Love With A Capital L

A journey towards living an inspired life of love in the modern world

Panic! — November 24, 2025

Panic!

Today, I’m listening to Panic! at the Disco (that strange, misplaced exclamation point is not a typo on my part – though it was dropped for the 2nd album, as they attempted to become the Beatles, and the Beatles didn’t have a strange, misplaced exclamation point. Then, when that album wasn’t as commercially successful, they brought that punctuation back for the rest of their existence. Maybe people just were disoriented & confused, maybe there were 2: Panic! At The Disco and Panic At The Disco, and we couldn’t like them both.

I don’t hate that 2nd album, Pretty.Odd, and in fact, it has one of the songs I listened to most for a several year span (according to my iPod), “Nine In The Afternoon.”

I know we aren’t supposed to love them, for some of the same reasons we aren’t supposed to love Fall Out Boy (pretense, ridiculous song titles, etc.), but whoever decides what we’re “supposed to” love is wrong. That person (or group, or board) is always wrong, incidentally. There is no such thing as a guilty pleasure.

Guilty pleasures are those things we like that we “shouldn’t” like, like the Bravo Network, Growing Pains, Matchbox 20, and cargo pants. Nonsense. If you happen to like ‘80’s Kirk Cameron (actually, if you happen to like ‘20’s Kirk Cameron, for that matter), then who is anyone to tell you you’re pleasure is misplaced or shameful? Cargo pants are the coolest and Mad Season is a GREAT album.

I recently discovered that Panic! At The Disco is problematic, and that might be a reason to move away from them. Apparently, they’ve been accused of being sexist, transphobic, homophobic, and/or racist. I think there might be more, but I didn’t go any further than the AI headline.

The truth is, I don’t know if I care.

I’ve asked a form of this question before. Does “Baby Be Mine,” by Michael Jackson, suffer under the weight of a mountain of allegations? Is the “Himself” stand-up special from Bill Cosby stained so badly that the jokes are no longer hilarious? What about Kevin Spacey and Seven or The Usual Suspects? And what are the transgressions that warrant a reconsideration of the artwork? I think Hemingway was a terrible person, now what? Brandi Carlisle was absolutely awful TO ME, personally, and that did totally change the way I hear her output. But that seems a little selfish, that it only counts if it happens to me.

I’m listening to the Vices & Virtues album right now, and if I was forced to decide now, I guess I don’t care. I can’t help from dancing (a completely involuntary response!!) to “Baby Be Mine.” Maybe that makes me a bad person. But I bet, if you listen to “Trade Mistakes,” you’d be a terrible person, too.

I think I do care, though. I want to care. I want to expect more of humanity, of my neighbors, of us. I want us to love and take care of each other. Is that too much to ask?

And is this similar to shopping at Walmart or buying Nike’s or anything from Shein? If we want our corporations to behave better, shouldn’t we withhold our money until they do? And wouldn’t that make sense to carry that into our record stores and theaters?

Is this what a guilty pleasure is? In that case, maybe it’s not so nonsensical, and maybe it requires even more thought. (But maybe that consideration shouldn’t happen while I’m dancing to Panic! records…)

Sarah — September 19, 2025

Sarah

The new Sarah McLachlan album, Better Broken, came out today. A very great friend gave her review first thing this morning, as “Nothing beats Fumbling Towards Ecstasy.” That’s about as brief and whip-smart as a review of this album can be, she’s absolutely right. Nothing does beat Fumbling Towards Ecstasy.

This album is fine, some parts are awesome, but she is a victim of her own brilliance. Maybe that’s fair. Without Fumbling, this album is solid, pleasant and comfortable. But we don’t live in a “without Fumbling” world. Would you have a loving, respectful, fulfilling relationship (that ends), if it meant that new partners can’t fill those shoes? Would you have a transcendent album that changed everybody’s perception of what an album could be, that completely transformed the landscape for female artists forever, if it meant that everything after paled in comparison? (This is the Counting Crows situation, too, speaking of “everything after.”)

I know it would feel disappointing, to you, to everyone, but I think I hope you say yes. Fumbling Towards Ecstasy has ruined me for Better Broken, but we all had our worlds shaken. We all deserve a respectful, fulfilling, loving relationship, at least once, to show us what’s truly possible. I think that would destroy the nonsensical settling that is so pervasive. Because here’s the thing, my questions were kind of disingenuous. New partners can fill those shoes, everything after doesn’t always pale in comparison. These “unicorns” prove to us that unicorns exists, and give us the courage and hope to not stop listening to albums, to not sadly lower the criteria to accept anything less.

Fumbling Towards Ecstasy happened, and it happened to us.

Top Ten — August 20, 2025

Top Ten

As you might have guessed, I have been making lists of “Top ___” lists as long as I can remember. Top 5/10/25/100 albums/songs, soundtracks, top 10 moments in professional wrestling history, top 3 MLB pitchers/shortstops, top 5 pizza shops, etc. You get the idea. This is not a new idea to me.

A very good friend once had a husband who made a list of his Top 500 songs. It was mostly awesome, (he turned out to be not awesome at all), but when you get past the first few, it gets pretty muddy and begins to be governed by little more than which one you listened to most recently. It’s obvious “There Is A Light That Never Goes Out” is #1, but is “Rebel Yell” or “Possession” 14 or 15? I’d say “Heartbreaker” by Pat Benatar is somewhere in the area of 153, and so is “Overkill,” by Men At Work – who is to say which is 153 or 154 or even 171? AND are we including all Morrissey/Smiths songs? Because if we are, then the kind of list we’re making starts at, roughly, 40, with the exception of “I Can’t Help Myself” by Gene, which is either 1 (if Morrissey is omitted), 2 (if we’re only including “…Light That Never Goes Out”) or 6 (if everything is in play).

My Top 5 songs, incidentally, are 1. “There Is A Light That Never Goes Out,” The Smiths. 2. “I Can’t Help Myself,” Gene. 3. “Good Enough,” Sarah McLachlan. 4. “Hey Jealousy,” Gin Blossoms. 5. “Just Like Heaven,” The Cure. The 5 don’t change, but when “Just Like Heaven” is on, it’s #3.

Movies are an interesting proposition, though, as far as rules. Do you count entire series/trilogies as 1 or each individually? Will there be all 3 Lord Of The Rings films, or do you call it Lord of The Rings and leave it at that? What I’ll do is give my favorite of the series/trilogy and not include any others. And are there any genre limitations? Nope. Documentaries alongside fiction? That’s right. Here we go (maybe I’ll expand, if I feel it’s necessary). And we’ll decide at the end if this is the actual order…

Fight Club. Pulp Fiction. Kill Bill, vol 2 (and ONLY vol 2 – if I were to make a list of the movies I hated the most, vol. 1 would be high on that list). Point Break. Star Wars, ep. 8: The Last Jedi. Eternal Sunshine of the Spotless Mind. Captain America 2: The Winter Soldier (this will be the only entry from the MCU, although it probably could have been the first Avengers, Endgame, or Thor:Ragnarok. Any of those would be fine, too). Into The Spiderverse. LOTR: Return Of The King. The Dark Knight.

Now, I’m thinking about movies I loved that might have been high at different points in my life. I loved Dogma and Vanilla Sky. (Yes, I recognize Vanilla Sky is not the greatest, but for about 15 minutes in 2001, I thought it was just the cat’s pajamas.) Fraternity Vacation was exactly the kind of movie to really matter to a 13 year old. The Matrix, Adaptation, We Bought A Zoo, 12 Monkeys, and Knives Out all could’ve maybe made the list on a different day (with many others). But looking at the list – which is not in order, except Fight Club, that is #1 – maybe they couldn’t have. Those 10 are just about right.

I wonder what that says about me. Do we become the people we are because of the art we choose, or do we choose that particular art because we are those kinds of people? The Angel can’t get through 5 minutes of Pulp Fiction. Of course, she’s wrong, but why? What happened to make our interests so varied? Or did nothing happen, are we just pieced & wired together differently? Who knows? And honestly, who really cares?

When I took the Angel out on our first date, the first thing I did was look at her cd collection. It was cool and quirky, and it made me like her even more. As it turned out, the collection was her roommate’s. The Angel had about 15 cds, including Mariah Carey, Celine Dion, John Secada, and Backstreet Boys; it was like a traffic accident. Why would anyone possibly own these particular albums? After 25 years together, I still can’t answer that question, but what I did learn is that what we like isn’t nearly as important as I thought. Maybe it isn’t important at all. She finds no joy in Sarah M or The Cure, either. And I think she’s just the greatest, #1 in my list of favorite people.

I still make the lists, they still matter to me, I still care…I guess I just don’t need you to care anymore.

Pains of Nostalgia — December 31, 2024

Pains of Nostalgia

The site prompt is, “What makes you feel nostalgic?” And, on New Year’s Eve, that feels appropriate. Or at least connected. The truth is, I feel nostalgic quite a bit. Nostalgia is defined as “a wistful or excessively sentimental yearning for return to or of some past period or irrecoverable condition also.” It’s a “feeling of pleasure and also slight sadness.” I don’t think it’s an entirely positive emotion. Nostalgia can be another way we are absent from the present, and there are too many of those.

I get nostalgic for the ‘90’s, even though, if I’m honest, that decade didn’t love me nearly as much as I loved it. I was lost and confused in my personal life, rudderless in my career path, generally hopeless and drifting in a sea that obviously didn’t care if I would swim or drown. Everything felt totally meaningless and random, there wasn’t anything that connected me to the world around me.

But I sure LOVED the music. I still do. I remember hearing the Counting Crows first album, August & Everythng After, for the first time. I cried when I heard “Round Here,” and I still do. I have no idea if any album will mean that much to me ever again. Maybe that’s a good thing, but it makes me sentimentally yearn for that irrecoverable condition. It makes me slightly sad.

I used to buy cds, go home and lay in my bed and read the liner notes/lyrics as I listened through a few times. I knew Sting and Bono’s real name and all of the members of the Goo Goo Dolls. I knew all of the track 9’s. Now, I barely know track 1, or what the album is titled.

That’s good, because I have the Angel and 2 sons, youth sports, and I absolutely know my purpose. I belong, am loved, and am deeply tied to this wonderfully beautiful creation. But all change, all growth, comes with loss. I am listening to a great song that I really like and would have to look to see the song title or artist’s name. (Incidentally, it’s “Bound To You,” by Jocelyn Alice, and I first heard it on an episode of Catfish. I have no idea what Ms. Alice looks like or if she has any other songs I’d like.) I miss knowing those things. I miss the simplicity of college and irresponsibility. I am still quite simple, but I am not at all irresponsible. I wouldn’t change a thing, not one.

This year will be rich and thick with wonder and meaning. I know this, because all days and moments are charged with wonder and meaning. That doesn’t mean they’re good, or feel particularly pleasant, but that sort of knowledge comes with age and attention. Blessing is for those who are aware & awake to see it and be grateful, so I am overwhelmingly blessed.

Anyway, back to the prompt. This is actually a question I have thought about, and the thing that makes me feel nostalgic, far more than anything else, is “Fade Into You,” by Mazzy Star. I have no idea why. I mean, it’s great, but it was never my favorite song. It’s not tied to treasured memories. It’s just awesome and it makes me feel awesome. And slightly sad.

2 Songs For Thanksgiving — November 21, 2023

2 Songs For Thanksgiving

Bruno Mars, in “When I Was Your Man,” breaks all of our hearts with: “I should have bought you flowers. And held your hand. Should have gave you all my hours. When I had the chance. Take you to every party ’cause all you wanted to do was dance. Now my baby’s dancing. But she’s dancing with another man.”

We all know this feeling, but maybe it’s not because she’s dancing with another man. Maybe it’s because she’s gone. Maybe it’s because she can’t dance anymore. But the feeling of, “if I only knew,” is real, and universal. We all understand “should have,” right? I should have held your hand one more time, when I had the chance.

The opposite is illustrated in Thomas Rhett, in his song, “Notice,” who sings: “At that party last night. Baby, I don’t know why. I forgot to mention. You were looking drop-dead. Not even a contest. Center of attention. If I had to say every time you looked amazing. You’d think I was joking. But I brag about you. When I’m not around you. You don’t even know it.. You think that I don’t notice. How you brush your hair out of your green eyes. The way you blush when you drink red wine. The way you smile when you try to bend the truth. You think that I don’t notice. All the songs you sing underneath your breath. You still tear up at a beach sunset. And you dance just like you’re the only one in the room. You think that I don’t notice, but I do.”

I have lots and lots of faults, too many for me to count (or to list), but one thing that cannot be said is that I do not notice. The Angel played this song for me, and the truth is that it’s not something I like too much. But I do like that she does. I love how she sits when we look at her phone while it plays, how her mouth moves to the lyrics. She knows I notice, and that’s why she curled up into my arms to listen to it with me.

I didn’t always (and, if we’re honest, I probably don’t always.) There were so many old, dead relationships where I was way more Bruno Mars than Thomas Rhett. The thing about the Mars song is that it isn’t to send us down a spiral of regret and self-loathing. Instead, it is a string around our finger, a reminder that nothing is to be missed. Both of these songs are sisters of Genesis 28:16, where Jacob laments, “Surely the Lord was in this place and I was unaware.”

Thursday is Thanksgiving, and this reminder is an invitation into a new reality that begins any time we say it does. But it is Thanksgiving, and it’s a very good time to say it does.

Of course, we should have held her hand one more time, but we can’t do anything about that now. Guilt doesn’t give us that one more dance, and neither does regret. We honor those moments we chose something else besides bringing flowers or giving our hours in a different way: by choosing to not miss the hands and hours that are here now. These gifts are precious and sweet.

There will be turkey or tofurkey, filling and apple pie (which my mom, for some reason, is now calling apple gazette), and people who are absolutely the very best and can be absolutely the very worst. When I talk about my sister, you will know she has always been my hero, and she has often been my nemesis, and my heart aches thinking about how much free time I haven’t spent with her. But what I will do is soak in Thursday on her couch with my mom (who is now calling apple pie apple gazette, and so will we), brother, nephews and my favorite dog ever, I will thoroughly enjoy every second.

The Rhett song has a line, “Baby, I don’t know why. I forgot to mention. You were looking drop-dead.” The conviction we feel is to not forget to mention ever again.

Look into their eyes. Hold their hands to pray, to say thanks. Say thanks for them and for the God who created us all and gave us to each other to make these days so full of wonder and light. Kiss too deeply, hug too long, laugh too loud, and eat as much apple gazette as you can, get sick on joy and love. It’s Thanksgiving!

Round Here — May 30, 2023

Round Here

The site prompt today is asking if I remember life before the internet. Yes, I do. For some reason, I’m often very nostalgic lately, so at those times that life B.I. seems preferable. Whether the time actually was more simple, or I was, doesn’t really matter in my head.

I like to put together jigsaw puzzles. Don’t ask me if I do that on an app – you already know the answer. I still read physical books, still turn pages. Now that I think of it, it’s mostly for the same reason. When life gets noisy and heavy, finding pieces that fit perfectly (or opening a book and turning pages) turns that volume down. These small acts reduce the complexity of everything that surrounds me. It’s a little like that aphorism: a journey of a million miles begins with a single step. We can’t finish a puzzle now, we can only give our time and focus to finding the next piece.

The puzzle on the dining room table is one called Rock ‘n’ Roll, and is made up of artists, album covers, ticket stubs, and instruments. It’s pretty good puzzle artwork, the overwhelming sadness in Kurt Cobain’s eyes is obvious and as heartbreaking on my table as it was in real life. There is Ray Charles, The Beatles & The Stones, Joan Jett, and Kiss to name only a few. There is also the album cover from the 2nd best album ever recorded: August & Everything After, by Counting Crows. (The best is, of course, The Queen Is Dead.)

So now I’m listening to the live version of August & Everything After. It’s the whole thing, in order, and it’s unusual in that Counting Crows live versions are mostly unrecognizable from the studio album tracks. You have to know the lyrics to know Mr. Jones at a concert to realize it’s Mr. Jones, but you still can’t sing along. This particular release, though, sounds like the original, but…extra. They’re a terrific band, even as they sort of under-achieved, never building on the perfection of this debut. But how could they, honestly? I am sometimes angry at the Goo Goo Dolls. I want them to make an entire great full-length album, and they don’t, they won’t. It’s like an act of rebellion. But Counting Crows made this 100% A+ masterpiece, and they deserve a pass forever.

Round Here is the first track and makes me cry every time I hear it (with both hands, it’s so sad and so beautiful. Like the great philosopher Rob Base once said, “joy and pain.”)

My wedding Anniversary was Saturday, and my son graduates high school on Friday. Those are the bookends to a week marked with the challenge of holding 2 life-changing events carefully and joyfully. I married the Angel 22 years ago, and the term soul mate is casually tossed around but rarely appropriate. She is easily mine and I hope I’ve risen to even 3% of what she deserves. My son is 18 and steps into an adult life that I get to watch from a front row seat, the best one in the world. He is everything I dreamed he’d be and more.

This week will have baseball games and work and blog posts about music puzzles and phone calls and workouts, but the majority of the week in my heart will be a staggering gratitude. I began this by talking about nostalgia, and I sort of miss Swatch watches and Atari 2600’s and getting up to change between 3 TV channels, but preferable? Baby, I wouldn’t change one thing about this amazing, messy, wonderful life that I have been given, and I wouldn’t miss these people and this week for anything.

Hurt — December 28, 2020

Hurt

There’s this show called Song Exploder on Netflix and of course I love it. It is exactly my type. When the Angel and I walk around a clothing store, when we see a striped long sleeve shirt (or ‘top’), we both know and instinctively stop. This show is my long sleeve striped top. Or MaryAnne on Gilligan’s Island. Princess Leia. Janet Wood. I have opinions and specific tastes. Song Exploder is perfect.

This morning I watched the episode detailing ‘Hurt,’ by Nine Inch Nails, on the album The Downward Spiral. Released in 1994, it was a big hit and for 1994-me, it’s themes of loneliness and inadequacy were, um, familiar. The problem with the album was that it always gave me a headache and made me feel a little physically ill as I listened. In this Song Exploder show, Trent Reznor (who is Nine Inch Nails) explained that there were things you could “hide” in a song to make the listener “uncomfortable,” or “unsettled.” My physical reaction was totally unconscious but purposeful in it’s creation, and now looking at the album through 2020-me eyes, it’s even more brilliant.

I don’t really like the songs on the album too much anymore, but this one still moves me. It was covered by Johnny Cash and was reborn, for a new generation. And as it turns out, for it’s creator. The loneliness, inadequacy and pain that made it so relatable for me weren’t pretense at all. They were absolutely authentic, and he spoke about when the Johnny Cash version happened, he was questioning his worth, ability, talent, if he was enough.

This is the universal narrative for me, and to tell you the truth, it’s mostly why I do any of the things I do. To try to speak fresh words to this very human affliction, which is not affected by class, image, status, money. The voices in our heads scream us down just the same. Nine Inch Nails was famous, successful, popular, and unfulfilling. Johnny Cash covering that song was a re-telling of the looped false story in Reznor’s head, that told him he was not now, not ever, going to be enough. That beautiful cover was a crack in that wall.

Now, he seems easy and assured in interviews. I’m sure it comes and goes, like it does for all of us, but at least it comes now, right? It’s almost the new year and that means it’s time for dreaming. Wouldn’t it be cool if our lives could be covered by Johnny Cash and we could finally see them with new eyes? If we could finally see ourselves as we actually are, free of the sledgehammers in our heads? The song sounds different to him now. And to me. It’s not so hopeless anymore.

Amy — October 24, 2020

Amy

I have some thoughts on Amy, the tragic documentary on the life and death of Amy Winehouse that I watched yesterday.

First, maybe it didn’t have to end this way. 1. At a rehabilitation facility, when her husband and 2 others were mocking her song “Rehab,” saying she’d have to change it. (The lyrics were, “they try to make me go to rehab, I said no, no, no.”) They pushed like mean middle school kids, and she quietly answered, “I like it here,” clearly embarrassed. 2. Her bodyguard said, towards the end of her life, “She just wanted someone to say no.” I’m angry that she felt she couldn’t.

This amazing talent had an eating disorder and a wide number of addictions, and because of her lovely gift, she was forced (by everyone from record executives to her own fame-thirsty father) to live these disorders and addictions in public. The disorders and addictions that became punch lines on late night tv, “news” programs, and countless conversations by people like me. People exactly like me, as it turns out. I remember laughing at her issues and meltdowns, too, as if she were a singing, dancing machine and not a human being.

We all knew she would die early, and of course she would pass at 27, like so many other tortured souls. Now, she’s gone and only her memory and the music remains. I love the music, but as I get older, wiser and softer (something thought impossible), I wish I would have never heard “Back To Black,” “Rehab,” or my favorite, “Tears Dry On Their Own,” and she would still be here instead. I wish we would not have kept shoving her on stage and cashing checks at the expense of her life. I wish making and offering her beautiful art would not have such a high cost, that she could’ve walked down the street without assault, or gone to an island without her dad bringing a camera crew.

But I did, she’s not, we do, and it does. And did we learn anything at all from this celebrity sacrifice? Maybe. Probably not. She’s gone and there will be more. I wonder what and who it will take to shock us back into sanity. Amy (the documentary and the person) was one of the saddest masterpieces I have ever seen.

Dilemma — September 22, 2020

Dilemma

I am in the middle of The Social Dilemma, another deeply disturbing Netflix documentary on the manipulation of each and every one of us by our devices, or to be more accurate, by our social media. Our devices are simply plastic rectangles, not villainous beings bent on our destruction. I guess social media isn’t exactly bent on our destruction, either, it/they just want our thoughts, money and behavior. Our destruction wouldn’t further those goals.

However, it might depend on what your idea of destruction is.

The dilemma for me is easy to spot, Amazon Prime Music Unlimited releases a “My Discovery Mix” every Monday based on a similar personal information algorithm that knows me (or at least the virtual “me” if there’s a difference) and what I will like. I don’t know these songs and have usually never heard of these artists. As a long-time music snob, that pains me to say, but the truth is that this dastardly algorithm is mostly always right, I DO like it and my life is better with these songs in it.

Last night I looked up Kanye 2020 t-shirts and am absolutely positive that when I open Facebook today to see if anyone “liked” the video I posted yesterday, thus validating my worth and value as a human being, I’ll see ads for Kanye and his political “Birthday Party.” Maybe I’ll order from one of those ads. I don’t even have to search anymore, the advertisers will bring the options to me from now on.

I have a degree in marketing and advertising. The point is to convince the consumer that he/she/we are lacking something, that he/she/we are incomplete without this cleaning product, pair of jeans, or newest vegan hamburger. THE POINT is to affirm our deepest fear, that we are not enough. So we buy their widget in great faith and discover we are still missing something vital to our lives. The cycle repeats endlessly, keeping everyone in business. The industry of self-destruction.

So, am I cool to be used, my strings pulled like a mindless marionette, in exchange for the convenience of Kanye 2020 t-shirts and new songs? I’m going to make my family watch this film because they have been born into the matrix and have some decisions to make. Maybe they’ll continue on the path of progress, but they’ll have to mindfully choose to do so with all of the information. If my spouse is abusive, I can stay or I can go, but all of our cards have to be on the table. There will be no more feigning surprise and outrage.

Yes, Facebook is selling us. “If you’re not paying for the product, you ARE the product.” We can decide if that price is too high for the benefit, but we can no longer pretend to be unwitting marks.

I love to see pictures of my family and cat memes and People Are Awesome compilations. I love to hate the comment threads on our local school district’s parents group page. Maybe that’s enough. Who knows? But I’ll decide. Or maybe I just think I’ll be deciding and will instead be walking the path Mark Zuckerberg has paved for me. I wonder if I even know the difference anymore.

But I haven’t finished it yet. Maybe it has a happy ending.

Echo — August 11, 2020

Echo

This post is about another documentary AND it’s about creativity AND Jesus AND should be required viewing for anyone who has ever loved a song or another person or being alive.

The documentary is called Echo In The Canyon (on Netflix) and deals with the music of the 1960’s. It’s mostly American music, barely touching on English bands like The Rolling Stones or the Zombies, focusing on the Laurel Canyon scene and the Byrds, Beach Boys, Mamas and the Papas, Buffalo Springfield (whose members refer to as THE Buffalo Springfield), and the Beatles (who were English, but they were the focus of everything musically and culturally, it didn’t matter where they called home). 

Oooh baby, the songs!!! 

We’re not talking about how great the songs were, though. We’re talking about the daily news and our Facebook feeds instead in the context of the 1960’s southern California folk rock movement.

Producer Lou Adler describes the time: “You just felt like you could do anything, you know. You just felt like there was nothing stopping you.” And in the most inspiring moment, Graham Nash of Crosby, Stills & Nash asserted that the “power of music is undeniable. I truly believe it can change the world.” 

These hippies, in the middle of the consuming fear of a totally out of control world, made the revolutionary choice to imagine a new reality, one marked primarily by love. In the face of   tremendous social unrest, war, violence, all of the -isms (sound familiar???), they chose beauty and creativity. They chose imagination. 

Think about Adler’s words, “you felt like you could do anything…like there was nothing stopping you.” He was, by most accounts, wrong. There were an awful lot of things stopping him, so many obstacles. And Nash, “music can change the world?” – silly words of a dreamer who didn’t understand the complexities of the times. What resistance could poetry and a guitar possibly offer against the swinging wrecking ball of hate?

I know, I know. You can already see how I’m going to say they were right, can’t you? Well, I am.

I actually believe in the power of art, too. In the words of Frank Turner, 

“And I still believe (I still believe) in the sound, That has the power to raise a temple and tear it down. And I still believe (I still believe) in the need, For guitars and drums and desperate poetry. And I still believe (I still believe) that everyone, Can find a song for every time they’ve lost and every time they’ve won. So just remember folks we not just saving lives, we’re saving souls, And we’re having fun. And I still believe.”

I believe that when a song breaks your heart with the first words “all the leaves are brown, and the sky is gray,” it shows us that if something could sound like that, anything might be possible. That in the compositions on Pet Sounds, maybe the complexities of the times were no match for the soaring imaginations of a small group of brothers and sisters bent on peace and love, man. That “Fast Car” and “Hey Jealousy” and Thriller and Adele and Fumbling Towards Ecstasy and Panic! At The Disco are actively re-making the world around us.

I recognize that I could be mistaken about this, after all, it’s only music, right? It’s only an album or a song, right? But here’s where I’m right. All through this film, I saw utter selfless devotion to an idea based on faith, hope, and especially love. What I know now that I didn’t know when I was 12 or 22 or even 42 is that the idea that sparked my faith in songs & films and made me think that yes, absolutely all we needed WAS love wasn’t actually the chords or strings or drums, it was Genesis 1. It was Jesus. It was grace. It was the empty tomb of the resurrection. It was a New Creation.

And I still believe.