2020-07-30T19:15:19+00:00

General Zod In Waco

July 30, 2020/The Bridge Faith Community/Leave a comment

I told you last week that I was falling apart, right?

We’ll talk about that in a few paragraphs, but first I want to give you a quick recommendation/review. I followed up the Filthy Epstein documentary with the Waco series, also on Netflix. It’s a 6 part series based on books written by those closely involved, produced by and starring Taylor Kitsch and Michael Shannon. Taylor Kitsch hasn’t been in anything I’ve seen, but is outstanding as David Koresh. Michael Shannon has been in quite a few things I’ve seen (General Zod in the newest Superman movies, Walt Thrombey in the awesome Knives Out, etc) and is terrific in everything, including this, as the chief FBI negotiator.

It’s the feel-good hit chronicling how the FBI & ATF murdered 76 people. Maybe we can talk about the things the Branch Davidians (the group led by Koresh) did wrong or that we don’t like or understand. Surely, there are plenty of those to discuss. But I’m absolutely positive none of those things deserved the death penalty. It was disgusting and when the final credits rolled, I cried and cried. It’s beautifully written and acted, an excellent miniseries.

Now back to the beginning. Nothing is new about me falling apart from time to time. I have ups and downs, like everyone, but as I am told, not everyone feels them quite like I do. When I was much younger, the dark down parts felt like they’d never end and I’d often contemplate anything to end the darkness. Now, I don’t ever think about making today my last day, because I know the darkness isn’t forever. I know the darkness will pass and it will be light again, sometime. That’s as good of a definition of faith as I can find.

It’s been dark for me for some weeks now, and as my tears dried from the horrors of Waco, my heavy heart plodded to why? After breakups in college, I would listen exclusively to the Smiths, Morrissey and Depeche Mode and the other saddest songs I could find. I’d play “Unloveable” on repeat. Why purposefully walk deeper into that abyss? As I watch the pain of Federal Agents being sent into Seattle on the news, why am I choosing the story of Waco, TX? When I’m overwhelmed with sadness, maybe the murder of women and children isn’t the best option. Or is it?

Just like in the kitchen, it really matters a what we put in our bodies. But I’m not sure what that even means when it comes to this. I refuse to ignore or avoid the pain of real life…but maybe diving in so fully isn’t the healthiest, either. Maybe I need, say, 2 Morrissey albums and then a mindless electronic dj mix, like a cold glass of water tossed in my face to remind me that a full life contains joy as well as pain, mindless superficiality in addition to matters of weight. Depth includes laughter, too. Not just tears. Who knows?

But I can’t stand electronic dj mixes. (I call them mixes – maybe that’s what they call them, too – because they’re not songs or albums, they’re just beats and pulses. They’re not really anything, are they? Besides awful, I mean.)

So. I don’t have a nice tidy ending, here or in my broken heart. We’re just having these conversations.

Princess Poppy

July 4, 2020/The Bridge Faith Community/Leave a comment

Yesterday I was working out and a song from the animated movie Trolls came on my playlist, “Get Back Up Again.” I’ll give you a second to find it and listen.

….

It’s great, right? But it isn’t the most masculine thing (or progressive or in any way ‘cool’) you’ve ever heard. Usually, I listen to punk rock and Morrissey and, well, right now I have a new song by Beck playing. My taste in music is exemplary, I take great pleasure in finding new and exciting artists and records. Then there is this embarrassing Trolls song that I repeated 4 times in a row during my workout. Just a sweaty dude listening to Trolls.

If you were to know only that about me – that I LOVED “Get Back Up Again” – you could draw certain conclusions about me. Conclusions that would probably be wrong.

Todd Snyder wrote in one of his greatest songs, about a woman referred to by another as a prostitute: “I’m sure she is, but that’s not all she is.”

She was all kinds of other things, too. So am I, and so are you.

I write so much about this lately, (and in every election cycle), because I pay an inordinate amount of attention to social patterns and culture, and it’s impossible not to notice how we’ve been divided into groups based solely on 1 facet of ourselves. We’ve been sold the lie that this one facet is the only thing about us that matters. Now, this has always been a temptation, from the beginnings of history. In the Bible, a man asks (about Jesus) if He knows “what kind of woman she is.”

As Todd Snyder would say, “I’m sure she is, but that’s not all she is.”

Yes, we are addicts, alcoholics, abusers, prostitutes, mask-wearers, non-mask-wearers, Republicans, Democrats, cheaters, liars, vegetarians, pescatarians, Keto, nurses, pastors, punk rockers, jazz elitists, smokers, non-smokers, people who read books on a Kindle, even people who LOVE an Anna Kendrick song from Trolls.

But that’s not all we are.

We are Children of the Living God, created in His image – Republicans and Democrats alike (gasp!!!) – and we’ve been created by, in, and for, love. This terrible lie has caused us to forget that simple, monumental fact. Almost nothing that is happening can be called love. Instead, it’s the same old violence, rained upon each other and upon ourselves.

I keep writing about it because I’m so sad to see how easily we’ve been manipulated into believing that we are so different, that these differences are irreconcilable, and that these differences are so fundamental to our existence that we would behave so awfully towards one another. I’m just so sad, the heartbreak compounded by the largely ignored truth that each act of violence originates from an unbearably deep reservoir of fear and pain in the violator.

It’s another page in the us/them fictional dogma we accept. Huge segments (maybe all) of the things we see and hear are grounded in a desperate need to draw battle lines, where “we” are 100% right and “they” are 100% wrong. This pandering rips at the fabric of human decency and the only real desperate need is for revolution.

So, let’s do that. But it’ll be a revolution of love. We will show up to love each other – no matter who the ‘each other’ is. Our Each Others will be our neighbors and our enemies, our co-workers and our brothers and sisters, Republicans and Democrats.

It’s an unlearning of centuries of curriculum, a complete overhaul of the theology of comparison and competition, and I can’t imagine that it’ll be easy or smooth or without some real setbacks, but as Princess Poppy sings, “Hey! I’m not giving up today. There’s nothing getting in my way. And if you knock knock me over, I will get back up again.”

Depeche Mode and Dave Matthews

January 16, 2020/The Bridge Faith Community/Leave a comment

We’ll start with Depeche Mode being inducted into the Rock n’ Roll Hall of Fame and my first instinct is to say: It’s about time. How did this oversight happen? Def Leppard, Pearl Jam, Bob Seger, The Crickets, Comets, Green Day, and on and on – we are not now debating whether or not these bands deserve to be in the HOF, but how could Radiohead possibly gain entry before Depeche Mode???

My first instinct is to say ‘it’s about time,’ but I’m trying not to focus so much on incompetence and, instead, only feel gratitude, overjoyed that a band that has meant a great deal to me has gotten the appreciation and acknowledgment they have very well earned. Listen to “Lie To Me” and “Everything Counts” and tell me I’m wrong.

I really loved Nine Inch Nails for a little in high school so I’m happy about that, too.

Whoever this super-special club of voters is (of which I would love to somehow be a part), they get my approval for these 2, Whitney Houston, T. Rex, AND refusing acceptance to horrible college jam-band Dave Matthews Band. Exclusivity is paramount in the perception of a Hall of Fame, and if DMB is allowed inside, then what’s next? Rusted Root? Spin Doctors? Or worse, Blues Traveler!!!

You know, it’s a strange thing, this blog posting. It’s awfully arrogant to assume that my opinions (facts) on bands and movies or anything else might be a little bit interesting to anyone but me, isn’t it? Why would you care what I think of Dave Matthews? I know I like to read others thoughts on art and culture, but I’m just some man in Pennsylvania who has an iPad and a WordPress account. Who knows about that, but I do know about the value of telling our stories. The exchange of thoughts, ideas, and honesty does exactly the same thing listening to “Blasphemous Rumours” on vinyl does; makes us feel less alone, like we’re not lost in a world that doesn’t see, know, or care. That there might be someone, somewhere who is feeling the same things we are is unbelievably comforting and a step or 1,000 on the road to knocking down the walls we’ve decided separate us and seeing each other as, simply, human.

Here’s something else I want to tell you: Yesterday is my usual day off, right? (I say usual, but it’s not at all the norm yet. The relationship with unproductive time is complicated, but rest is vital to being a healthy person, so I’m walking that way.) I didn’t take it. I decided to end my commitment to The Witcher after episode 4, and this week has drifted without any replacement. I wrote a lot, visited some good friends, baked a cake, worked out, started reading 2 new books, listened to a ton of new songs, watched youth sports, and served as taxi driver for the neighborhood. Great week. But I did not take my “day off.”

And that is ok. I had a terrific week, inspired and engaged. The point of the rest day is to break from all of the expectations and voices telling (screaming at) me what I SHOULD be doing. What if I begin a new practice to escape that cage and it becomes just another expectation, another should, another example where I have failed, more guilt and shame?

It’s still a cage.

My resolution (not a New Years resolution – more like a whole life resolution) is to be a little kinder to me, give me a break from time to time. So yes, I did not have my “day off” this week…and that’s fine.

Let’s Dance To Joy Division

January 9, 2020/The Bridge Faith Community/Leave a comment

The days off this week were sort of forced. As it turns out, I’m pretty sick and it’s possible I have been for quite some time. My doctor, the greatest doctor on earth, feels like the symptoms that have plagued me for several months might possibly be the same illness, sometimes more intense and sometimes less. Go figure.

This week, though, the looks of fear I saw as Angel and the boys helplessly watched me cough and cough finally convinced me and I made an appointment and now take a myriad of pills and inhalers (including a pill that’s so huge it must be for a giraffe.)

I watched the first 2 Iliza Shlesinger comedy specials (War Paint and Freezing Hot) and the first episode of the Witcher, all of which were excellent. The Iliza’s give a lot of hope for her career, because each special is better than the last. Usually in art (music especially), a whole life informs the debut, and it’s personal and deep, then the follow up is rushed and sadly lacking the immediacy of what made the debut so compelling. Iliza is sharper as she goes, the material is new (not just a greatest hit collection with a few new tracks.)

The Witcher stars Henry Cavill (the current Superman, at least for now) and carries an unreasonable amount of armor, swords, moral ambiguity and violence: all things I really love.

I’m listening to Matchbox Twenty, “Our Song,” right now. I’ve always thought they were wholly underrated and under appreciated, and I would be willing to fight you about that.

Then there is this song called “Let’s Dance To Joy Division,” by the Wombats. As much as it hurts me to say, I don’t know anything about them. Maybe if I did, I would be a little embarrassed to mention them. Not as embarrassed as I would’ve been when I was 20 and that sort of thing mattered more.

(By the way, “Our Song” has ended and “Beeswing” by Richard Thompson is on now. If you do nothing else, please listen to this. It’s everything.)

So, “Let’s Dance To Joy Division” is a catchy pop song that sounds like the book of Ecclesiastes. This world doesn’t make any sense, sometimes, and it’s scary and feels random and mean, so let’s just have a nice meal, enjoy ourselves and move our hips a little. War, earthquakes, whole countries on fire, hunger, violence (when I say I love violence, it goes without saying that it’s in Netflix documentaries and not in real life, right???), what are we supposed to do? It all feels so big, what can we do?

Well, we can’t fix it today, or tomorrow, or next week. I might suggest we are part of a generation that believes we can’t fix it on a macro, or governmental, level. However, I do believe we can fix it. Or better yet, I believe it’s not meaningless to try. We have to try, or why would we ever get out of bed?

It’s broken, structurally. Everyone knows this. The whole system is corrupt, rotted from the inside, but not without hope. We can easily forget the system is made of people, it’s not faceless and nameless, it’s just people who are broken, corrupt, sad, empty, who are overwhelmed with inadequacy and insecurity, and when those people can be replaced with people who are loved, accepted, belong to a family of humanity that knows no walls or division, people who rediscover their worth and value, then the system can be one that breathes kindness, care, compassion.

It’s quite a reclamation project, a long play, isn’t it? But it’ll work, and the longer we wait to love somebody (eventually everybody), the longer it’ll take. We can start today, we can do something, anything. Write a check, volunteer, vote, pray AND hold hands, kiss softly and slowly, eat with someone, listen, laugh, and move your hips a little.

The Cost of Amazon Prime

January 3, 2020/The Bridge Faith Community/Leave a comment

This is not a post on Big Brother or algorithms or privacy at all. Others can do that much better than me – there’s probably a terrific Netflix documentary on it.

This is, instead, a post on Amazon Prime Music Unlimited. One of my very best friends (after judging me too harshly for still buying full albums, CDs and CD players, and using my iPod) eloquently put it like this: “For almost half the price of 1 album, you can get them all,” and that made sense. Also, we already have Prime, so I do have access to a huge untapped library. Untapped no longer!!! And as I was diving into this pool, I realized I had a promotional coupon for 3 months of Unlimited free. So now I have Unlimited.

Today, I listened to the Red Hot Chili Peppers – Getaway (which is nowhere near as awesome as Blood Sugar Sex Magik and nowhere near as horrible as you’ve heard) and now I’m listening to Acoustic Volume 2 from Bayside; 2 albums I hadn’t bought earlier, for different reasons.

Yesterday I listened to the Strumbellas and a series of singles that I like a little or a lot and a playlist they deem “for Me.” (Maybe this is about algorithms, because it was pretty much For Me, even though they have only known me for a few days.)

Like everything, there is a cost. Not the $7 or 8 or 11 (for the family plan) or whatever, my buddy was totally right. It makes great financial sense, if you are a music lover. But if you are a music lover, you’ll have to give up something valuable to get it, namely, the love.

Every time I go to the app, I want to dive into the unreasonably deep waters of infinity – I will never exhaust all of my choices. It’s simply impossible, there aren’t enough hours. I’d have to live to 5,000 years old.

When I bought Blood Sugar Sex Magik in 1991, I listened to it on repeat for months and months. I laid in my bed with the liner notes and lyrics, bought the VHS (!!!) making of and listened to bass lines and interesting noises and genres. They’re an interesting band, man. I can still sing along word for word to that album at any time. I have no idea if I’ll ever listen to The Getaway again. Maybe I’ll drop a song or 2 on a playlist.

I love bands and the people in them, their instruments, hometowns and side projects. I care deeply about the albums and the stories behind them. It matters to me who wrote the songs and why. I even care about record labels and producers.

Those days are gone for me, I fear. There’s simply too much. You know, in the Bible, there are kings that have thousands of women for their pleasure. They probably didn’t know their names, favorite colors, or dreams for the future – and if you ask me, that’s the best part. Probably the most interesting part of a sexual experience is the soul connection, the knowing of another human being. The lyrics and the liner notes, not just the chorus (even if the chorus is the best chorus ever).

I now have thousands of partners. Variety is nice, I suppose. Now I’m listening to the Arctic Monkeys – Whatever People Say I Am, That’s What I’m Not, and it really is amazing. If you haven’t heard it yet, you should go now. And I might not have ever listened to it. In fact, it’s the 4th or 5th time I’ve played it.

So, maybe it’s not as dire a situation as I think. But I don’t know who the bass player is, and I really like to know who the bass player is.

All I Want For Christmas

December 13, 2019/The Bridge Faith Community/Leave a comment

The second I heard Lady Gaga’s first album – actually, probably the first time I heard ‘Paparazzi’ – I figured that she was not the empty record company vessel she appeared to be. Of course, the songs were amazing, perfectly written and packaged pop explosions, but the interesting part to me was that embedded inside an album about becoming rich and famous, there were lyrics that dismantled the very goal it espoused. My theory was that she was wooing us just to pull the rug from under us all, exposing the vacuousness of the entire system of chasing dollar bills and Kardashian fame.

I figured she was different, the anti-Mariah Carey, anti-Britney Spears.

I am right about Lady Gaga, she hasn’t yet “come out” as running an elaborate ruse to show us ourselves and the absurdity of temporal, temporary pursuits, but I am right. As you can see in A Star Is Born and the Joanne album, her entire career trajectory is the revelation of a real-life artist, an endangered species of sorts.

What I may not be right about is that she is the anti-Mariah Carey.

In the current issue of Entertainment Weekly, there’s an interview to celebrate the 25th anniversary of “All I Want For Christmas Is You.” Now, 2 things. First, 25 years?!!!?. Can it really be 25 years??? And 2, we hear it on an endless loop at this time of year and you either love it or you pretend to hate it. (Sometimes, art snobs like us rage against popular things because they’re lowest common denominator drivel, edges sanded to appeal to everyone, and moving no one. Or because we like to look like the coolest kids at the party.) The public reactions are polarizing, but the actual feelings aren’t: Everyone loves this song, because it’s perfect.

So, I read this interview and it’s sharp, funny, entertaining and informative. The best interviews (and interviewers) force us to ask, “have we been wrong about this person all along?” Maybe I was. Seared into my head is her embarrassing TRL appearance (and Her embarrassing Cribs episode and embarrassing New Years Eve performance and and and) that showed her, um, in a less than flattering light. Who knows what she actually is?

Who knows who any of the people we see on tv actually are? Once, we all wanted Bill Cosby to be our dad because of his sweaters, The Cosby Show and Jell-O commercials.

We are seeing carefully crafted images.

How I can definitively say I’m right about Gaga is because I’m that kind of arrogant when it comes to music and artistic expression. But I don’t know, really. Maybe there’s a guy that looks like me in his living room that is writing the subtle cutting lyrics and designing meat dresses, pulling strings and planting Easter eggs for us to find.

This is important (and bigger than records and Christmas songs) because I spend an inordinate amount of time thinking about who I am, who you are, who we are. Are we living authentic, fulfilling lives or are we simply actors, building personas that shift depending on who we are performing for?

And perhaps more importantly, are we making inferences on those we see and meet based on those images? I don’t have the visceral hatred for the word ‘judgment’ that I’m told to, because I don’t think it’s always such a terrible thing. Sometimes, toxic people are toxic people and should not be allowed to hurt us over and over and over, no matter how many times we are scolded, commanded, “Don’t judge me.” But our perceptions should probably be held loosely, able to be changed, because who knows? Maybe she was going through some things. Maybe she has grown since she was 25. Maybe she is still figuring out who she is. Maybe she is exactly who she is on TRL or the interview. Most likely, she’s both and neither. Just like me.

The truth of who we are, stripped of all of the expectations and pretenses, is both messier and so much better than we could ever imagine. It’s those edges and colors and quirks that make life so great. If I promise to be real, and you promise to be real, we can see each other for who we are, fall in love with each other’s everything (even when that everything includes the things that drive us crazy), then Christmas will become what Christmas was actually meant to be when it was about a baby that would rescue us all. And if it can be for 1 day, it can be more and more, and it can be everyday.

Ok. We’ve spent too much time here, reading, when this time could be much better spent listening to that song, and living Love.

Cold & Broken

November 22, 2019/The Bridge Faith Community/Leave a comment

As you can surely tell, I don’t like the Mariah Carey song.

I don’t like pretense, or anything that smells of inauthenticity. Social media is a wonderful exchange of ideas and photos until it jumps the track into fictional representations of characters who only slightly resemble the flesh and blood human beings that you actually know and have listened to and walked alongside. Jesus called us “whitewashed tombs” when we participate in this sort of masquerade; clean and glistening on the outside and full of dead men’s bones inside.

But what if someone did have Mariah Carey feeling emotions? Is it fake, like I have assumed, if it sounds amazing? If it is produced and pretty, does that automatically make it another brick in a wall of manufactured image? If it is whitewashed, does that mean that it’s a tomb inside?

Mariah Carey has been gifted in ways most of us aren’t. Where do these gifts come from? Why do I immediately judge her “emotions” as inauthentic? Because she’s not screaming? What if her octaves come from the same place, deep in the seat of the soul?

I also make the same assumptions about Christians in church – if they are meticulously made up with a constant unwavering smile, impeccably dressed, are they faking something?

(And if they are, why is that always wrong? Do they have to advertise their brokenness to everyone? Can they not hold it together through the service – because they just need God right now – before melting in the arms of their trusted friends? Is there value in changing out of our ripped jeans and sweats to dress up in Sunday best, as if for a date, which maybe they are? What if the very act of preparation begins to change the struggle with inadequacy & insecurity, begins to transform the dishonor and subtle devaluation we all fight into a space of dignity, beauty and “Good enough?” Is it possible that washing the tomb can alter the story of the bones inside, perhaps giving them life?

At different points in my life, my heart, soul, psyche, and self-image have been severely damaged. And sometimes, the crack in the dark, dank shack of a hopeless existence that let the light in was a shower or a haircut or brushing my teeth. It may sound superficial (and maybe it is) but it allows the light to shine on a new perspective that the way it feels now just might not be forever, and there is certainly value in that, isn’t there?)

And besides, who am to decide what their motivations are? Who am I to judge if they are “faking” anything? They, and I, might be or we might not be, but it probably looks EXACTLY the same. What makes me an authority of authenticity? Isn’t this the height of arrogance?

SO.

Is all of this, 4 weeks of posts, to say we should each mind our business? Not exactly.

I want everyone – and I will fight with every breath for this to be – to be all of who they are, in every space and situation. I want us all to be “Hallelujah,” sometimes “cold and broken,” sometimes angelic, and sometimes both or neither, sometimes instrumental (because words just don’t work) or full of profound precise words, quiet or loud. The reason I want this is because most of what I perceive to be wrong with us, disconnecting us, burying us under such loneliness and inadequacy is held in our collective hypocrisy.

Either we are pretending to be someone/something else (because what we are is, for some reason, bad or wrong or less than) and this creates a duality that has been dis-integrating us, wearing us out and tearing us apart from the inside out.

Or we are measuring ourselves against another’s carefully crafted (and entirely fictional) public image, and this creates a self-loathing because our pasta or pet or husband isn’t as good as the ones we see on Instagram, because we can’t look as spotless and sound as spiritual as Joel Osteen.

Bullying, minimizing, walls, rudeness, disrespect, all of it comes from this posture of image-making and manicuring these made up images to cover up our fear.

This is what God speaks to when, in Hosea 6:6 says “I don’t want your sacrifices” – your idea of what is perfect, what you think is the right answer – “I want your love” – your heart, your honesty, I just want the gorgeously messy, beautiful you. Bring all of you to Me, to the world, and then, baby, we can start to heal all of these wounds.

In “Hallelujah,” and the Bible, we celebrate, joy, praise, laugh AND we weep, question, rage.

I’m not minding my business, even for a second, and why? Because we need all of you. The world needs you – I need you – (the real you) to step into all that you have been created to be. That’s how the world gets put back together; when we love us and each other enough to be honest & open, and when we love God enough to step into all that He created us to be, which is all we’ve been looking for all along.

On The Way

November 15, 2019/The Bridge Faith Community/Leave a comment

Then I met a girl and we fell in love. Then I met 2 families and we fell in love. Then I met Jesus and we fell in love, too, and my life was forever changed. So, I took some Bible classes, mostly because Rob Bell was tying books of the Bible to other books of the Bible to my life that made sense in a way that nothing else could, and I wanted to know how to begin to do that on my own. To borrow a trite expression, I wanted to learn how to fish.

Writing all of those papers, I was discovering something very surprising. The Bible wasn’t perfect, or produced, or pretty. It was beautiful, but in the kind of way that Rise Against is beautiful.

In 2011, Rise Against released an album called Endgame that’s 2nd track was “Help Is On The Way.” This song was a scathing indictment of the response (or lack thereof) during hurricane Katrina in New Orleans. (To be fair, this song, and especially the video, affected me in such a visceral way because we were also the victims of a tropical storm and flooding that ended with my home underwater and all of our possessions gone and a sickening apathy on the part of organizations whose sole purpose is to respond and care for victims like us. I knew what it was to watch your child’s grade school artwork float away, knew the pity in a school secretary’s eyes when she asked if we were still “homeless,” knew what it was to walk barefoot into the Walmart to buy some shoes, knew what it was to face bankruptcy because the flood insurance didn’t cover total losses. But we are not really talking about the video. But as long as we are, you could listen to “One Blue Sky” by Sugarland, too.) The song, when he screams, “Right here, right now!!!” Then later, “We were told just to sit tight, ‘cause somebody will soon arrive, help is on the way…but it never caaaaaaaame!!!” That guttural wail is what it sounds like when your heart is torn out of your chest. Now, maybe Tim McIlrath doesn’t know what it feels like to wait without hope, feeling lost and forgotten, maybe he doesn’t care about people like me, but it sure sounds like he does. It sure sounds like he has something in his soul to say that absolutely must get out, even if no one will ever hear it.

In the Bible, Habakkuk asks why bad people succeed and good people don’t. We study Jonah and whales as kids, but the book of Jonah is very much about a disobedient boy who runs rather than helps those he doesn’t like. Lamentations is a full book (excepting a few verses in the middle) of how mean God has been to us. One Psalm details a wish that the writer’s enemies will have their babies “dashed on the rocks.” And I could go on and on. These are real people in real places in real times with things to say that have to be said, screamed or cried.

The thing about these very honest questions, doubts, prayers, is that they are never met with judgment. Never does God (or the authors of the individual books) chastise or punish these people for the exchange. They are allowed to exist, just as they are. If you are one who, like me, believes the entire book is inspired by God, and the books collected are collected with God’s divine guidance (So, why would God want these things? If I was writing a book about me, I would probably leave out the parts that weren’t too complimentary. I would only include the parts testifying to how awesome I am), the God of the Bible seems very comfortable with these questions, with the conflict, with the wrestling. Sometimes, (almost all the times), the questions were never answered. Certainly not in the concrete way we’d prefer.

As I fell more and more in love with the Bible, it was obvious that the Bible was far more Rise Against than it was Mariah Carey.

The Bible was not what I had been sold, not even close. There was room for me, my questions, my rough edges, and my inadequacies. Right where I was, right where I am.

Now. This exhilarating fact led to an inevitable next uncomfortable question: If there was room for me, was there also room for pretty, perfect production, too?

Smells Like Real Life

November 5, 2019/The Bridge Faith Community/Leave a comment

Around the same time, also in 1991, a band from Seattle called Nirvana released an album that would change everything in music, fashion and culture as a whole. This album would also give me a space (even if it was only in my head and heart) and in doing so, make me not as much of a weirdo, not as much of a misfit.

While we were all trying to be perfect – and what I mean is that while we were all trying to show everyone we were perfect – here was a band and a singer who looked like we all felt. The music did, too. We were insecure and inadequate in a land of make believe and that made so many of us so angry. We were desperately searching for meaning and purpose (there just had to be more than hair spray and insincerity holding us together, didn’t there?) and not only were we not getting answers, our questions were being ignored.

Now. The song. The drums perfectly sounded like doors being kicked down, which of course, they were. Then, the voice of Kurt Cobain mumbled: “Load up on guns, bring your friends. It’s fun to lose and to pretend. She’s over-bored and self-assured.” Hello, hello, hello, how low. Then, our worlds collectively fell apart (or together) at the chorus: “With the lights out, it’s less dangerous. Here we are now, entertain us. I feel stupid and contagious. Here we are now, entertain us.”

We might talk about “here we are now, entertain us” as the anthem for a generation, and generations to come, but it’s that “stupid and contagious” line that broke my heart. You know when someone says something and you think, “how did they know?”

How could a guy in the Pacific Northwest know who I was and exactly what I was going through? He couldn’t, and that meant there were more like me, disaffected, lost, lonely, and that was unbelievably comforting. There were more like me, I wasn’t alone.

The song destroys all pretense and perfectly sums up the ache in us all and ends… wait’ll you hear this… “Oh well, whatever, nevermind.” Whatever, nevermind!!!! Awesome. It’s angry, a heartbreaking work of staggering genius, honest, cutting, and hilarious. It is overwhelmingly real.

People began dressing differently, doing (or not doing) their hair, speaking truth, showing their wounds and scars. We started to think about confessing that no, things might not be ok.

3 years later, in April of 1994, Kurt Cobain killed himself. Sigh.

But the world had changed, he shined a light into our souls and exposed us. The images and facades were hollow, the emperor had no clothes. So now what? We could start to find the clothes that did. We could be whatever we wanted, whatever we actually were. So who was I in 1991? Nobody knew. I sure didn’t. I had spent so long being what you wanted me to be that I hardly noticed who I truly was.

I didn’t know how or where to find out – only that it was absolutely necessary. One thing I knew for sure was that I wouldn’t find anything in Mariah Carey videos. Or the church.

Emotions

November 1, 2019/The Bridge Faith Community/Leave a comment

I gave a talk at a youth group near Gettysburg last Saturday. The church is fairly conservative (although it could be said that, to me, maybe every church is fairly conservative) and there was a very good chance that I would not play well there. I shared the message for their Sunday service several years ago and have not yet been invited back. The looks on the congregants faces told me as much, so the fact that I was not yet invited back was far less surprising than that I was for their youth group.

I was because I have very good friends who either persuaded everyone else who (hopefully) had forgotten the past or hidden my visit from them altogether. I didn’t ask which one.

My very good friend asked me to come and speak about music and faith. I said yes, of course, then asked “um, what kind of music?” Because the kind of talk I would give on Christian music might not be what she had in mind. And actually, what music I consider to be Christian might not be everyone’s, and we should probably know what definition we’re using to avoid the kind of misunderstandings I enjoy. She said whatever I wanted, and I asked her to pretty please repeat that. And she did. So, I said yes again.

Now, I think it would be fun to explore those songs and ideas here, in a short series based on that talk, called “It’s a Cold and It’s a Broken Hallelujah.”

The songs are: “Emotions,” by Mariah Carey. (So you know and can follow along as intended, we played the videos – easily found in a Google search. For this one, however, I offered to simply play the song because there was “a significant cleavage issue.” And there is.) “Smells Like Teen Spirit,” by Nirvana. “Help Is On The Way,” by Rise Against. (This one is the only one that the video is absolutely necessary.) And “Hallelujah,” the cover version by Jeff Buckley.

“Emotions” was a gigantic hit record in 1991. It was all of the words that begin with P: polished, produced, perfect. What an unbelievable showcase for that extraordinary instrument of hers, right?!! She looks and sounds absolutely beautiful. The video is exactly like the song, glossy and refined, as if a team of marketers created it in a laboratory for maximum exposure and sales figures.

The problem is that it’s called “Emotions,” and I don’t feel any at all. Except that she’s awesome, I suppose.

Pretending is the other P word that comes to mind with something like this. It’s like an advertisement for LIFE, or at least the life other people are living, that I could be living if only I…whatever. It brings to mind – and the reason I play it in discussions of spirituality – gauzy pictures of Christians with perfect teeth and plastic smiles. This was the perspective I had of people of faith for the first half of my life. To me, they all looked like Joel Osteen book jackets, all smiles and manicured nails. My life wasn’t all smiles and manicured nails. In fact, no life I knew was all smiles. Sometimes, there were tears and dirt and darkness and hairs wildly out of place.

When you’re upset and the wheels are falling off, a Christian, with their cliches and cheery platitudes and “God’s plan,” is often the very last person you’d like to see. The carefully crafted images of rounded edges and masks they wear usually just amplify their uncomfortability and insecurity.

Everything is fine, and if it’s not, shhh, we’ll just hide that behind the closet door and hope it goes away.

Phony (another ‘P!!’) That is what “Emotions” means to me.

I understand that this is not the most positive way to start a conversation, but it gets better. It has to.

Love With A Capital L

A journey towards living an inspired life of love in the modern world

Tag: music