Love With A Capital L

A journey towards living an inspired life of love in the modern world

Culture of Outrage — September 16, 2020

Culture of Outrage

Nowhere has been safe from 2020. In my small, idyllic town, we have had one unwelcome disruption after another. Recently, it was discovered that the elementary school is being swallowed by the earth (if the guesses are to be believed) and the administration KNEW it and inexplicably covered up (if the opinions on Facebook are to be believed).

I don’t have any idea if the ground is crumbling underneath the building and if eventually there will be a giant hole where the building now stands. No one does. But that doesn’t stop the trolls on social media from screaming and pointing fingers.

We’re all just one small step from losing our minds.

My very good friend calls it a culture of outrage. (She may have read it somewhere – and she may have even told me where, but I don’t remember so I’m happy to just attribute the wisdom to her.) We are constantly looking for offense. And if offense works like everything else, what we look for, we will find.

There is a school parents group on Facebook where parents wildly throw accusations and unfounded theories that are easily refuted, but the truth doesn’t seem too important so the same wild accusations are given the same weight and repeated and recycled. I wonder what we’re teaching our children. No, I know what we’re teaching our children, I just don’t like it.

The fabric of humanity is being stretched, threatening to tear us all apart. The isolation keeps us locked inside the stories we are telling ourselves, no matter how fantastical, and locked away from each other.

Then, this week a news report was released of absolutely unspeakable horror in this tiny, “perfect” town. Now, what will we do when faced with a new story? Will we come together or drift further apart? Will we hold each other in grief, or rip each other’s hearts out in anger and outrage? As in the lyrics of a Rise Against song, will we come alive or come undone?

If pre-COVID history is any indication, this community (with very few exceptions) will connect and find comfort together. However, we are no longer in a pre-COVID world, so it’s possible we’ll be thirsty for blood and revenge and most of all, blame. I hope we come alive, hope we remember that we are all a shared humanity and that the outrage subsides and is replaced by care and love. Instead of holding our opinions and rage, I hope we start holding each other again.

On The Way — November 15, 2019

On The Way

Then I met a girl and we fell in love. Then I met 2 families and we fell in love. Then I met Jesus and we fell in love, too, and my life was forever changed. So, I took some Bible classes, mostly because Rob Bell was tying books of the Bible to other books of the Bible to my life that made sense in a way that nothing else could, and I wanted to know how to begin to do that on my own. To borrow a trite expression, I wanted to learn how to fish.

Writing all of those papers, I was discovering something very surprising. The Bible wasn’t perfect, or produced, or pretty. It was beautiful, but in the kind of way that Rise Against is beautiful. 

In 2011, Rise Against released an album called Endgame that’s 2nd track was “Help Is On The Way.” This song was a scathing indictment of the response (or lack thereof) during hurricane Katrina in New Orleans. (To be fair, this song, and especially the video, affected me in such a visceral way because we were also the victims of a tropical storm and flooding that ended with my home underwater and all of our possessions gone and a sickening apathy on the part of organizations whose sole purpose is to respond and care for victims like us. I knew what it was to watch your child’s grade school artwork float away, knew the pity in a school secretary’s eyes when she asked if we were still “homeless,” knew what it was to walk barefoot into the Walmart to buy some shoes, knew what it was to face bankruptcy because the flood insurance didn’t cover total losses. But we are not really talking about the video. But as long as we are, you could listen to “One Blue Sky” by Sugarland, too.) The song, when he screams, “Right here, right now!!!” Then later, “We were told just to sit tight, ‘cause somebody will soon arrive, help is on the way…but it never caaaaaaaame!!!” That guttural wail is what it sounds like when your heart is torn out of your chest. Now, maybe Tim McIlrath doesn’t know what it feels like to wait without hope, feeling lost and forgotten, maybe he doesn’t care about people like me, but it sure sounds like he does. It sure sounds like he has something in his soul to say that absolutely must get out, even if no one will ever hear it. 

In the Bible, Habakkuk asks why bad people succeed and good people don’t. We study Jonah and whales as kids, but the book of Jonah is very much about a disobedient boy who runs rather than helps those he doesn’t like. Lamentations is a full book (excepting a few verses in the middle) of how mean God has been to us. One Psalm details a wish that the writer’s enemies will have their babies “dashed on the rocks.” And I could go on and on. These are real people in real places in real times with things to say that have to be said, screamed or cried.

The thing about these very honest questions, doubts, prayers, is that they are never met with judgment. Never does God (or the authors of the individual books) chastise or punish these people for the exchange. They are allowed to exist, just as they are. If you are one who, like me, believes the entire book is inspired by God, and the books collected are collected with God’s divine guidance (So, why would God want these things? If I was writing a book about me, I would probably leave out the parts that weren’t too complimentary. I would only include the parts testifying to how awesome I am), the God of the Bible seems very comfortable with these questions, with the conflict, with the wrestling. Sometimes, (almost all the times), the questions were never answered. Certainly not in the concrete way we’d prefer. 

As I fell more and more in love with the Bible, it was obvious that the Bible was far more Rise Against than it was Mariah Carey. 

The Bible was not what I had been sold, not even close. There was room for me, my questions, my rough edges, and my inadequacies. Right where I was, right where I am.

Now. This exhilarating fact led to an inevitable next uncomfortable question: If there was room for me, was there also room for pretty, perfect production, too?

Emotions — November 1, 2019

Emotions

I gave a talk at a youth group near Gettysburg last Saturday. The church is fairly conservative (although it could be said that, to me, maybe every church is fairly conservative) and there was a very good chance that I would not play well there. I shared the message for their Sunday service several years ago and have not yet been invited back. The looks on the congregants faces told me as much, so the fact that I was not yet invited back was far less surprising than that I was for their youth group.

I was because I have very good friends who either persuaded everyone else who (hopefully) had forgotten the past or hidden my visit from them altogether. I didn’t ask which one.

My very good friend asked me to come and speak about music and faith. I said yes, of course, then asked “um, what kind of music?” Because the kind of talk I would give on Christian music might not be what she had in mind. And actually, what music I consider to be Christian might not be everyone’s, and we should probably know what definition we’re using to avoid the kind of misunderstandings I enjoy. She said whatever I wanted, and I asked her to pretty please repeat that. And she did. So, I said yes again.

Now, I think it would be fun to explore those songs and ideas here, in a short series based on that talk, called “It’s a Cold and It’s a Broken Hallelujah.”

The songs are: “Emotions,” by Mariah Carey. (So you know and can follow along as intended, we played the videos – easily found in a Google search. For this one, however, I offered to simply play the song because there was “a significant cleavage issue.” And there is.) “Smells Like Teen Spirit,” by Nirvana. “Help Is On The Way,” by Rise Against. (This one is the only one that the video is absolutely necessary.) And “Hallelujah,” the cover version by Jeff Buckley.

“Emotions” was a gigantic hit record in 1991. It was all of the words that begin with P: polished, produced, perfect. What an unbelievable showcase for that extraordinary instrument of hers, right?!! She looks and sounds absolutely beautiful. The video is exactly like the song, glossy and refined, as if a team of marketers created it in a laboratory for maximum exposure and sales figures.

The problem is that it’s called “Emotions,” and I don’t feel any at all. Except that she’s awesome, I suppose.

Pretending is the other P word that comes to mind with something like this. It’s like an advertisement for LIFE, or at least the life other people are living, that I could be living if only I…whatever. It brings to mind – and the reason I play it in discussions of spirituality – gauzy pictures of Christians with perfect teeth and plastic smiles. This was the perspective I had of people of faith for the first half of my life. To me, they all looked like Joel Osteen book jackets, all smiles and manicured nails. My life wasn’t all smiles and manicured nails. In fact, no life I knew was all smiles. Sometimes, there were tears and dirt and darkness and hairs wildly out of place.

When you’re upset and the wheels are falling off, a Christian, with their cliches and cheery platitudes and “God’s plan,” is often the very last person you’d like to see. The carefully crafted images of rounded edges and masks they wear usually just amplify their uncomfortability and insecurity.

Everything is fine, and if it’s not, shhh, we’ll just hide that behind the closet door and hope it goes away.

Phony (another ‘P!!’) That is what “Emotions” means to me.

I understand that this is not the most positive way to start a conversation, but it gets better. It has to.