensue. You see, she hasn’t told anyone from her new New York life that she was ever born, much less from embarrassing (but wonderfully quirky and endearing) parents in Alabama, and was once married. (I’ll spoil the ending in a minute.) Obviously, it’s fairly rote, could’ve been written by an early AI rom-com program.

There are a few movies, like the Karate Kid and the Hunger Games, where the stars/heroes are the worst. Daniel Larusso and Katniss Everdeen are, by miles, the most unlikeable characters in their respective stories. Reese and Josh Lucas are terrible, the script says they are “in love,” but they clearly hate each other’s guts. Their marriage was a train wreck, and honestly, it’s good she moved away and they both moved on (sort of).

Moving on in the same way we hang on to old awful relationships because we’re seeking “closure,” whatever that means. This mythical “closure” doesn’t have anything close to the power to make these relationships healthy, but we hang on and Hollywood calls it romance. Go figure.

The great big exception is McDreamy. Our recent pop culture creates, almost exclusively (except for superheroes), caricatures of men, where they are always confused, embarrassing, and ‘hilarious’ in their utter uselessness. They are Raymond Barone, we shake our heads and laugh.

McDreamy is awesome. Not only is he gorgeous, but he is principled and classy, he loves Reese unconditionally and forgives her lies, deception and infidelity. It’s quite jarring to see a man played like this. He’s confident and assured, which allows him to choose her, not because he needs her or that she completes him (2 reductive movie tropes), but because he will love her, they will love each other, without balls, chains, manipulation, or co-dependence. That’s what he thinks. That’s what marriage is. She does not want this kind of adult relationship, though.

She leaves him at the altar, and he says precisely what we are all thinking, as we watch a deep, positive depiction of masculinity: So, this is what this feels like. Yes, this is what it feels like to be left at the altar, but it’s also what it feels like to see our expectations met by a man who behaves well; kindly, gently, selflessly. He is a unicorn, at least on film. But he exists in real life. I know many just like him, and it is absolutely beautiful to watch and enjoy.

She made the wrong choice, to be sure, but we all won. Sweet Home Alabama is an A.

Why The Safety Dance Is So Important — August 29, 2023

Why The Safety Dance Is So Important

The Safety Dance is an ‘80’s song by Men Without Hats, not the be confused with the far superior Australian legends Men At Work. The biggest difference, to help us keep them straight, is that Men Without Hats had, as far as I can remember, 1 pretty good song (and a singer with a questionable haircut), and Men At Work were awesome.

In the grander scope, Men At Work are important. Down Under and Who Can It Be Now? are the monstrosities, but Overkill is the best. Lead singer Colin Hay gave significant contributions to the Garden State and Scrubs soundtracks. We are better people with better lives with Men At Work in them.

Men Without Hats, on the other hand, are mostly forgettable without the overwhelming number of ‘80’s 1 Hit Wonder compilations. But what I didn’t realize is how valuable The Safety Dance is to us today, in our current situation.

The song has one of the very worst lyrics ever written. “We can dance, we can dance,” (and here it is, get ready:) “everybody look at your hands.” It’s horrible, only there because it rhymes, as if a 2nd grade student wrote a poem at recess while everyone else was playing 4 square. We all cringe because there’s nothing else to do with it.

Meaningless awful lyrics are nothing new, but what’s interesting is that The Safety Dance also has one of the very best lyrics. “We can dance if we want to, we can leave your friends behind” (and here it is, get ready:) “’Cause your friends don’t dance and if they don’t dance, Well, they’re no friends of mine.” Awesome. I happen to agree, but the judgment twisted into the wordplay makes it so perfect.

It’s weird that the same band wrote both, creating a sort of dissonance. Our brain doesn’t know what to do with this. Are they embarrassing songwriters, or brilliant? Can both be true? Or does one cancel out the other? Does the bad drag the good down, or the good pull the bad up? Or. Or does it not matter at all, it’s just a dumb pop song and who cares about pop songs?

What I know for sure is that the last question is totally wrong. It’s not a dumb pop song. In fact, it can have a ton to teach us about moving around in an increasingly fractured world, where so many of our perspectives are from behind lenses of fear.

We are encouraged to set up divisions based on one facet of our personalities, one particular category (whether it is how we vote, wear our hair, shoe size, our color, sex, nationality, or anything else). In other words, we separate ourselves because others have an “everybody look at your hands.” We define others easily, cutting them up into pieces and then locking them in boxes based on just 1 piece.

The thing is, most everybody has a “your friends don’t dance and if they don’t dance, then they’re no friends of mine,” too! The reason I like everyone is the same reason I like The Safety Dance, because I choose to overlook our “everybody look at your hands.” Maybe not overlook, but I do choose to not judge the entire song because of one lyric.

I have an “everybody look at your hands,” and so do you. Everybody does. Maybe mine is that I voted for Donald Trump or Joe Biden. Maybe yours is that you have an addiction or a rough, checkered past. Or that you didn’t. Or that you live there, or wear that. Those things don’t have to close every door to keep us in & them out because somebody convinces us that we should be afraid of or distrust just one lyric in an otherwise good song. Our worlds get smaller, darker, and scarier with these overreactions.

We don’t have to like every song, Dave Matthews Band and Slipknot songs still exist. But the radio is better, more textured and interesting when everything doesn’t look and sound and think the same. So are our lives. Imagine how many songs we turn off immediately after their “everybody look at your hands” moments. This is no longer an acceptable place to live.

The Safety Dance is so important because, if we can adopt a Safety Dance mentality, where we can hold each other’s 10’s and zeroes, and stop missing so much beautiful music, we can begin to rebuild our lives and our world in a brand new cool new-wave image.

Reminders — August 8, 2023

Reminders

The site prompt is to find an “entirely uninteresting story,” and consider how it relates to your life. I don’t understand it at all. There is almost nothing that is entirely uninteresting, and as everything is connected, considering doesn’t take much time or effort. Maybe finding uninteresting things requires being uninteresting ourselves, and we are lots of things, but uninteresting is not one of them. If anyone told you otherwise, they lied to you.

I watched 2 movies – fiction, not documentaries, as is my usual practice. Both were excellent. Well, maybe they weren’t excellent, but I sure loved them. I would, because they were pretty sweet and very hopeful. I shed buckets of tears at both, which felt like a beautiful soul-cleansing rather than the anguished expulsion of the broken-hearted.

The first excellent movie was Puss In Boots: The Last Wish. I was surprised, too. Dreamworks isn’t Pixar, after all. There aren’t any Up’s or Inside Out’s to be found on their slate, and with few exceptions (the How To Train Your Dragon and Kung Fu Panda trilogies), they’re all sort of average. Shrek is mostly ok, but the sequels bring the property values waaay down. I wouldn’t say I wanted to watch The Last Wish, but my son suggested it, and I like him a lot, so much so that it would more than make up for an hour and a half of garbage. But it was great, the feel good hit of the summer, as they say. I don’t know or care about any of the characters, but mortality, family, the battle between selfishness & selflessness, and love transcend studios or personalities. Everything negative said about it is true, it was predictable and broad. But we like what we like, and there doesn’t have to be a good critical reason. Some Britney Spears songs are terrific.

Guardians of the Galaxy 3 was the other. Finding original material instead of sequels/prequels/re-makes/re-imaginings is apparently quite difficult. The MCU has been on a losing streak lately, scattered and sophomoric, and this affected my expectations for GotG3, which I chose not to spend the million dollars to see in the theater. And maybe there are mountains of negative press for this, too, and probably they’re accurate, too.

I watched it twice in 2 days. The second viewing was better than the first. I have a bit of anxiety when I watch a new movie, ignoring (or trying to ignore the) questions: What’s going to happen? Will these characters live or die? And then, I don’t want them to die, I want them to live happily ever after. I like when the good guys win, evil is vanquished, the one ring is destroyed, and the emperor dies. So I can’t relax while I focus on plot and consequence. Afterwards, I can think about writing and performance, cgi and music. I can finally see the film.

Anyway, if you didn’t like it (and some in this house didn’t), that doesn’t matter to me. I wish you would have, obviously, but that’s because I want you to have a great life and enjoy the things you eat/see/hear/read/experience. I want you to feel the significance & delight in his/her lips when you kiss them. I want you to dance wildly and sing out loud. You deserve wonderful things.

Anyway (again!!), it doesn’t matter because I did. I don’t need you to, I don’t even really need it to be great high art. Like The Last Wish, it’s mortality, pain, meaning, selfishness v selflessness, identity, family, and most of all, love. I love it even more as I’m thinking about it now.

I guess that’s the point that young me so often missed, it doesn’t have to be “great” to be awesome. Kid A is a masterpiece and clearly a superior work than The Bends. But The Bends is perfect, something we all can listen to forever, and Kid A is horrible.

The things that matter touch us in ways we can’t always explain, but they leave us transformed. I might not be able to articulate why I love Local Natives cover of “Right Down The Line,” (which you should listen to as soon as you can), I don’t know the chords or the time signatures, but I do know it makes me get so lost in the Angel that the 2 become inextricably linked. It’s not Dylan, but baby, it’s .

The Last Wish and Guardians 3 are not Taxi Driver or Pulp Fiction, but not everything has to be. We just have to feel them. They remind us we’re alive, and what better compliment could there ever be??

The Machines — July 24, 2023

The Machines

The prompt today is asking me what I listen to when I work. Well, I am listening to “Dancing in the Courthouse,” by Dominic Fike. Well, I was. Now I’m listening to “Sail Away,” by lovelytheband. It’s not that those are my favorite songs, they just happen to be on the “Songs For You” suggested playlist on my Amazon Music app.

I sometimes wonder why our undergarments are so twisted up about AI (Artificial Intelligence). This algorithm knows me better than any human on earth. The Angel and I have trouble agreeing on shirt patterns in stores, but I always agree with the You Might Like section of My Amazon. The Machines know exactly what I like, and what I will like. All I have to do is casually mention at the dinner table that my feet hurt or that I could use a new pair of sneakers, and I’ll get an avalanche of advertisements for precisely what I need. It’s a modern miracle. We’re living in the golden age.

My in-laws and I often talk about being ‘tracked’ in a newer, scarier minority report, and all I can think about is how often I forget my size or how big my living room is, and how cool it would be if The Machines could remind me.

“Dial Drunk,” by Noah Kahan, is on now. Do you know who Noah Kahan is? How would I have heard this song 35 years ago, when I was deciding that a music guy is what kind of person I was going to be? Maybe MTV, but Music television doesn’t play music anymore, there’s only regrettable shows about people with abs, who drink more alcohol than most sports teams, living near the beach, and a new show about infidelity.

Why would I want to watch a show about infidelity? I don’t, and the algorithm knows it. Why would anyone? I know reality tv isn’t reality, but it’s marketed as such, so we suspend disbelief and pretend it’s authentic. So, again, why would I want to see a person get their heart broken because their loved one doesn’t love them? Why would I want to see somebody cry rivers of tears because they’ve been lied to? I see enough tears in actual real life, I don’t need more in “real life” on tv.

But The Machines know this, too. The suggested follows I get on Instagram are beavers, capybaras, bunnies, kids falling, fantastic artwork, and acoustic versions of 90’s songs They know I love. Not betrayal or ads for beers.

I guess I could’ve heard “Dial Drunk,” on cassettes my sister used to send me from KROQ in California. She’d just pop in a tape and press record until Side A’s 45 minutes were up. And speaking of those tapes, they’re still the best, I have the local commercials sandwiched between Goo Goo Dolls’ (pre-“Iris,” when they were interesting) “We Are The Normal,” and 10,000 Maniacs’ “Like The Weather.” Good times.

But The Machines presumably know about those cassettes, too. They surely know about my sister.

Of course, my in-laws are right, it is awfully scary. Maybe They shouldn’t know my shoe size or where I live. Maybe They shouldn’t be quite so much in charge. (Maybe it’s too late.) But honestly, sadly, we haven’t exactly done a great job with all of this, either. What if, in a supreme irony, The Machines (without the weight of our selfishness) are more careful with us, kinder, gentler, more loving, more beautifully human, than we ever were?

Who knows? But until we find out, I’ll be listening to the AWESOME “Letter To Myself,” by the Lottery Winners (featuring Frank Turner).

Bones Brigade — June 14, 2023

Bones Brigade

I’m at the beach right now – well, not at the beach right now – I’m at the hotel in a Delaware beach town. While the rest of my family sleeps, I am in the common area writing. This weekend is Father’s Day, it’s my second favorite Sunday of the year to give a talk, so I’m working.

But while we’re here, I watched a documentary on Amazon called Bones Brigade: An Autobiography, about a revolutionary skateboarding ‘team’ (probably more accurately called a skateboarding family.) I grew up with the VHS tapes and Thrasher magazine, so I am very familiar with skateboarders like Tony Hawk, Steve Caballero, and Mike McGill, and the Bones Brigade.

Of course I knew the skating, the tricks, the video games, the impact and artwork, but as usual, that is only a small part of the story. In fact, they’re the least compelling part of the story. Lance Mountain and Rodney Mullen (the ones I didn’t know as well) were insecure and damaged, and the damage didn’t make them any less beautiful. What this film accomplished extraordinarily well, was to detail this time for these people – the highs & lows, the glory AND the heartbreak, the 1st place finishes as well as the times each quit and returned home. The depth and texture of reality made them even more beautiful, if that’s possible.

I think that’s what makes a person like ex-President Trump so difficult to embrace. He curates an image without pain, self-doubt, or flaws. He is only bombastic confidence and success, and that makes him appear like a caricature, like he’s attending a masquerade party where this is what a “man” says and does. I don’t know Donald Trump, and I know to mention his name in any context invites rage. But yesterday, he was in a courtroom to plead ‘not guilty’ to 37 counts and was described as humble and downcast, eyes down and hands folded in his lap. This snapshot of brokenness did what nothing else has, ever: humanized him. (Now, last night he was back to the character, so who knows?) He was far more relatable in the courtroom than he has ever been on a stage or television screen.

Maybe what made the Bones Brigade so honest and open with their fragilities and imperfections was the love they had for each other. Or maybe it was the reverse. Maybe they loved each other into vulnerability and authenticity, or maybe their vulnerability and authenticity opened the door into this deep love. It’s hard to imagine a football or baseball team that would have held Rodney Mullen with such kindness, grace and respect, or that would have been a family to him, where he was, who he was, regardless of his place in today’s competition. All of the members spoke with protective reverence of both he and Hawk as they both made the decision to not win as much, or at least not make winning the only goal.

All of these dumb cult documentaries I watch always leave us with a question: How does this happen? How do people get caught up in this insanity? And the answer is always the same, we’re all looking for community and relationship, and when we find it, (hopefully it’s a ground-breaking skateboarding family and not some crazy religious leader who only wants to sleep with the young girls in the group), we lean in. I’m pretty sure former President Trump doesn’t have a circle like that, who will accept him unconditionally, protect and walk with him – politics might not be the best place to find it. But these boys/men sure did, and they changed so many of us by simply building a home and letting us watch.

Last Times — June 5, 2023

Last Times

So I had this pet rabbit (I can’t even tell you how depressing it was to change the word “have” to “had”) for over 9 years. Her name was HoneyBunny. The Angel named her, and I loved it because Tim Roth’s character in Pulp Fiction called his special lady (Amanda Plummer) Honey Bunny, and I can always hear him say, “I love you, Honey Bunny,” in my head. Bunnies live 5-7 years, it says on cards at pet stores. They live much fewer in the wild, but in houses, there are far fewer predators. Ours live forever, in rabbit years.

Smoothie lived to be over 11. We asked the vet if he looked good for 11, and he answered, incredulously, “I don’t know.” He had never seen one that old, which made him in GREAT shape.

I work from home, so I was the primary caregiver for HoneyBunny. Every day for over 9 years, I let her out of her cage, feed & water her, change her litter box, and love her. Thursday was the last day I did any of those things. I let her out and she went under the ottoman, as was her recent practice. I gave her lettuce and treats on a plate under there. Then, around 4, she had an ‘episode’ that I can’t accurately describe. I held her tightly while my boys called local-ish veterinarians. We finally found one to see her by the time the Angel came home, and went there immediately.

She fell asleep in my hands, with the Angel stroking her ears and back. Of course it was horrible, but way too many pass alone, I’m grateful she had 4 hands on her with care and love. She deserved at least that much.

At home, I dug a hole to place her in and watered it with my tears.

Now, why I tell you all of this is because of Thursday morning, when I let her out and gave her the last treat I’d ever give. Sometimes we know when the last times are…

Friday morning Samuel went to the Annville-Cleona high school as a student for the last time. Last night he and his friends said goodbye to a young man who came as a foreign exchange student and was leaving as a close friend.

And others we don’t. How often do I reference Genesis 28:16, “Surely the Lord was in this place and I was unaware?” It’s a serious danger to live these beautiful lives of ours asleep, walking through the days & moments in a daze, oblivious to the fact that the ground on which we’re walking and the people we walk alongside, is all holy. I’d like to think I spoke to her with kindness and intention many many many many more times than I was absent or in a hurry or treating her like she was a nuisance, under my feet or chewing cords, boxes, and furniture. I’d like to hope I was as good to her as she was to me.

The message is always the same – God has so graciously given these blessings to us, we need to stay alert, keep showing up expecting wonder and beauty, keep our eyes open to/for this extraordinary grace.

Yes, she was just a rabbit, but if only you knew her, you’d know there was nothing “just” about her. And now the cage she slept in is empty and I miss her. This is the deal – to love something or someone means, at some point, it’ll hurt, it’ll break our heart into a bazillion pieces. Those pieces are a wonderful gift. She’s gone, but I had her for a long time, forever it rabbit years. My heart is broken but it grew 9 sizes while she was here. I’m really thankful.

I loved that HoneyBunny, and I love her still.

Round Here — May 30, 2023

Round Here

The site prompt today is asking if I remember life before the internet. Yes, I do. For some reason, I’m often very nostalgic lately, so at those times that life B.I. seems preferable. Whether the time actually was more simple, or I was, doesn’t really matter in my head.

I like to put together jigsaw puzzles. Don’t ask me if I do that on an app – you already know the answer. I still read physical books, still turn pages. Now that I think of it, it’s mostly for the same reason. When life gets noisy and heavy, finding pieces that fit perfectly (or opening a book and turning pages) turns that volume down. These small acts reduce the complexity of everything that surrounds me. It’s a little like that aphorism: a journey of a million miles begins with a single step. We can’t finish a puzzle now, we can only give our time and focus to finding the next piece.

The puzzle on the dining room table is one called Rock ‘n’ Roll, and is made up of artists, album covers, ticket stubs, and instruments. It’s pretty good puzzle artwork, the overwhelming sadness in Kurt Cobain’s eyes is obvious and as heartbreaking on my table as it was in real life. There is Ray Charles, The Beatles & The Stones, Joan Jett, and Kiss to name only a few. There is also the album cover from the 2nd best album ever recorded: August & Everything After, by Counting Crows. (The best is, of course, The Queen Is Dead.)

So now I’m listening to the live version of August & Everything After. It’s the whole thing, in order, and it’s unusual in that Counting Crows live versions are mostly unrecognizable from the studio album tracks. You have to know the lyrics to know Mr. Jones at a concert to realize it’s Mr. Jones, but you still can’t sing along. This particular release, though, sounds like the original, but…extra. They’re a terrific band, even as they sort of under-achieved, never building on the perfection of this debut. But how could they, honestly? I am sometimes angry at the Goo Goo Dolls. I want them to make an entire great full-length album, and they don’t, they won’t. It’s like an act of rebellion. But Counting Crows made this 100% A+ masterpiece, and they deserve a pass forever.

Round Here is the first track and makes me cry every time I hear it (with both hands, it’s so sad and so beautiful. Like the great philosopher Rob Base once said, “joy and pain.”)

My wedding Anniversary was Saturday, and my son graduates high school on Friday. Those are the bookends to a week marked with the challenge of holding 2 life-changing events carefully and joyfully. I married the Angel 22 years ago, and the term soul mate is casually tossed around but rarely appropriate. She is easily mine and I hope I’ve risen to even 3% of what she deserves. My son is 18 and steps into an adult life that I get to watch from a front row seat, the best one in the world. He is everything I dreamed he’d be and more.

This week will have baseball games and work and blog posts about music puzzles and phone calls and workouts, but the majority of the week in my heart will be a staggering gratitude. I began this by talking about nostalgia, and I sort of miss Swatch watches and Atari 2600’s and getting up to change between 3 TV channels, but preferable? Baby, I wouldn’t change one thing about this amazing, messy, wonderful life that I have been given, and I wouldn’t miss these people and this week for anything.

The Shar Pei — May 10, 2023

The Shar Pei

Over the last few days, I’ve gained an impossible amount of weight. For you to truly gain 1 pound of weight in a day, you would have to eat 3,500 MORE calories than your targeted intake. So in my case, I would have had to consume 5,700 calories yesterday to be 1 pound heavier. For the last 4 consecutive days, I’ve been 1 pound heavier each day. This is physically impossible, and I’m certain that it’ll ebb to a more reasonable number soon, but still… I wonder why. Did I have too much sodium or carbonation, am I the victim of a voodoo situation, a curse, it could be anything.

For a man who has struggled with weight and what we’d probably call body dysmorphia, this phenomenon is jarring, no matter if it’s impossible or not. I’m pretty sure I’m the only human exception to science.

I’m growing at such an alarming rate. I told the Angel this morning it’s a matter of time until she no longer fits in our queen bed.

My beard has been annexed by gray hairs, instead of the cool (or at least what I tell myself is the cool) dark stubble I usually wear. There are so many wrinkles on my face, I appear to be more shar pei than man. I can’t sleep through the night without getting up to pee, and then when I do get up, everything creaks and cracks. I wear readers and don’t even try to read the ridiculous restaurant menus anymore, I simply guess and hope they offer what I want. 2 people in this house have iPhones with fonts sized so small, it’s as if they’re both taunting me. This is 47.

Oh, and I have a son who will graduate next month. Last night was his high school baseball senior night, and the Angel and I cried on the field as they took our pictures. He turned 18 last week. I have this peculiar adult that has taken the place of my baby boy.

What else I want to tell you about 47 is that every word of this post is true, and that I don’t mind any of it. Not even a little. (Maybe the number on the scale a tiny bit, but that’ll come down. I guess aging can bring a gentle, kind level of perspective, where there is more than only right now and maybe overreacting hasn’t served me well before and wouldn’t now. I don’t have to skip breakfast.) If the Angel doesn’t fit in our queen, we’ll get a king. I have the greatest woman who still wants to sleep like spoons with me, and not much can be better than that.

My gray beard is awesome, I’m thinking of really letting it grow out. The creaks and cracks are from years and years of competition and it was totally worth it. There are still books worth reading, I don’t care what’s on their phones, and I have always asked the servers what I should be ordering anyway (who else knows better than them?).

As for that peculiar adult. I am the dad of one of the finest people I’ve ever met. With each year, he shows more and more – we’re all lucky he’s in the world. And as heartbreaking as it is that he doesn’t sleep on my chest on my sofa in my home anymore, now he can change your lives by being in them instead of just ours. To reference a very famous quotation, “This is my son, whom I love. In him I am well pleased.” I get to look him in the eyes as a man, and that is nothing to be overlooked or undervalued.

Yes, I look like a shar pei, but each of those wrinkles have stories. Every one of the crow’s feet on my eyes were etched with a billion smiles, laughs, and tears. I said tons of Hello’s and Goodbye’s. I suppose I could eliminate the lines with several hundred injections, but why would I want to? This is my life, and it’s wonderful. I did my best to be fully present and aware, to not miss a moment. I am one who has been blessed beyond reason or anything I could ever deserve.

I am a very grateful shar pei.