Love With A Capital L

A journey towards living an inspired life of love in the modern world

To Show Up — October 12, 2020

To Show Up

I suppose, like so much else, this story begins with my dad. When I was a child, I wanted nothing more than to be the opposite of everything he was…but that was when I was a child. Now that I am a man, it’s easy to see him clearly, as he was, as a complete human being with talents, passions, dreams. Sure he had his share of flaws, but also many strengths. I love him, have always loved him.

That is all true, I have made peace, but that doesn’t change the damage that has been done. For instance, our house was built on an ever-shifting foundation. He was wildly inconsistent. This comes pretty standard with alcoholism, but the unreliability created an environment of tremendous uncertainty and anxiety.

If you ask me, (and I understand no one has), the reason our culture is so riddled with anxiety and stress is for the same reasons. We are all so unpredictable, our values and beliefs sway in the breeze, commitment and stability are relics of the past. How can we find peace if every time we close our eyes, the furniture is moved, and when we wake, the room is unrecognizable? It’s a world of “who knows?” where truth is public opinion and public opinion is fluid.

Anyway. Though my father was home every night, it was impossible to know which version of him would show up (in mind & spirit, as well as physically) at any moment. I saw this and the devastation it causes. For exactly this reason, a primary value of mine is to be a safe, consistent presence to those around me. That when I walk into any room, nobody holds their breath in apprehension like we did.

This makes relationships hard for me. I heard someone say about the Enneagram once that #1’s (‘perfectionists,’ to over-simplify things) can be hard on others, and expect much, but it is nothing compared to how hard they are on themselves, a mere fraction of what they expect of themselves. This is mostly true in my experience. When my actions don’t match my intentions, I am my own very worst critic.

Where this is going, the “story” of the first sentence, is that I am awfully sensitive of how people show up, or more importantly, if they show up at all. Philip Seymour Hoffman says to Julianne Moore in the Hunger Games, “people don’t always show up the way you want them to.” That is also mostly true, but it can be the most wonderfully breathtaking surprise, as well. Allowing others to be who they are, quirky and awesome, has been one of the greatest lessons (and now pleasures) of my life. But they have to show up, first. He could’ve stopped half way in, “people don’t always show up.”

I have trouble with deep friendships because I get “stood up” so often. This is of course, physically, but emotional and spiritual, too. How many times has someone sat across a table for a meal with their phone on the table, preoccupied and distant, distracted. They are there, but they are not at all there.

Now. I don’t have a point, this is more of a mournful exploration. Maybe my expectations are too high (I’ve been told that), but I can’t seem to agree, no matter how hard I try. Is it really such a high expectation that I am where I say I’ll be, do what I say I’ll do, and that I am simply me all the time? And that I expect the same of you? Really?

I’m Thinking of Ending Things — September 24, 2020

I’m Thinking of Ending Things

I’m Thinking of Ending Things is the title of a film on Netflix. It doesn’t have anything to do with me thinking of ending anything, doesn’t have anything to do with me at all, except that I just finished watching it. Written and directed by Charlie Kauffman, the creator (writer and/or director) of gems like Being John Malkovich, Eternal Sunshine of the Spotless Mind (my #2 favorite movie of all time), and Adaptation, among others, it goes without saying that it’s weird. Critics gave it an 82% on Rotten Tomatoes (a film review website) while audiences gave it a 48%. That sounds about right. I usually love films like this, that play with time, dialogue, narrative, and identity like they were blocks to be arranged and re-arranged, but I’m not sure I liked this one.

I’m not really sure that’s the point, though. Charlie Kauffman probably doesn’t care if you or I like his work. It’s polarizing, mostly you love it or hate it. I have a good friend who took my recommendation and watched Eternal Sunshine with his special lady and he credits it with effectively ending the relationship. It was their last date. He often thanks me for that (the end, not the recommendation, he considers it the worst movie he’s ever seen.)

I’m not recommending I’m Thinking of Ending Things. You can watch it or not, you already know if it’s your kind of film.

In Rob Bell’s new book, Everything Is Spiritual, he writes, “They were just four-minute songs, but they were teaching me how creation works. We didn’t have to wait to see what happened, we could create the happening.” This is what any and all works of art do to me, show me how creation works. Something is there/here that wasn’t before. Something that was impossible moments ago is not only possible, but realized.

These films that challenge, that take your accepted notions of how movies go and what they are capable of, and explode them are absolutely vital. You see, we are born with a sense of wonder and imagination and, over time, have that conditioned out of us until we protect “the way we’ve always done things” at all costs. Our perspective shrinks until we can only see what already is. Faith is wildly irresponsible because it involves hoping in what is not (yet.) 

The world around us is crumbling and 2020 has not been kind. But that can change the second we begin to believe it can, the second we start to understand that what we do here, now, today, (even the smallest act of love and gentleness and grace) can shape our tomorrows. That the way we behave toward our neighbors (in person or on Facebook) will impact strangers across generations.

The Scriptures say “All things are possible,” and I don’t always see that, if I’m honest. I don’t see how taking cookies to my friends affects a global pandemic or systemic racism or widespread violence or political corruption or countless other illustrations of human brokenness. But this tiny 2 hour movie about a guy with problems driving in a snowstorm with his girlfriend makes me think its true. Anything great isn’t about something so superficial as if I liked it, instead it’s about transformation. Has it moved me, even the smallest bit, away from desperation and cynicism and into a larger perspective? Has it cracked the shell I have so carefully molded out of the status quo? And will this new shift into the possibility of creation inform my relationships, day-to-day interactions, thoughts, and responses? 

I don’t know exactly what this film was about, but I am an inch closer to knowing what I am about & a mile closer to you, and those 2 make it a tremendous success.

The Slovenian Flute Maker — September 18, 2020

The Slovenian Flute Maker

One of the books I’m reading is called Heroes and Jerks, written by Ed Daly. This massive doorstop of a book breaks down human history into segments and then, in each segment, lists the 10 Best and 10 Worst people of the time. Now, there might be a bunch I wouldn’t ordinarily like about such lists, but it’s educational and hilarious, so what I wouldn’t ordinarily like doesn’t matter in this instance.

I tell you about this book because I want to tell you about a Slovenian flute maker and me and times like these, in particular.

First, the Slovenian flute maker. He’s #5 in the best of the Early Ancient History category (spanning two million B.C.-501 B.C.). And he’s the #9 worst. In 43,000 B.C., he hollowed out a cave bear’s femur and fashioned the first musical instrument, so if you’ve ever loved a song, danced, or cry when you hear “Good Enough” by Sarah McLachlan, you have this guy to thank. AND if you’ve ever heard a Britney Spears song (or that Extreme song, “More Than Words”) and hated it, you also have this guy to thank.

I’ll be 45 years old in almost 2 weeks and I’m only just beginning to embrace the fact that the best thing about me is also the worst thing about me. It’s the thing that makes you (and my wife and my kids and anybody else) love me and it is the very thing that drives you crazy and want to never see me again. Just for knowing, it drives me crazy, too. I used to want nothing more than to change it, to leave that part of me well behind. I don’t anymore.

2020 is hard. Yesterday my phone rang and on the other end was a friend I haven’t spoken to in quite some time. She was in distress over the tragic news in our town (and her job and the local schools and COVID and everything else that is making us all feel like the world is upside down and tearing at the seams). I am in distress over the same things, as well, so we mostly just talked about how hard it is to get out of bed some days. How it can feel like it’s all for nothing. And somehow in the middle of ALL of the emotions we were feeling, there were sprinkles of laughter and hope and genuine care.

Then there’s this boy who came into the weight room where I work yesterday. Usually, the early teen-aged boys are overcome by insecurity and inadequacy and are absolutely insufferable (!!!!!), but this boy came in quietly and asked me what to do. He is apparently often in trouble. But he is also the boy who brought a bag of pretzels to the school office to share with my wife last year.

I don’t really feel that much like writing today. But times like these are discouraging and depressing. But just like the Slovenian flute maker (and everything else), they are not simply 1 thing. They are full of tears, but they are full of beautiful old friends, too. 

Last night I had a rehearsal for a wedding that I’ll officiate Saturday and as I looked at these kids, I knew what was coming for them, for their marriage: the fights, the fear, the illnesses, the funerals, the all night conversations, the shouting, the questions, the anger, the pain, suffering, heart aches. I also know what else is coming: the joy, the celebration, the wins, the healing, the reconciliation, the passion, the dinners, the cozy movies on the couch, the births, the answers, the kisses, hugs, the hands to hold. It’s all wrapped up in a swirly mixture of a full love and life. It hurts and it is THE GREATEST. It’s always more than 1 thing, (everything is always more than 1 thing), if we only can have the imagination and faith and courage to just keep going.

9 Years — September 9, 2020

9 Years

This week is the 9 year anniversary of tropical storm Lee. I talk about this particular storm so much because it started to rain on a Sunday and when it stopped on Thursday, my house was underwater and our lives would never be the same. We now refer to memories and personalities as Before the Flood and After the Flood. It’s 9 years later, though, and it’s fingerprint is still branded on our souls. I had a friend (a good friend, despite the story I’m about to tell;) who said to me about 5 months afterwards, “Isn’t it time to move on? It happened months ago.” I wonder what he’d say now, and I wonder if I’d still want to punch him when he did.

Sometimes you move on, but the scars are still there and sometimes they still ache.

We all were forced to closely examine our unhealthy relationships with control. Maybe that’s the biggest, most valuable loss – the delusion that we were ever in control. I thought I could be a superhero, protecting my family from all threats, keeping them safe and secure with my strength and will. As it turns out, my strength and will couldn’t stop the rain, couldn’t keep the water from swallowing my house, couldn’t make the insurance company make good on their promise, couldn’t make the family pictures reappear, couldn’t give anybody back what was lost.

This was a great big domino that started an avalanche. This horrible lesson/sledgehammer broke me open and walked me into many many more “couldn’t”s.

Now. Last week, in another space I write, we discussed control, the things that ARE actually ours to control, and taking it into settings, circumstances, situations. The flood, when it broke me open also broke my heart (a sledgehammer is NOT a particularly precise tool, that’s why we don’t use it to crack eggs) and when it healed, it formed in a different shape and pattern with grooves and texture that wasn’t there before.

I have bad skin, the consequence of years of abuse. I hated that skin for so long, was often disgusted when I would look in the mirror and see only imperfections. But now, when I see the marks on my face, I only see me. I’m not flawless. I’ve made poor decisions with food and drink and lifestyle and sunscreen. I’m getting pretty old and, where there once was a baby face stands someone’s husband and dad, wrinkled around the eyes and mouth from laughter and tears and lots and lots of smiles. I’ve been slapped, pinched, frozen in a questionable procedure by a dermatologist, scratched by cats, and on and on and on. But it’s my face and I wouldn’t change one thing.

And that heart that turned out to be wildly mistaken about my imaginary strength, will, superpowers, and control – it’s mine, I wouldn’t change one thing, and I’ll be taking this new broken/repaired heart everywhere I go, into every landscape and environment.

Yesterday I had the opportunity to speak to some college students who were volunteering to clean “flood buckets” (buckets filled with supplies and sent to flood victims about). I jump at those chances now. You see, I don’t exactly want to talk about or even think about our flood anymore, but now it’s a different sort of story. It’s about what I couldn’t do. It’s about kindness & peace & opening up my hands to the things to which I was desperately grasping. It’s about value and “enough.” It’s about losing all of my stuff and discovering that I didn’t really care about that stuff at all. It’s about my face. It’s about the redemption of my heart.

It’s a Gospel story, now, and it’s a very good one.

Unplanned — August 17, 2020

Unplanned

Last night was the reception for a wedding that I officiated in April. The couple were gorgeous and totally present. That’s not always the case. Sometimes, they are distant and preoccupied, hoping the families don’t fight and the food is hot. Wedding planning usually garners more time than marriage planning, so with that much of a commitment, it’s no surprise that who sits where gets the biggest piece of the pie and leaves only table scraps for the actual vows.

Not with these two, though. They are very well aware how extraordinary it is to have found each other, lovers, partners, friends. I dearly hope they don’t take each other for granted when the excitement of the day gets exchanged for the routine of the everyday like most of us do.

Anyway, I gave the prayer before the meal. In it, I said, “Today and on that day in April, nothing was how it was supposed to be, how it was planned, but it was just THE BEST,” or something like that. And then I paused. Maybe my silence was perceived as dramatic, but I was just thinking about how that’s absolutely true. Not just for their wedding, but probably for their marriage. Almost nothing will go how it’s supposed to, how it’s planned.

Maybe that’s the key to marriage. Maybe that’s the key to life. To ease our grip on the wheel a little. To not be more married to our calendars than we are to each other. To let things be what they are.

We plan, we prepare, then we allow the thing to breathe instead of choking it to death with our white knuckles. How many times have we completely missed the most significant moments of our lives by trying to shoehorn them into our expectations? Too many, right?

We had their wedding in her parents backyard, only immediate family (maybe 15 of us) and me, and to tell you the truth, I probably had the virus. I had been sick with a fever for days and days only getting out of bed to put on my suit and tie. But that horrible disruption may have been the greatest blessing of their lives. We were mercifully freed from ALL of the distractions (except for my mask;), and had no reason at all to be there (no food, no guests, no favors or centerpieces) other than for a man and woman to say “I do” to each other.

I really love weddings, except for the ones I don’t, but if I’m honest, this was one of my very favorites. I am overwhelmed with gratitude for the lovely gift we were given. These 2 reminded me, reminded all of us, that things don’t have to be perfect to be perfect. I hope I don’t forget.

A guy at the gym — August 13, 2020

A guy at the gym

I go to the gym everyday. This isn’t a source of pride, it’s actually just the opposite. It’s an admission of my lack of discipline. I don’t take rest days, even though I know how important they are and would really like to take one here and there. It’s interesting how something healthy can transform so quickly, so quietly into a negative. I’m smart about the workouts themselves. I don’t train body parts on consecutive days, so I stay relatively strong and energetic, focused and grateful. The problem is with my spirit. Where my body is moving forward, for me working out every day subtly reinforces the belief that I am what I can do, what I look like, what I can lift, what I can accomplish, the number on a scale or plates on a bar. It may be arriving at the right house using the wrong road. Or using the right road and the wrong house. One of those.

That’s enough of that. AND I took yesterday off from the gym so that problem has pretty much been solved. (That’s how it works, right?)

There’s this guy at the gym who doesn’t re-rack the weights from the bar or clean the equipment when he’s finished (IN A GLOBAL PANDEMIC!!!!) I know! He leaves the bar loaded with sweat, germs, and weights like a monster.

Seriously? Seriously. So, I’m judging him as a monster and this morning had the opportunity to parent him a little. “Are you still working over there?” I asked. “Yes.” “Then why don’t you come with me and I’ll help you take those weights off.” He mumbled and shuffled over like a scolded child. I was the Hero of the Gym, keeping the world safe for everyone from the rude, selfish and disrespectful.

Except for afterwards in the locker room he says, “Goodbye,” (the 2nd time we’ve spoken) and asked me about my supersets and day splits. Now, I know he’s not been lifting weights too long, evidenced by his poor form and lack of any discernible plan, but I must have failed to remember somewhere along the way that he was just a guy in the gym.

I’m a man who reads the Bible and today I ended up in Matthew 9:36 “When he (Jesus) saw the crowds, he had compassion on them because they were confused and helpless, like sheep without a shepherd.” My Bible, which is apparently an older version of this one, says “their problems were so great and they didn’t know where to go for help.”

Isn’t that quite the picture of our environment right now? Our problems are all so great (all different, but we’re all feeling something huge on our hearts and shoulders) and we don’t know where to go for help. And then we turn around, our practical amnesia kicks in and we forget that so is everybody else. The vast majority aren’t monsters, just other human beings in a mess with no idea what to do or where to go for help.

Jesus had compassion on them, on us, on me, and maybe I could do the same.

Echo — August 11, 2020

Echo

This post is about another documentary AND it’s about creativity AND Jesus AND should be required viewing for anyone who has ever loved a song or another person or being alive.

The documentary is called Echo In The Canyon (on Netflix) and deals with the music of the 1960’s. It’s mostly American music, barely touching on English bands like The Rolling Stones or the Zombies, focusing on the Laurel Canyon scene and the Byrds, Beach Boys, Mamas and the Papas, Buffalo Springfield (whose members refer to as THE Buffalo Springfield), and the Beatles (who were English, but they were the focus of everything musically and culturally, it didn’t matter where they called home). 

Oooh baby, the songs!!! 

We’re not talking about how great the songs were, though. We’re talking about the daily news and our Facebook feeds instead in the context of the 1960’s southern California folk rock movement.

Producer Lou Adler describes the time: “You just felt like you could do anything, you know. You just felt like there was nothing stopping you.” And in the most inspiring moment, Graham Nash of Crosby, Stills & Nash asserted that the “power of music is undeniable. I truly believe it can change the world.” 

These hippies, in the middle of the consuming fear of a totally out of control world, made the revolutionary choice to imagine a new reality, one marked primarily by love. In the face of   tremendous social unrest, war, violence, all of the -isms (sound familiar???), they chose beauty and creativity. They chose imagination. 

Think about Adler’s words, “you felt like you could do anything…like there was nothing stopping you.” He was, by most accounts, wrong. There were an awful lot of things stopping him, so many obstacles. And Nash, “music can change the world?” – silly words of a dreamer who didn’t understand the complexities of the times. What resistance could poetry and a guitar possibly offer against the swinging wrecking ball of hate?

I know, I know. You can already see how I’m going to say they were right, can’t you? Well, I am.

I actually believe in the power of art, too. In the words of Frank Turner, 

“And I still believe (I still believe) in the sound, That has the power to raise a temple and tear it down. And I still believe (I still believe) in the need, For guitars and drums and desperate poetry. And I still believe (I still believe) that everyone, Can find a song for every time they’ve lost and every time they’ve won. So just remember folks we not just saving lives, we’re saving souls, And we’re having fun. And I still believe.”

I believe that when a song breaks your heart with the first words “all the leaves are brown, and the sky is gray,” it shows us that if something could sound like that, anything might be possible. That in the compositions on Pet Sounds, maybe the complexities of the times were no match for the soaring imaginations of a small group of brothers and sisters bent on peace and love, man. That “Fast Car” and “Hey Jealousy” and Thriller and Adele and Fumbling Towards Ecstasy and Panic! At The Disco are actively re-making the world around us.

I recognize that I could be mistaken about this, after all, it’s only music, right? It’s only an album or a song, right? But here’s where I’m right. All through this film, I saw utter selfless devotion to an idea based on faith, hope, and especially love. What I know now that I didn’t know when I was 12 or 22 or even 42 is that the idea that sparked my faith in songs & films and made me think that yes, absolutely all we needed WAS love wasn’t actually the chords or strings or drums, it was Genesis 1. It was Jesus. It was grace. It was the empty tomb of the resurrection. It was a New Creation.

And I still believe.

Either/Or or Both/And — August 6, 2020

Either/Or or Both/And

Bryson DeChambeau is a professional golfer who recently added 40 pounds of muscle and started outdriving everyone in golf history. Before we get into today’s post, I just want you to know that I, too, will be riding along with the sports media’s silence and will not be asking the obvious question…Unless somebody else does. And in that case, the public narrative will be feigned ignorance, surprise and outrage. This is protocol. We all agree that we don’t really mind if every athlete is doped up, hitting balls cartoonishly far, as long as they don’t rub our noses in it with positive tests or confessions. So, yes, Bryson DeChambeau is a weightlifter and all the distance records will fall and we’ll all be keep our mouths shut about it. I honestly don’t mind, even a little. The only offensive thing about this social contract is the aftermath, when we self-righteously pontificate about ‘ethics,’ ‘fairness,’ and the children.

We sure are silly sports fans, willing to accept anything to defend our childish ideals.

Anyway. I want to discuss something today that is probably unrelated to Bryson DeChambeau. Well, if they are related, the link is in the stories we tell ourselves to understand, explain, or rationalize our behavior.

I grew up in a home with an alcoholic father. This alone created an environment that is easy to imagine, many of us were raised (or now live) in spaces where we felt as if we were “walking on eggshells.” Someone was unpredictable and volatile, often violently so, and to survive, we learned to be pleasers. We avoided conflict, suppressing emotions and opinions in the service of what we thought was peace (but was in reality it’s opposite). That’s the first thing.

I am also deeply sensitive and empathetic, with a gift for being able to truly see all sides of every argument. I do have deeply held principles, but they do not hinder me from this ability. It’s why I make everyone pretty comfortable. Ideally, this is the safe space from which they can honestly seek the truth. When there is disagreement, I often don’t confront. I listen and ask a million questions, believing that this safety is essential to growth, free of judgment, free to change.

Now. I am either crafting beautifully valuable soil…OR I am a child pleasing his father, afraid to confront and suffer wounds on the broken eggshells.

I wonder which one it is.

I am also a guy that tends to black & white, always & never over-generalizations. Last night my thought was that maybe my wondering which one is actually wandering down a misguided path. Like most things, I have learned, the answer is both. My ridiculously simplistic question, “which one?” is only answered with a “Yes.” I am crafting beautiful soil AND I am pleasing, ignoring the song of my soul and spirit. I read that wisdom is less what to do as it is when to do, because the right action at the wrong time ceases to be the right action. In fact, the “right” thing can destroy relationships and build thick, high walls of steel.

The answers we receive are directly related to the questions we ask. Flawed questions will never lead to true or meaningful truths. Today is a very good day because I think I’ve finally stumbled into the question that can lead me away from that familiar fear of a child and into the man I have been called to be. Now, I can wonder something altogether new and exciting; what that, what I, will look like.

 

 

The Fling — August 1, 2020

The Fling

On Saturday mornings, I attend a contemplative retreat. Long periods of silence and meditation aren’t everyone’s bag, but they are certainly mine. The pace and noise of life very easily prove overstimulating and leave me exhausted and empty, to check out for even an hour on Saturday mornings are like water in the desert.

This week was no different, but it is a seemingly throwaway comment made early during the hello’s and how are you’s that I wanted to talk about today. The woman, Susan, quoted a tv show called Northern Exposure: “It’s not the thing you fling, it’s the fling itself.”

I never watched the show, don’t remember the context she provided, and honestly couldn’t care less about either. The quote is absolutely perfect and vital to our every moment of every day, no matter if the show was great or terrible, no matter what they were flinging or why.

I might amend it slightly, to say “it’s not the thing you fling or where it goes (if it goes anywhere at all), it’s the fling itself.”

If I write this post for the likes or comments, with an eye towards potential advertisers and income… well, so many things will happen. I’ll probably, on some level, conscious or not, begin to tailor it to reach the most eyeballs. It will cease to be 100% honest, because authenticity is usually packaged with sharp edges. I will drift into what I think you want to read instead of who I am, carefully crafting the image of taste-making, (insert popular characteristic I can pretend to possess here), supercool famous blog rock star. I will shoehorn the “thing to fling” into the popular trend.

And if I don’t get enough response, then what? I’ll quit or I’ll put on some new clothes and opinions and try again to fit the current to achieve an imaginary idea of success. Either way, it’s superficial and fake. It’s what we used to call, back in the day, “selling out” and the internet is lousy with it.

As you may or may not know, I am the pastor of a small church and as far as I can tell, the Bible is (among other things) a library of books connected by the Art of Subtraction. We subtract all of the ways we invent to manufacture an image – in the Scriptures, it’s called hypocrisy. Hypocrisy is meant to describe actors on a stage, bending themselves into a role to be what the audience wants them to be. Except in this case, our lives are the stage and we bend ourselves so much and so often that we forget who the person is under the mask. It’s a focus on the ends, the responses, the rewards, instead of the life-giving passion and fulfillment that only comes from stripping the expectations until we are left with exactly who we have been created to be. We subtract all of the extraneous layers until we are left with the genuine true us.

Now, maybe that includes gigantic paychecks from YouTube and fame beyond your wildest dreams. Maybe I’ll be driving a fleet of Rolls Royce’s by next summer due to an avalanche of social media adoration. Maybe I’ll be the next darling of Instagram or TikTok. But if that pseudo-success includes any hint of pretense or masquerade, it’s going to feel hollow and leave us wanting more and more, trying to fill the hole that all of our different costumes can’t plug.

It’s the fling, the process, the naked transparency of being exactly who we are and doing exactly what we’ve been made to do (whatever the thing to fling or where it is flung), that tears down walls of division and builds something new, inspiring, significant and undeniably awesome.

The fling is what builds a beautiful life.

General Zod In Waco — July 30, 2020

General Zod In Waco

I told you last week that I was falling apart, right?

We’ll talk about that in a few paragraphs, but first I want to give you a quick recommendation/review. I followed up the Filthy Epstein documentary with the Waco series, also on Netflix. It’s a 6 part series based on books written by those closely involved, produced by and starring Taylor Kitsch and Michael Shannon. Taylor Kitsch hasn’t been in anything I’ve seen, but is outstanding as David Koresh. Michael Shannon has been in quite a few things I’ve seen (General Zod in the newest Superman movies, Walt Thrombey in the awesome Knives Out, etc) and is terrific in everything, including this, as the chief FBI negotiator.

It’s the feel-good hit chronicling how the FBI & ATF murdered 76 people. Maybe we can talk about the things the Branch Davidians (the group led by Koresh) did wrong or that we don’t like or understand. Surely, there are plenty of those to discuss. But I’m absolutely positive none of those things deserved the death penalty. It was disgusting and when the final credits rolled, I cried and cried. It’s beautifully written and acted, an excellent miniseries.

Now back to the beginning. Nothing is new about me falling apart from time to time. I have ups and downs, like everyone, but as I am told, not everyone feels them quite like I do. When I was much younger, the dark down parts felt like they’d never end and I’d often contemplate anything to end the darkness. Now, I don’t ever think about making today my last day, because I know the darkness isn’t forever. I know the darkness will pass and it will be light again, sometime. That’s as good of a definition of faith as I can find.

It’s been dark for me for some weeks now, and as my tears dried from the horrors of Waco, my heavy heart plodded to why? After breakups in college, I would listen exclusively to the Smiths, Morrissey and Depeche Mode and the other saddest songs I could find. I’d play “Unloveable” on repeat. Why purposefully walk deeper into that abyss? As I watch the pain of Federal Agents being sent into Seattle on the news, why am I choosing the story of Waco, TX? When I’m overwhelmed with sadness, maybe the murder of women and children isn’t the best option. Or is it?

Just like in the kitchen, it really matters a what we put in our bodies. But I’m not sure what that even means when it comes to this. I refuse to ignore or avoid the pain of real life…but maybe diving in so fully isn’t the healthiest, either. Maybe I need, say, 2 Morrissey albums and then a mindless electronic dj mix, like a cold glass of water tossed in my face to remind me that a full life contains joy as well as pain, mindless superficiality in addition to matters of weight. Depth includes laughter, too. Not just tears. Who knows?

But I can’t stand electronic dj mixes. (I call them mixes – maybe that’s what they call them, too – because they’re not songs or albums, they’re just beats and pulses. They’re not really anything, are they? Besides awful, I mean.)

So. I don’t have a nice tidy ending, here or in my broken heart. We’re just having these conversations.