Love With A Capital L

A journey towards living an inspired life of love in the modern world

This Book I Just Read — September 13, 2021

This Book I Just Read

I just finished I’ll Give You The Sun, by Jandy Nelson. I’m not going to tell you much about it. After all, this isn’t a review. What I will tell you is that I spent much of the last chapter on my knees, reading through red watery eyes. That is, of course, if I could read at all. The rest I spent totally flat face down on my living room carpet leaving discolored circles behind.

I know, I know. But as you are well aware, I am a man who gets down on his knees and weeps from time to time. I cry far more often when things are beautiful than when things are not, and this was no different. It was gorgeous and heartbreaking, joyful and crushing. It was absolutely devastating.

The cover has a quote from the inside, “We were all heading for each other on a collision course, no matter what. Maybe some people are just meant to be in the same story.” Yes, that’s what kind of book it is. It’s a family who has webs and webs of lies and secrets that have kept them sick for years (like lies and secrets do) and come out in an avalanche of meaning all at once (like they do in books). What will each of them do with these? With overwhelming betrayal? With love and longing and loss and everything else? Well, I’m not telling you, but great art pierces because as these characters answer those questions, we are invited to ask the same ones and to answer, what will we?

What will we do?

You’ve been broken by another you trusted, just as I have. We’ve been in love and had our hearts utterly smashed to pieces, we’ve lost (one of the characters says, “No one tells you how gone gone really is, or how long it lasts,” and you feel that in your bones), we’ve missed, we’ve screamed. And now what? What will we do with those?

So then I also just finished another book I was reading at the same time, a very different book, and it has this: “What if it was less important that anything ever gets fixed than that nothing has to be hidden?” And at first that doesn’t make sense (we all really want it fixed), until we think about guilt and shame and the weight of pretending and in that instant, it does.

I don’t think we need tidy, happy endings. We don’t need overproduced songs and engineered foods crafted in a lab. What we do need is flesh, authenticity, tears, blood, laughter, dirt, skin, sweat. We don’t need more lies or secrets or fake plastic images, we need real, pulsing, dynamic, beautiful life. We need grace and love. And we need them right now.

The Immeasurable Beauty of Shang-Chi — September 8, 2021

The Immeasurable Beauty of Shang-Chi

Monday we all went to the movies to see the latest offering in the Marvel Cinematic Universe, Shang-Chi and the Legend of the Ten Rings. It’s a very long title, it brings back terrible memories of Fiona Apple’s second album title, shortened to “When The Pawn…” It’s super long, nobody can remember it and feels 50% too pretentious (which could also be an apt description of Fiona Apple and her terrific music, “50% too pretentious.”) She said this about the title, a poem she wrote after poor reactions to an unflattering article written about her, “It came from being made fun of,” she said, “and then, of course, it becomes a thing I’m being made fun of for.” Ha! 50% too pretentious or not, she’s awesome, and if you don’t believe me, listen to the “Extraordinary Machine” album and you will.

Anyway. Shang-Chi is amazing. It’s slow and patient, and feels quite intimate (until the last act, which has all of the explosions, dragons, punching, kicking and supernatural derringer-do you could ever want.)

What I loved about it is what I loved about Black Panther and what I love about being alive. Shang-Chi was a celebration of Chinese culture in the same way Black Panther was of Black culture. The ethic, music, dress, color, feel, pace were all differently gorgeous from each other and from me. It seems pretty strange to hold a superhero movie up as an example of depth and care, but these MCU movies aren’t what we think they are. I’ve said before, they are our mythology, complex explorations of the human condition in it’s glory and it’s brokenness.

The problem with racism is that it strives to eliminate this kind of difference, to whitewash everything and everyone until it is all the same monochromatic shade, no matter what the shade is. It’s gross and grounded in fear. And the reaction is strikingly similar, looking to achieve a colorblind world that either pretends to not see the beautiful differences or annihilate them. Of course, this is also rooted in fear.

Why would we want to do any of that? Why would I want to pretend to not see different colors, different cultures? Why would I want to avoid cool interesting defining textures? Why would I want all food to taste like chain restaurants and all shops to look like Walmart? Why would we ever want to sand the edges from our world?

Captain America isn’t the only superhero. The MCU has room for Shang-Chi, Black Panther, Gamora, and Groot, all heroes, all given room to exist exactly as they are. Why can’t we?

It feels so disrespectful to ignore our differences, exactly the opposite of open-minded progress or social evolution. I want to know who you are, where you came from, how you see politics and religion, and I want to let you know who I am. I want us to love each other authentically, as we are, all the amazing things that make us, us, and not from behind some ridiculously fake inanely crafted image of Blah.

So, I think we should do that. Instead of the politically correct masquerade, let’s take those dumb masks off, hammer them into sand, and breathe deeply in nothing else but love.

Both Hands — August 24, 2021

Both Hands

There’s a GREAT song by Ani DiFranco called “Both Hands,” and it’s about a relationship that’s over and one last “swan song.” It’s sexy and heartbreaking. (If you’ve never heard it, why don’t you listen to it now? I’ll be here when you get back.) But this is not about that song.

Last week, 2 of my very good friends lost their mothers. The funerals are this week. One was yesterday, one is tomorrow. Another very good friend is loving her own mother without condition as Alzheimer’s ravages her mind, leaving little trace of who she has been. A seemingly endless parade of hurricanes is hammering the east coast of America, floodwaters drowning homes, memories and lives. An earthquake in Haiti killed thousands of people like you & me. COVID numbers continue to rise again, like a villain in a bad movie. We still viciously hate each other online for our thoughts, opinions, and beliefs. Yet another very good friend’s dad is in the hospital with a scary affliction I’ve never heard of.

Also last week, good friends married in the mountains of Utah in a ceremony in front of almost no one, just their immediate families, stripping all of the distractions of weddings and receptions leaving only the sacred union of 2 gorgeous souls. Saturday in a small town on the other side of the country, I officiated a wedding between two young sweethearts who reclaimed the institution, reminding us all what this was all intended to be, in front of all of their family and friends. After the Sunday service in church, set squarely in a world that has stolen 18 months of physical contact, we held hands and each other to remember that (in the words of the punk band Rise Against), “let’s take this one day at a time, I’ll hold your hand if you hold mine.”

A life of faith is not, and has never been, ignoring (or pretending to ignore) the complex nature of this human experience. We don’t focus solely on the pain and we don’t turn our eyes from the suffering, either. We show up in honesty and presence and hold it all with both hands. We have funerals and weddings. Birth and death. Joy and pain. Mourning and celebration. We have the passion of sexuality amid the heartache of the breakup.

Our wounds, broken hearts and tears aren’t a sign that things are out of order. In fact, they’re quite the opposite. Everything, all together, is a sign of authenticity and engagement. A sign of life. And we do it all with hands in our own, and then we do it all again. This is exactly what love looks like IRL, in flesh and blood, with both hands, and it’s awesome.

I Was There — August 3, 2021

I Was There

Yesterday we watched Cars 3. Everyone loved the first and nobody loved the 2nd. That’s interesting, right? How can the same creative team make a beautifully beloved movie AND an overstuffed misguided mess (albeit with some very nice moments)? They must’ve asked themselves the same question, and as an answer/apology, produced the 3rd installment to give a proper end to this story & these characters. It was really great. Lightning McQueen passes the mantle to newcomer Cruz Ramirez and becomes her coach in much the same way Doc Hudson became his 2 movies earlier.

Baseball season is over, and here’s how it was. Saturday, the all star team I help to coach won the state championship. During the regular season, the team I head coach didn’t win any sort of championship. I have played many years of baseball, 8 years old through college, and coached for many more, and if I was forced to choose, this year (championship and not) was my favorite.

These 2 things are related in presence and presence alone. So many times, we live sometime other than now, somewhere other than here. I remember my dad, who had so much trouble making the transition into new here’s and now’s, always remembering & mourning what had been, when he was, what he should’ve been. He’s certainly not alone, right?

It’s the unholy mosh pit of regret (past) and worry (future) stomping violently on today. These cartoons – or I guess we should call them animated features, that sounds fancy and pretentious – use colors and fantasy (cherry red cars that talk and have more expressive eyes than most people) to illustrate and invite us into authentic emotions we might otherwise be too distracted to notice. They ask us questions we might otherwise avoid. McQueen is angry and grasping to the good old days and doesn’t know how to move forward gracefully until he does, and then he learns, as Doc did, that there was shockingly more joy, purpose and fulfillment involved in leading another to victory (in life and on the racetrack… and the field;). He learned to leave his past glory where it is and allow tomorrow to breathe up ahead while he pulled his parking brake on now, an anchor to the significance of this moment.

I maybe didn’t do much to lead those 15&16 year-olds to the crown (I’ll leave that for them to decide), but what I do know is that I was allowed to watch these young men from the dugout, as close as you can get to excellence. I was allowed to coach with a brother, who continually surprised me with his smooth, easy, absolute greatness. And I was there. Not thinking about how I wish it was me playing and winning, nostalgic for my own ‘glory days,’ or if we’ll go back next year. I can’t imagine a place I would have rather been. I love those boys, am so grateful I was allowed to tag along to their march to 1st place.

I get so many things wrong, make so many mistakes, see the overwhelming gifts and blessings in the rear view mirror rather than as they are holding me in life and love. I say too many things like, “next year” or “when I was…”

But not this year, sister. You know what I can say about this year, the most important thing I can say about this year? That I was there and it was spectacular.

This Is Not A Lament — July 27, 2021

This Is Not A Lament

This Saturday, the county all star baseball team my son plays on will compete for a state championship.

I just wrote a post for the Bridge site about the aggressive passivity that is running rampant, crushing everything (including our spirits) in it’s path. The post is a lament. Marianne Williamson says, “Our playing small does not serve the world,” yet that’s what we have decided to do. We’ve chosen to lower the bar, setting it on the ground so that we never try, never fail, and consequently, never succeed and never grow.

This post, however, is not a lament.

Last week, I watched as a group of 15 & 16 year-olds gave pursue excellence. (The day before, I had the privilege of sitting with a player who had been given news that he would not play, that he was an alternate, a victim of roster limits, as he wept in disappointment. That kind of holy disappointment only happens after we’ve given everything.) 15 & 16 year-olds have a reputation, perhaps deserved, of apathy and indifference. But not on this team.

This team was full of boys who had trouble sleeping the night before, whose bellies were full of giant butterflies. This team was full of “try hards.” (“Try hard” is, inexplicably, a term of derision in schools nowadays among insecure, inadequate kids overwhelmed by their own fear.) This team was full of passion and energy, driven by, and full of, life and love.

It goes without saying that I’m proud of them. What might not be so obvious is how deeply I am inspired by them. Do you remember that movie, As Good As It Gets? Jack Nicholson says to Helen Hunt, “you make me want to be a better man.”

I am an assistant coach for these young men on this team. I throw batting practice and hit balls infield/outfield. I give high-fives. Every now and then, I try to give helpful suggestions learned from years and years of being a ball player.

A coach is in an interesting, enviable position. I am more thankful than I can tell you that I am allowed to watch from the inside. They remind me how I want to show up to my own life, every day, for ‘practice’ and for games. They don’t take days (or even plays) off, they pour into themselves and each other. They are committed. They are deeply respectful – of absolutely everything. They are gifted and grateful. They give without reservation. They bring all of them and they show up. I used a million words, but the only one that truly describes what they do is worship.

This is not a lament. This is a celebration. If they are the future, we can all breathe easily and with tremendous hope.

Man, I want them to win this championship, they really deserve it. But I guess it doesn’t really matter, they’ve already won. And so have we.

Black Widow — July 14, 2021

Black Widow

Last weekend I saw Black Widow…in the theater!! I wonder how many times I’ll have to go before that loses it’s excitement and new-ness. I know the answer is more than 2 (I saw Godzilla vs Kong in March), because I had butterflies like the Angel & I were on an early date night. It wasn’t a first date, because those butterflies were large birds with talons and teeth, and lots and lots of energy. More like a date in the 3rd or 4th month, when the nerves were invigorating and pleasant.

When I was a kid, a trip to the movie theater used to be an adventure we looked forward to for days. That novelty wore off (except for BIG releases like Fight Club or Endgame) and it was just another option in an ocean of choices. I’m thrilled that feeling has returned.

I’ll tell you if the answer is 3 in September when Shang-Chi and the Legend of the Ten Rings comes out.

You know, I used to go to quite a lot of live music shows. Once I got to a certain age they lost most of their draw – too many people, too loud, too expensive…well, I guess it was simply too many “too’s” for me. I wonder if I’d like to go back now.

COVID took so much from us for the past year and a half, I wonder if we’ll be surprised to find there are gifts to be enjoyed as well. Sometimes things are so familiar, so common they lose the wonder they hold, like kissing your wife, hugging your boy, driving your boys to basketball practice, sitting in air conditioning on a scorching hot day, pushups, deadlifts, spaghetti, fast dancing to music in the house with your sister, singing along to a song on the radio, those shoes, and on and on and on. When the scales fall, giving us the ability to see them again with new eyes, it’s overwhelming. Of all the people in the world, do you mean I’m the one who gets to actually kiss her??? Has the world really become a place where I can sit and watch these boys play baseball??

I recognize that lives have been lost, anxiety has ravaged our psyches, relationships have been damaged beyond the point of rescue, some of us still have trouble breathing, much less sleeping, the fear of What Could Never Happen (But Did) is oppressive, and going to a movie theater is way too trivial a thing on which to focus, even embarrassingly so. But sometimes it’s the trivial and seemingly insignificant that give us hope. That give us the strength to take one more step. That give us the beautiful notion that the world will continue and we might be ok, sometime down the road in the future, however long it takes.

We had a flood once that drowned our house and everything we owned. Our spirits were crushed under the weight of starting over from scratch, not to mention the looming fight we were inexplicably destined to lose with the insurance company, and the enduring emotional fallout. And in the middle of all of this, my wife’s best friend Laura gave me a book – one of my favorites: High Fidelity by Nick Hornby – that I had gifted to her years before. It was her way of saying “I know it’s the kind of dark and awful that feels like it might never not be dark and awful, but this is something lovely.” It was just a book, but it was so much more than a book. It was the promise of life wrapped in her sweet heart. That horrible flood ended up having a million gifts like that, where human beings were exposed as kind, caring, and generous. Most people don’t get to experience that sort of avalanche of love, and I wish they could. It was a book about a record store, and it changed me forever.

It might have been the best movie I ever saw or it might be ok. I can’t give it a proper review because it’s impossible to detach the art from the context, and I don’t want to try. To me it was perfect.

WW84 & Luca21 — June 23, 2021

WW84 & Luca21

Last weekend, as a little bit of an act of aggression towards my son who had gone with a friend (who was NOT ME!!!!) to the beach for 4 days (4 DAYS!!!!), I watched Wonder Woman 1984. We had not yet seen it and this is usually the type of movie we watch for the first time together. But he was away and it was available on a free trial of HBO, so… In case you haven’t seen it, if you Google it, the first result is the question “Is Wonder Woman 1984 the worst movie ever?” Ha! It wasn’t great, but it started me on a path that leads me here, with you.

But first, let me tell you we also watched Luca, a Pixar film on Disney+. This one was tremendous and my favorite part in a movie of favorite parts was Luca’s wide eyes.

Before we tie WW84 and Luca’s eyes into a tidy bow, there’s a song called ‘Roses’ by the Band Camino and here are some of the lyrics:

“Why you wanna be a sad boy, waste your time?/Lookin’ for something that was right here all along/I think we’re gettin’ it wrongIt’s too bad/When did it get cool to be so sad?/We’re spinnin’ backwards, did we all go mad?/Yeah, we’re only human but wе’ve got hands and hearts and noses/So stop and smеll the — roses.”

There’s a young man I coach who is so similar to me, he drives me crazy. He hated the Wonder Woman sequel, but he happens to be that certain wonderful age and disposition where every single thing is just horrible. I know the age well, hyper-critical, painted with elitism, sarcasm and a deep grouchiness.

The younger me thought it was super cool to be bored, jaded, sad and dismissive of most art, most everything actually, because I was so far above it all. It was awesome to make fun and pick apart anything. I was sooooo funny and disaffected. And I was totally miserable.

Luca left the water for land and was overwhelmed with wonder. There wasn’t anxiety or routine or a mountain of inadequacy. There wasn’t a hierarchy of people or things he ‘should’ like or not, no such thing as a “guilty pleasure” – just pleasure. Just beauty. Just roses.

Of course he would have to deal with the thorns, like we all do, but unlike many of us, he chose to not be overcome with those sharp points. There was the local bully and antagonist Ercole Visconti (there always is) but there was also the lovely Guilia. Luca had the same choice we do. Which one do we allow to color our experiences? To which do we give the keys to our heart? Which one gets to chose our perspective?

Wonder Woman probably wasn’t a great film, but so what? Not every film has to be Fight Club or Pulp Fiction.

Has there ever been a circumstance where tearing something down led to the teeniest bit of our own growth?

Another ‘Roses’ line goes, “Maybe you’re the person that you always wanted to be,” and after a lot of thought, the truth is, the person I want to be is one who likes stuff, who can see beauty wherever I look. I want to live a life of wonder and joy, so I do (mostly), and I think if we did more of that…

Well, you know how it is when you get a new car and it seems like those are the only cars on the road? Maybe it’s like that with love and wonder and Luca and positive energy. Maybe it’s like an electricity that each of us feel and absorb.

So, yes, I think if we did more of that, there would be more of that. We’ve got hands and hearts and noses, so let’s just try to stop and smell the — roses.

What If You Do? — June 8, 2021

What If You Do?

At a baseball game last night, we lost. That’s ok. I don’t ever mind wins and losses. (Well, I do a little…sometimes more than a little.) What I do mind is the how. How did we play? How did we compete? How did we show up? How did we carry ourselves? How was our mindset? How how how.

So last night our how was rough. I saw it in their eyes, their countenance, their posture, and just as a positive how elicits a favorable result (not always a win, but always something good), our loss was a direct translation of our how. It’s probably mostly that way in our careers, marriages, homes, our lives, right? We often sleep-walk through the ruts & routines of our days. We’re tired, uninspired, listless, frustrated, passive and the tapes in our head keep us firmly stuck in that loop. Maybe it’s settling for less, or maybe it’s just a lack of vision. Maybe it’s just that our eyes are closed to the opportunities, the beauty, the glory of God crackling all around us desperately trying to jar us from our despair.

In an weekly email I subscribe to, Caitlin Winkley writes, “Are your thoughts contributing to the type of woman you want to be, the type of life you’d like to live and how you want to feel?

Or, are your thoughts fueling your old story, leading you to feel worry, doubt, unsurety, powerless and fearful?”

(I don’t know why she assumes everyone on her email list is a woman, but I really don’t care. She’s awesome and this is wisdom for everybody, regardless of any demographic category. This might be a very good time to discuss the things that offend us, but we’re discussing other things today…I DID read once that we get offended by small things when we don’t have big things to think/care about and give our energies to, so that’s all we’ll say about that here, now.)

Do we need a renewal of the mind? Did each of my players last night live into a picture of the “type of woman” he wants to be? Did they give what they had to give and feel how they want to feel? Did I?

Are we doing that today at work or school or home or wherever?

OR are we feeling doubt, worry, unsurety, powerlessness? Are we overrun by fear?

Unsure is the perfect word, isn’t it? Because those adjectives she uses are paralyzing, making our feet heavy and still, holding us tightly to the ground when we have always been meant to fly. And then the tapes: Really??? Are you really meant to fly? You??? What if you fall? What if you are wrong? What if you don’t have what it takes?

What I have learned, even as I too often listen to those familiar tapes in my head, is that those questions aren’t that far removed from, “Did God really tell you…” from Genesis 3. They were lies then and they are lies now.

What if you swing and miss? What if you don’t catch it? What if you make a bad throw? What if you give all you have and still lose? What if you fall? What if you’re wrong?

What if if you don’t have what it takes?

To paraphrase a famous parable, “Oh but my darling, what if you do?”

Sports might not always be the perfect metaphor for everything (I guess), but they are very close.

Shirkers — April 29, 2021

Shirkers

“There are movers. There are shakers. And there are shirkers.” That’s the very catchy tag line for the Sandi Tan documentary Shirkers that I watched today.

This is a different circumstance because all of the many colored blocks that populate the calendar on my phone had to be erased, leaving me with oodles of free time. Free time that has been suggested/issued/commanded by the PA Department of Health. In the DoH phone call to check on my symptoms (none) and/or exposure (constant), they kindly asked me if I would be complying with the quarantine order and I thought that was a nice gesture. I guess they can’t make me, per se, but I do love you a lot, so I’m on lockdown.

(I don’t want to talk about COVID or quarantine guidelines & regulations. Also, because everyone is home, I can’t talk about Father Yod and the Source Family doc I began that is inappropriate for young viewers. Soon, soon.)

Now. Shirkers. It’s a pretty great documentary but I don’t think I would’ve liked the movie it’s based on at all. The film is from Singapore and at least 5 times too art school pretentious for me.

Mostly, we have our imaginations squeezed out of us by the time we make it to middle school, replaced with standardized tests and the overwhelming stress of future success hanging in the form of grade point averages. We have “what could be” beaten into “it is what it is,” “why not” into just “not.” Shirkers was founded on the idea that something new is not only possible, but here in their heads screaming to be expressed.

I don’t care if I would’ve liked the film. I want to live in a world where art exists that I find horrible or offensive, because that means I cold love it, too. You can’t love the middle of the road. You can’t love white bread. I value the risks of dreaming of a new day, where yesterday isn’t necessarily today. It might be, but it’s up to us to decide if it will be. If we sand off all the edges, all we’re left with is circles rolling in and out of our souls and lives, never making an impact.

Bad art (I’m not saying Shirkers was bad art. The truth is that I don’t know, nobody knows, some charlatan stole and trashed the audio files) is essential to forward motion. The line between compete unwatchability and the best thing you’ve ever seen is thin and blurry at best, invisible at worst. I’d like to totally ignore that line and listen to the creative impulse in each of our heads & hearts and follow that, instead. Of course, maybe it’s destined for the rubbish heap, but what if it’s not? As it says on so many inspirational plates and blocks of wood, “Oh but my darling, what if you fly?”

A Robbery — April 15, 2021

A Robbery

2 days ago I started a limited documentary series on Netflix called This Is A Robbery about a never-solved art heist. Every time I see the word heist now, I involuntarily think of the time heist from Avengers Endgame. (for this reason, I’m going to use the word as much as I can) This doc is not like Endgame. The other thing is that we know from the opening moments that the 1991 heist hasn’t been solved. The Angel can’t stand things like that, with no resolution. I don’t mind because so much of life doesn’t have nice tidy endings and we have to be ok with strings left untied.

The interesting thing about this series (and this heist) for me, was an outrage far outweighing the mild annoyance I feel at garden variety heists of institutions like banks or corporations.

A personal robbery is a different animal altogether. Taking another’s anything violently rips away any safety and security previously felt. It’s a deeply personal, psychological violation that can, and often does, haunt forever.

Obviously, I understand that there are human beings and trauma involved in banks and corporations, I’m just telling you that the sadness I felt when these one-of-a-kind paintings and artifacts were stolen and never recovered was far deeper than the loss of a 100 dollar bill. Or a zillion 100 dollar bills.

It felt like the violation was one of humanity, of culture, of society, of beauty, of creativity. Like the heist was picking the pocket of the Divine. This feeling was unavoidable to me as the filmmakers showed 1 particular painting over and over: Rembrandt’s The Storm On The Sea Of Galilee.

It’s a cool Bible story of God’s peace in the middle of an overwhelming storm. I’ve always loved the story and I like it even more now. The painting is stunning, and now no one will ever see the original again.

That’s horrible for a lot of reasons. When Rembrandt’s talent and passion (gifted from that same Christ) to craft this work of art (inspired by that same Christ) and loved by so many people (created in that same Christ) was lifted, so were all of those blessings. For God so loved us all that He gave us that masterpiece, through that artist. Art, especially great art, is a window of the Garden of Eden, where the first humans were made from love in the wildly creative image of God. Work like this shows us our intention and possibility, which is written into our souls. Work like this teaches us to dream, to imagine, to hope. Work like this shows us the beauty inherent in each of us in ways that a green piece of paper cannot.

That beauty is of course still there, heist or not. It’s just heartbreaking that a magnificent illustration of it was callously cut from frames and is now left to rot in some warehouse where it can no longer bear witness to our own striking brilliance.