Love With A Capital L

A journey towards living an inspired life of love in the modern world

And Then… — May 16, 2026

And Then…

Maya Angelou famously said, “People will forget what you said, people will forget what you did, but people will never forget how you made them feel.” Sheesh. That isn’t one of the truest things I have ever heard.

Thinking about this follows a familiar pattern.

First, I think of the ways others have made me feel. They check their cell phones when we eat together. They don’t even pretend to listen, waiting for the first breath so they can get back to talking (sometimes about something totally different, oblivious to the fact that I was ever speaking.) They are late. They use words that are intentionally cutting and/or dismissive. And on and on. A million actions, words, body language, and tones, impossible to misconstrue, can make us feel absolutely unimportant to them.

I get a little angry and frustrated at them. How can someone be so rude? So thoughtless? So self-obsessed? My hands are probably on my hips at this point, indignant at their behavior.

And then… It’s this “And then…” that really bothers me. I do wish that I could stop this pattern right after “indignant at their behavior.” It would make things so much easier. I could just be comfortably right. And I am right, it is rude, thoughtless, self-obsessed, but I am not comfortable because of the “And then…”

This happens when I watch documentaries, too. I can’t believe these people!! Monsters!!!

And then…

And then I realize the million ways I have made others feel. How could I have been so rude? So thoughtless? So self-obsessed? I am a monster, too! In the Bible, in Paul’s letter to the Romans, he spends a chapter detailing how awful everyone else is, and then, in the next breath, pulls the rug out from under us and our righteousness and says, “you are exactly like them!”

It’s a familiar pattern that I really can’t stand. I want to be happy pointing at them from the moral high ground.

But of course, there is no moral high ground, it’s all just flat, like the Midwest. And all that’s left is to pay attention to our own actions, words, body language, and tones. To the ways we make others feel. To care for their hearts. To make them feel important to us. (This is infinitely easier once they actually are important to us.) We can look, see, notice, listen, stop. We have to begin to hear Maya Angelou and integrate her words into our lives, but the sad terrible part is that we have to first have an “And then…”

The Tension of Real Life — October 13, 2025

The Tension of Real Life

There is such an interesting space between reputation or past behavior and the hope that today is not yesterday. I don’t ever believe in the despair of “well, that’s just how he is,” or ”that’s how I am,” or “what I always do” or, “what can I do, that’s just the way it is.” What about attacking that mindset with an indignant, “it doesn’t have to be, anymore?”

The past is our primary excuse for throwing our hands up in hopeless surrender. If I, he, she, it has been one way, then it only goes to figure that it will always be that way. Right? No. If I have never done the dishes, I can do the dishes today. If I have never gone to the gym, I can start anytime. If we don’t hold hands, I can take your hand in mine this very moment. Maybe I am a person who works a job I hate because, well, just because – why am I that person? And why can’t I change everything about that sentence? Maybe I’m not actually that person. Maybe I don’t have to work that job. Or maybe I don’t have to hate it. Maybe the present & future allows far more agency than we acknowledge.

The resurrection of Jesus Christ transformed every rule we thought was forged in stone, redefined what was possible (in that if death was no longer sure, then everything was now on the table). Our marriage doesn’t have to stay dead, our career doesn’t have to be miserable and soul-crushing, our perspective doesn’t have to be so cynical. Not for one more day. Why not?

And if that’s true, then why would we choose to lock ourselves and others up inside of the boxes we’ve constructed, throwing away the key? We have to be the sorts of people who allow for the possibility of transformation, who hold on to the hope that resurrection & redemption could be true in our own lives, in everything. If there is a fresh new story to be told (and there is), then we have to be the ones reflecting it, right???

But aren’t there people who are toxic to you? Who do not mean for your good, who will hurt you, again and again and again, if given the chance…what about them? Do I have to allow for their transformation? And what does that even look like? Doesn’t leaving the door open, sometimes, make me a fool? Isn’t my abuser “just who he/she is?” Or isn’t he/she that, at least to me? Can I lock that door, or do I have to keep letting them come back? Doesn’t Jesus also say “be as wise as serpents and as innocent as doves?” What is wisdom and what does it look like, for me, in this?

This is that “interesting space” from the first sentence, and the sad truth is that there is no solid, unchanging answer. The answer is Yes or No, Both/And, Neither/Nor, but mostly it’s Maybe. Wisdom isn’t static. Forgiveness AND Boundaries can certainly live together in peace and harmony, but so can Forgiveness AND Reconciliation. Now what? Which is it?

We want to know. We want black and white, yes-no, we want understanding & control, we want to say how it’s supposed to be, or what should be, but we don’t get that. We get messy, blurred lines. You and I might have boundaries that she and I don’t. This is the overwhelming, uncomfortable tension of real life, and the most courageous steps we can ever take is to keep leaning into the uncertainty of relationships. There’s only one reason to take them, and it’s a good one: because we’re worth it.

The Josh Lucas Situation — April 8, 2024

The Josh Lucas Situation

2 weeks ago, the Angel and I watched a movie called Life As We Know It, starring Katherine Heigl and Josh Duhamel. It falls squarely in the often disrespectful and dismissive rom-com genre. To trash an entire genre is pretty unfair, some romantic comedies are solid, well written, and deep. This is not one of those. This is one that deserves to be dismissed. This is a great example of why rom-coms are not taken seriously. But it’s something else, maybe something that’s not entirely harmless.

But to get there, we have to talk about Josh Lucas. In the movie Sweet Home Alabama, Reese Witherspoon is engaged to marry McDreamy, but was previously, secretly married to Josh Lucas. She goes home to find him and secure the divorce papers to re-marry. The movie is mostly unremarkable, except for the fact that McDreamy is awesome. He’s full of class and grace, even when she leaves him at the altar, saying “So this is what this feels like,” loving her by letting her go. She leaves him to return to Josh Lucas, who is a not a nice person. His love for her is so great he treats her terribly.

In Life As We Know It, Katherine Heigl and Josh Duhamel are the best friends of the individuals in a married couple. When that couple is killed in an accident, the 2 leads have to assume the parenting of their baby. Duhamel is an overgrown boy, using and disposing of hordes of women (this is somehow played as charm), and is desperately trying to avoid the responsibility of fatherhood. Heigl is cold and focused, being chased by local pediatrician Josh Lucas, who is (in a nice reversal) a great dude. Like Reese, Heigl also chooses poorly, choosing the selfish boy who expresses his love through disrespect and being super nasty.

It seems to me that, for a woman, romance should be marked by a mean emotionally stunted child who “loves” so much they just can’t possibly be expected to be kind. Swoon!

My friends and I, in middle & high school

[Incidentally, the solar eclipse is happening RIGHT NOW, as I write this]

Anyway, my friends and I used to lament the fact that all of the girls seemed to not be able to get enough of the boys who treated them the worst, in direct correlation. And we, who did not act as if the girls were something we stepped in or only for meeting our physical teenage desires, were alone. As I got a little older, I realized that maybe this scientific theory was more anecdotal than scientific, and only felt like the horrible people always had dates while we watched Point Break on repeat together.

But what we can learn from Josh Lucas is that we were right. He is beautiful in both movies, the only difference is that he’s a heel in Sweet Home Alabama. The other difference, of course, is that he also gets the girl in Sweet Home Alabama. Holding doors and listening are a direct road to nowhere, while pouting and shouting down at your date like a jackass is the only way to mutually fulfilling relationships.

In the brilliant Nick Hornby novel High Fidelity, our hero wonders whether we liked the music we did because we were a certain way, or if we were a certain way because of the music we liked. Did the movies follow reality, or did they create it? Do women love jerks because they loved rom-coms first, or do they love jerks and the rom-coms that described their lives followed?

Life As We Know It was, honestly, pretty offensive, but maybe that’s just because I have been trying to love the sweet Angel through soft words and doing the dishes, telling her how much I appreciate her and proving it in my actions, believing she is someone to be valued and cherished, as we lean into her independence and great strength. Maybe this has been my problem, maybe she’s left crying herself to sleep, after we lay like spoons and I fall asleep always next to her, wishing I would drink too much and cheat just enough to assert my sharp-edged machismo. Maybe she has been dreaming I’d berate her with long strings of curse words, turn the table over and throw the plates of the dinner she made against the wall. Will she then run into my arms in the rain like in The Notebook??

My message to the Angel is that I guess I can try for her. But maybe it’s those last 2 words that show how predictable my failure is. Nothing is “for her” in these movies. Hm. Now I don’t know what to do. Maybe I’ll watch a few more to find out how to do romance. Wish me luck.