Love With A Capital L

A journey towards living an inspired life of love in the modern world

Shirkers — April 29, 2021

Shirkers

“There are movers. There are shakers. And there are shirkers.” That’s the very catchy tag line for the Sandi Tan documentary Shirkers that I watched today.

This is a different circumstance because all of the many colored blocks that populate the calendar on my phone had to be erased, leaving me with oodles of free time. Free time that has been suggested/issued/commanded by the PA Department of Health. In the DoH phone call to check on my symptoms (none) and/or exposure (constant), they kindly asked me if I would be complying with the quarantine order and I thought that was a nice gesture. I guess they can’t make me, per se, but I do love you a lot, so I’m on lockdown.

(I don’t want to talk about COVID or quarantine guidelines & regulations. Also, because everyone is home, I can’t talk about Father Yod and the Source Family doc I began that is inappropriate for young viewers. Soon, soon.)

Now. Shirkers. It’s a pretty great documentary but I don’t think I would’ve liked the movie it’s based on at all. The film is from Singapore and at least 5 times too art school pretentious for me.

Mostly, we have our imaginations squeezed out of us by the time we make it to middle school, replaced with standardized tests and the overwhelming stress of future success hanging in the form of grade point averages. We have “what could be” beaten into “it is what it is,” “why not” into just “not.” Shirkers was founded on the idea that something new is not only possible, but here in their heads screaming to be expressed.

I don’t care if I would’ve liked the film. I want to live in a world where art exists that I find horrible or offensive, because that means I cold love it, too. You can’t love the middle of the road. You can’t love white bread. I value the risks of dreaming of a new day, where yesterday isn’t necessarily today. It might be, but it’s up to us to decide if it will be. If we sand off all the edges, all we’re left with is circles rolling in and out of our souls and lives, never making an impact.

Bad art (I’m not saying Shirkers was bad art. The truth is that I don’t know, nobody knows, some charlatan stole and trashed the audio files) is essential to forward motion. The line between compete unwatchability and the best thing you’ve ever seen is thin and blurry at best, invisible at worst. I’d like to totally ignore that line and listen to the creative impulse in each of our heads & hearts and follow that, instead. Of course, maybe it’s destined for the rubbish heap, but what if it’s not? As it says on so many inspirational plates and blocks of wood, “Oh but my darling, what if you fly?”

Rise of Skywalker — April 23, 2021

Rise of Skywalker

I wrote this last year, before the world stopped, and for some reason never posted it. It’s still true.

I saw Star Wars and I liked it. Of course I liked it. I am the target market. If a marketer’s intended demographic had a face, it would be my face.

From around 5 to 12 or 13, nothing mattered more than Luke Skywalker, Jedi knights, empires and rebellions. 24 year-old me cried at the opening crawl of episode 1…on a date. As I write this now, it’s less embarrassing than it was then – the happy ending is that the date was with the Angel, and she still married me.

The 2 externals in my life that mattered the most were Star Wars and, later, Morrissey.

In High Fidelity, the author Nick Hornby asks the question if we find the things we find because we are the way we are, or if the things we find mold us into the way we are. Which comes first?

Did I love Morrissey because I was super-sensitive and leaned towards loneliness and melancholy? Or did those songs push me in that direction?

I suppose it doesn’t matter now. No matter how I got there, I did and now I’m the sort that cries at movies and paintings and, well, everything. It’s probably a combination. If I was the captain of the football team, maybe Morrissey would’ve sounded sad and whiny and I would’ve tended more to Led Zeppelin IV or Nickelback. If I was a 5 year old girl, maybe I wouldn’t have wanted to fight and liberate the princess and the galaxy (in that order) with a laser sword and space ship so badly.

Sometimes it feels like the road has been mapped out perfectly all along, that we found the people and things that made sense and gave us some context for our lives at EXACTLY the right time. So perfectly, in fact, that it can make us question if we have any free will at all or if we’re just puppets in a theater having our strings pulled by giant fingers in the sky. Then other times, it all seems so random and confusing, with no narrative or plot, like we’re bumper cars driven by toddlers.

My favorite book of the Bible is Ecclesiastes (and this is likely no surprise, I imagine it leaks into everything I write and say.) It holds all of this confusion, the duality of an authentic life lived with eyes half closed (or half open;), with both hands. The Writer asks questions without expecting answers, is comfortable being lost without needing a detailed map home. A life that holds everything “temporary” (a better translation than “meaningless” – it’s not meaningless, not at all, only temporary) lightly, wanting to understand but willing to abide in the uncertainty, content to eat and drink with the people we love.

Star Wars wasn’t perfect, but in a world that has much much much more than enough pain and suffering to go around, it was beautiful. Morrissey is, too. I don’t care how they got to me, I’m just so thankful they did.

A Robbery — April 15, 2021

A Robbery

2 days ago I started a limited documentary series on Netflix called This Is A Robbery about a never-solved art heist. Every time I see the word heist now, I involuntarily think of the time heist from Avengers Endgame. (for this reason, I’m going to use the word as much as I can) This doc is not like Endgame. The other thing is that we know from the opening moments that the 1991 heist hasn’t been solved. The Angel can’t stand things like that, with no resolution. I don’t mind because so much of life doesn’t have nice tidy endings and we have to be ok with strings left untied.

The interesting thing about this series (and this heist) for me, was an outrage far outweighing the mild annoyance I feel at garden variety heists of institutions like banks or corporations.

A personal robbery is a different animal altogether. Taking another’s anything violently rips away any safety and security previously felt. It’s a deeply personal, psychological violation that can, and often does, haunt forever.

Obviously, I understand that there are human beings and trauma involved in banks and corporations, I’m just telling you that the sadness I felt when these one-of-a-kind paintings and artifacts were stolen and never recovered was far deeper than the loss of a 100 dollar bill. Or a zillion 100 dollar bills.

It felt like the violation was one of humanity, of culture, of society, of beauty, of creativity. Like the heist was picking the pocket of the Divine. This feeling was unavoidable to me as the filmmakers showed 1 particular painting over and over: Rembrandt’s The Storm On The Sea Of Galilee.

It’s a cool Bible story of God’s peace in the middle of an overwhelming storm. I’ve always loved the story and I like it even more now. The painting is stunning, and now no one will ever see the original again.

That’s horrible for a lot of reasons. When Rembrandt’s talent and passion (gifted from that same Christ) to craft this work of art (inspired by that same Christ) and loved by so many people (created in that same Christ) was lifted, so were all of those blessings. For God so loved us all that He gave us that masterpiece, through that artist. Art, especially great art, is a window of the Garden of Eden, where the first humans were made from love in the wildly creative image of God. Work like this shows us our intention and possibility, which is written into our souls. Work like this teaches us to dream, to imagine, to hope. Work like this shows us the beauty inherent in each of us in ways that a green piece of paper cannot.

That beauty is of course still there, heist or not. It’s just heartbreaking that a magnificent illustration of it was callously cut from frames and is now left to rot in some warehouse where it can no longer bear witness to our own striking brilliance.

How To — March 23, 2021

How To

Several years ago, I was working full-time delivering medical equipment, pastoring a new local church, a full-time husband & daddy, and working far more than full-time discovering and becoming who I was/am. Even though I loved all of it, individually, I was teetering on the precipice of a complete breakdown nearly every moment of every day. The illustration that makes sense is of trying to fit a gallon of water into a shot glass.

Eventually, I scaled back the medical delivery to part-time (while still juggling the unholy on call responsibilities, which years later, cause me to shudder. No kidding. I sometimes wake up in the middle of the nightmare of thinking my phone is ringing.) which helped a little, though not as much as was necessary. My life was still a gallon and I was still a shot glass.

Many of my friends have greater capacities than mine, like a tumbler or a Big Gulp. The Angel does, too. Maybe you do. I’ve stopped feeling guilty about this. We all are created differently, different gifts, talents, passions, and different capacities.

It’s entirely probable that my capacity was reduced by the sheer number of should’s inside, like ice cubes filling a glass before one drop of liquid could find room. Wildly important should’s like responsibilities in providing for this family, safety, security, and on and on…then stepping outside, less important should’s like ‘what will people think?!??’ When you devote so much energy and space to the negative loops of b.s. in your head, it leaves very little for elements like purpose, meaning, and life. I needed a push, either out of the boat or back into the cabin, straddling both was tearing me apart.

Then the book How To Be Here, written by Rob Bell, was released. How To Be Here was about quitting your job delivering medical equipment and taking your shot at all of those things that make you feel alive. Among other things, of course.

“Your Ikigai is your reason for being. If you’re like a lot of people, the moment the words path and vocation and calling come into the conversation, let alone a new word like Ikigai, a thousand questions come to mind. Questions about paychecks and responsibility and passion and what you wish you could do if only you didn’t have those bills to pay.”

Maybe the book wasn’t about medical equipment delivery at all, but as I picked it up to reread it today, it sure sounds like it. Books can be like anything, tied to a certain time or event. Like how if you’re a certain age, it’s impossible to hear “Stairway To Heaven” without thinking of school dances full of butterflies and self-consciousness. This book is a very good friend who walked into my life when I was in desperate need like a hurricane, gently rested both hands on my back, whispered in my ear that I could, and then shoved me into a brand new life.

Hardly anything has been easy in the transition, but it has been awesome and I just wanted to thank Rob Bell and my very good friend How To Be Here.

Forged Religion — March 4, 2021

Forged Religion

There is a new Netflix documentary called…well, I don’t know what it’s called. Give me a second. It’s called Murder Among the Mormons and it’s about old, cool, found documents, LDS church history, pipe bombs and ultimately deception.

While it all occurred during my life, I didn’t remember any of it and it played like drama and twisted and surprised me at every revelation. I loved every minute of it, though that’s pretty awful to say that about any murder anywhere. What does that say about me? I mean I loved the series. Is that better? Maybe only a little, but I really don’t want to talk about the questionable ethics of death as entertainment.

What I do want to talk about (there may or may not be spoilers here) is how lies and secrecy wreck everything. The LDS church followed a practice of suppressing any information that might contradict the gold plates of church history and doctrine, which brought to mind the words of the wise turtle Oogway (in King Fu Panda), “One often meets his destiny on the road he takes to avoid it.” By trying so hard to squash inconvenient truth (whether it is actually truth or not) to protect a faith system so fragile, the result is the exact opposite. If the foundations of our lives can be destroyed by a letter about a magical white salamander, then maybe the foundation deserves to be ground into dust and reconsidered.

Religious systems are an interesting creation. We erect walls and then fight and kill over their position, protecting our power and status and mountains of money. What starts as an beautiful expression of love and worship towards God morphs into a massive altar to our own abilities and desires. No wonder we all run from the whole sordid mess, throw the baby out with the bathwater, and struggle to build new walls of purpose and meaning without faith. Religion isn’t Yahweh, the LDS isn’t Jesus, and we are not and have never been gods. Once we can figure that out, we can loosen our grip on our doctrines and trust the Truth of God to be bigger and more resilient than some guy in a hidden room inventing pretend letters, diaries and origins. In other words, trust God to be God, even without our arrogant ‘protection.’

Jokers — February 23, 2021

Jokers

So, last week was another week in 2021, which is shaping up to be even more of a bear than 2020. I’m soon going to be able to stop that sentence immediately after “last week was another week,” and we’ll all know what that means.

I lost a buddy I knew last week to a drug overdose. (This was the “horrible thing” I referenced in last week’s post on pyramid schemes and discouragement.) He left behind a wife and 2 small children. He struggled with addiction since high school, maybe earlier, and his was one of those stories that they say will end in a jail cell or a coffin. 2 days before his overdose, he posted a long grateful note of thanks to God on Facebook. It was his 7 months clean anniversary.

It’s common to wonder in situations like this, why? Why was he so disturbed, so sick? What was so bad that he would spend his life in the familiar pattern of detox and relapse? Or the question I asked of my own dad, that will surely haunt his family, why weren’t we enough? Where did these demons even come from?

I know some of those answers in my buddy’s case, if all that he had shared over the past 4 years had been true. This is not a certainty, of course. His service was for a person I never knew and barely recognized. If there weren’t pictures, I would have questioned if I stepped into the wrong church. But with this, for some reason I believe him. Like so many, the damage inflicted upon him by his family of origin (broken, dysfunctional in every way) was crushing, ultimately leading to his death. They dutifully carried on what are called generational curses. Midnight Oil, in the terrific song “Forgotten Years,” sing, “Few of the sins of the father, are visited upon the son.” In this case, it was significantly more than “few.” It was an avalanche of excrement for him to dig out of, too much in fact, and he simply could not.

Now. I have to be very careful when I get overwhelmed with the weight of loss and sadness, it can be pretty oppressive and increase my already hyper-sensitive soul. And there, on my dresser, was a borrowed copy of the movie Joker. I had good advice from the Angel to, under no circumstances, watch it while in this state. Very good advice that I ignored.

This movie was, essentially, a re-imagining of my buddy’s life. Abuse, neglect, illness, loneliness, depression, on and on – the Joker turned his violence outward and my buddy directed his mostly at himself. But other than that difference, it was the downward spiral of self-loathing that looked for all the world completely inevitable.

Was it?

One of the arguments against both is that, at some point, we have the choice and responsibility to build something new, something better. Maybe that’s simplistic ‘bootstrap’ psychology from those who have never been in that sort of darkness. (I happen to know that darkness, so total that the hope that there could ever be light again has faded and been replaced with emptiness.) But maybe it’s not.

We have the ability to choose life, don’t we? I know it doesn’t feel like that, it feels more like there are footsteps marked out for us from which we are unable to deviate. That our lives are scripts where improvisation or rewrites are impossible. That we are powerless to our fate.

If you’re familiar with me or my work, you’d think this is the point where I start painting pictures of love conquering all, detailing pyramid schemes of love, how love drives out that fear, how a small perspective shift and a bit of imagination and a hug will break those chains… but I’m not going to do that here. I just don’t feel like it this morning.

I believe those things I usually say, I have to. Otherwise, I’d have to resign myself to the robotic hopeless futures of those 2 sweet boys, and that is something I can not, something I will not.

Joker is a fictional character, but his story is real for so many of us. But it’s a really bad story and one that we have to believe can change. The 4 minute mile was impossible until it wasn’t. It just has to start with one (or an army of us) who keeps running into the impossibility.

One Of Those — February 15, 2021

One Of Those

Last week another horrible thing happened. Yet another. I’m telling you, there is no truth to the phrase, “we aren’t given any more than we can handle.” Sometimes, we are, we just don’t get to tell the story afterwards.

This has been a hard year, 2021 is taking over right where 2020 left off. I heard a man (I’m pretty sure it was Hank Fortener) say once that he was in a time of incredible stretching. Me, too. I am stretched to the point where my muscles feel like they’re about to tear into shreds. The kind of tearing that never can be put back together. But then again, I happen to be one of those insufferable types who stubbornly holds on to hope anyway. Maybe those muscles won’t tear at all, and instead the stretching will create a new strength. It doesn’t feel like that, but that’s sort of what hope is, isn’t it?

I’m learning that we will most often choose the option that hurts us the most. Of course, it might feel good now, but it leaves lasting scars. I lie but everybody finds out (everybody always finds out) and the consequences are bigger and far more painful than had I never lied in the first place. I do it anyway. I eat a bunch of sugar that tastes fantastic but (now that I’m no longer 12) I’ll feel rotten for 3 days. I eat it anyway. I stay in the relationship that leaves me feeling worthless and used because of course it’s easier than leaving but it also validates the suspicion I have that I am worthless and unloveable. I keep going to those sites where I have to erase the history but can’t erase the shame. I keep sinking a needle into my arm or wherever still has veins even though my marriage and family is feeling the polar opposite of high and picking up the pieces of that wreckage is impossible. I know this and make that choice anyway.

It seems like our deep self-loathing is insurmountable. My big dumb idea is for a pyramid scheme of love, where I love 2 people and they each love 2 people and so on until everybody is loved and we begin to act out of that abundance rather than our searing emptiness. It’s a dumb idea. Especially when all evidence points to our desperate need to cling to our brokenness, to choose self-hate over self-love, at all costs.

The big flaw in “love others as you love yourself” is that we don’t love ourselves. Maybe we are already loving others exactly like we love ourselves – not at all.

So. I’m sad today (and for the last few days). Do you know why I cry these tears? Because my eyes are wide open and my heart is in perfect working order. Why isn’t everybody?

Here’s the thing. When my heart isn’t broken and I am seeing clearly (instead of through these blurry pools where my eyes used to be), I know my pyramid scheme idea is a good one. Well, maybe it’s not a good one, but I really like it. I’m a man who sees a beach full of drying starfish and throws them back into the water 1 at a time. Maybe it won’t make a difference in the grand scheme…yeah, sigh…maybe it won’t. But I’m still that person doing it anyway. What I can tell you is that sometimes you will love someone and walk next to them and they kill themselves anyway. Yes, that’s true and real and happened last week. And you will, like me, wonder during restless nights if you could’ve/should’ve done more, if you should’ve walked closer for longer. And maybe if we did, they would’ve killed themselves anyway.

So we’ll sit on the beach for a little while looking at all the starfish wondering why in the world they keep ending up here. And then we’ll stand up and pick one up and throw it back into the water. And then another. And then 2 more. And then we’ll start dreaming again, wondering why a pyramid scheme couldn’t work, why love couldn’t work. Now maybe it couldn’t, but the way we’re going sure isn’t working, and it’s all I have.

Sports, etc. — February 11, 2021

Sports, etc.

I write so many posts on sports because I grew up on a steady diet of sports, and often the things we eat when we are young remain integral to our lives. Teams, players, won-loss records, ERA, batting average, and second-guessing were often the only way my dad and I could relate and I’d be lying if I said I didn’t absolutely LOVE it. One year in the NFL playoffs, after I was out of the house and married to my Angel, Peyton Manning had a first half that was unbelievable, something like 5 straight TD drives, where he looked like a space alien brought here to play football. I was alone in my living room and called my dad. Just a father and son loving Peyton Manning together…

So, I love sports. Maybe I really just love my dad and the 2 have gotten mixed up over a lifetime into where I can’t tell the difference, and now he’s gone but sports are here and that’s going to have to be good enough.

Anyway. I can also see now that sports are primarily windows and illustrations – instead of ERA, points per game, completions percentage, sacks and batting average, I care far more about character, drive, and the human condition, perfectly displayed and refined on the practice field, bench, and weight room.

Both of my boys play basketball, and some days come home very frustrated and very angry. I understand this. There are some other boys on the team that, well…

Adolescence is marked by fear and insecurity, right? We are awkward and riddled with anxiety and acne, growing into the people we will become – but we’re scared to death that those people we’re becoming are somehow not enough. Of what? Whatever, we just live our lives wondering if we measure up. This leads kids to fight and claw and try to annihilate the ones standing nearby in a fruitless quest to appear better in proximity.

The most arrogant, condescending and nasty of us, it’s easy to see, are the ones who are most viciously ruled by this inadequacy. In schools, playgrounds, fields and courts – then later workplaces, offices, and conference rooms – this behavior is totally predictable.

I understand this, too.

I know what it is to wake up in fear, wondering if today will be the day I am exposed, that they ‘find out’ (whoever ‘they’ are and whatever they ‘find out.’) Faced with fear, we fight. We rip and claw at others to prove our dominance.

We sit and talk about these other boys, they vent and I listen.

I know these boys they talk about and the weight under which they are struggling that threatens every second to squish them. I want to hug these kids, hold them and tell them they are ok, that they are enough. I also know they won’t listen, will probably alienate everyone around them until they are alone and hollow, exhausted from the constant image-creating. I know how hard it is to see through the too-small eyeholes in the masks we wear.

When I was young, I wanted these other boys to get what they deserve. I wanted to give them what they deserve. Now, I still do, but the thing they deserve has changed. I don’t want them fed knuckle sandwiches anymore (though I always fear that’s where their path will lead them, though not from me), I want them loved, unconditionally and beyond reason, for no other reason than that they too are children of the King.

I think this is what Jesus meant when He said to love our enemies, the ones that are hardest to love, the ones that make it their business to make others feel small and embarrassed and worthless, the ones who pretend, the ones who bully our kids at school.

This impossible-sounding command is only possible if we can see them as they actually are, without their carefully curated disguises, as frightened children.

I want my boys to have these eyes that can see. I want to have these eyes that can see, too.

Now that we’re here, I also want those boys to have the eyes to see themselves as they are, as He does. We are walking this path together, and if Jesus is to be believed (and I truly believe He is), this kind of overwhelming love will drive out the fear and we can all begin the healing. Let’s imagine that, just for a second, for a day, forever…

Us Against You —

Us Against You

I’ve been telling everyone who will listen how much I love the author Fredrik Backman. Last month I read and wrote about Beartown, a devastating novel about a community and a horrible thing that happens that threatens to tear it to shreds. Reading it was a rough experience. So you can imagine how surprised I was to be reading its sequel, Us Against You. The story continues to detail the fallout from this horrible thing in this community. We often think the horrible things are like band aids; we tear them off and then throw it in the garbage and we don’t have a band aid anymore. It’s really more like a tattoo; it might fade but that’s about the best case scenario. It will probably leave traces behind so we can always see where it was, how and when we got it and how much it hurt. We are different afterwards, changed.

This horrible thing leads to a vastly transformed landscape. Relationships deteriorate between spouses, parents & children, neighbors, teammates. Maybe the most damaged is the relationship they have with themselves and the people they thought they were.

I learned a lot about me through these 800 pages across 2 books, about who I am and who I want to be and how far apart those people still are, sometimes.

These characters are faced with decisions to respond, to stand…or not.

The choice to speak or not. To move forward or not. To build or destroy.

Some make great decisions that cause them such unbelievable pain and loss.

Some act in shameful ways and their careers advance, their teams win.

Sometimes relationships fall apart for no more complex reason than we don’t hold them together.

We don’t know how to come home, so we stand on the porch unable to turn the handle while those inside ache at our absence as if we were worlds apart instead of on the other side of the door.

The whole narrative could’ve changed, reconciliation was still possible, if only we could turn the knob. If only we could take 1 step, tell the truth, say something, stop. If only.

This horrible thing happened between 2 people and ravaged an entire town for generations. There are no victimless crimes. But it would also be a mistake to suppose that the horrible thing was the only ravager. The entire town, over generations, carelessly set the scene for this horrible thing between 2 people. Everything is connected. By the end, it was so hard to tell who were the victims and who were the perpetrators, but this writer didn’t seem to mind leaving it to me to figure that out. And (with the exception of 1 15 year-old girl) I couldn’t. What I discovered is that it’s a lot like real life, that the brainless simplicity of us/them is never adequate. Maybe its authenticity is what made it so uncomfortable.

This is a very difficult post to write, not because I can’t think of anything to say, but because there’s just too much. My head and heart are overflowing with ideas that I delete, false starts and a screen that is blurry through new tears.

Earlier, I typed “the whole narrative could’ve changed,” and I think that’s what is so heartbreaking to me. It takes work and attention, food and water, but often we don’t have those to give, for whatever reason. So the distance between us grows and we stop seeing, stop listening, stop saying.

The books were amazing. I’m sad but, like always, hopeful. This story in Beartown is our story and like that one, we can change it. We don’t have to stop listening, seeing, saying. We don’t have to stay on the porch, we can come in and fall in love again. One Sunday there was an empty tomb, a moment where everything changed forever, and there can be one today, too.

Funeral — January 26, 2021

Funeral

There was a funeral last Friday for a lovely woman.

I’ll sometimes force my sons to attend funerals or memorial services with me, to which they usually respond, “I don’t want to,” because they’re teenagers and human. I usually ask, “why?” because I am their dad and horrible, to which they say, “I don’t like them.” Here, I lie and say, “nobody likes them.”

I tell them that lie because sometimes you have to do things you don’t like and it’s mostly better if everyone else is doing things they don’t like, too. Like eating vegetables or running.

The truth is that I love them. I know how that sounds, but it’s not to be confused with loving death, dying or anything weird like that. I’m not a psycho. They’re thin spaces, and I find thin spaces – where, according to Eric Weiner in The NY Times, the “distance between heaven and earth collapses and we’re able to catch glimpses of the divine” – absolutely inspiring and beautiful.

When you stare out of the car window, flowers, grass, guardrails, and other cars blur into one undefined smudge. Nothing is clear. You can’t even tell where the flowers start and the Honda ends. This is like my life. I have a full schedule, see a lot of people, go a lot of places, drop off and pick up from practices, grocery stores, and on and on. Too often, I hurry, don’t stop to listen, don’t pay attention.

Last March when the world stopped turning, I dreamed of a new normal where we would find that we quite liked the slower pace. Instead, almost a year later, the new normal is just the old normal with more Zoom meetings and Amazon deliveries. It’s still a blurry smudge if we’re not careful.

Funerals operate like isolated March 2020’s. They stop us where we are, open our eyes, heaven and earth collapse, and we are invited to see these divine glimpses. Now, maybe we don’t accept the invitation. Maybe we stuff our emotions and check the boxes on what “has to be done,” work like crazy until we can finally get back to work (because who knows if the company will actually be standing if we’re not there to hold it together.) Maybe we numb and check out. Maybe we pretend we’re SuperSpiritual and read from the list of cliches while we convince ourselves that it’s somehow selfish to acknowledge the honesty of the loss and stifle anything that looks like tears and feels like grief.

But, baby, if we do accept the invitation… The clean lines of the Honda, blades of grass and bright colors of the flowers come into focus and we can actually see the beauty all around us that we’re too busy to notice any other time. We cry our eyes out when we need to and often find those tears surprisingly becoming laughter and smiles at the wonder of our tremendous gratitude.

[There is a pink elephant in this room. What if the tears are of sadness but also anger or rage or bitterness or resentment? Then, there is no laughter and gratitude is in short supply. This sort of situation is even more important that we accept the invitation into presence. There’s a character in the movie Magnolia who says, “we may be done with the past, but the past isn’t done with us.” The longer we run from the fact that there are chains around our necks, the longer those chains stay around our necks, strangling us slowly, perhaps imperceptibly, just taking our lives a breath at a time. I know it’s horrible, but we face what comes, dump it on the ground, look at it, and then we maybe pick it up and do it all again next week, but at some point, we leave a little on the ground, we pick up a little less, until the tears feel less like acid and more like peace. It’s not quick and it’s not easy, but we have to believe it’s possible. If the tomb was empty once, nothing is impossible ever again.]

So, all of this mourning, grief, celebration, gratitude, looking at an empty place at the table or in the chair… well, it hurts like crazy when our hearts break. But we are awake. Our eyes are wide open to the blessings of today, and open to the blessings of yesterday, when they were here (It was awesome when they were here) and what a gift it was that, of all the people in the world, they were here with us and it was great.