Love With A Capital L

A journey towards living an inspired life of love in the modern world

Ant-Sized Expectations — February 22, 2023

Ant-Sized Expectations

I saw Ant-Man & The Wasp: Quantumania Monday afternoon. After the pieces of garbage that were Love & Thunder and She-Hulk, I was unsure that I’d see it at all, much less in the theater. But I did, on opening weekend, no less. And despite the terrible critical reviews, I very much liked it. Here are a few reasons why:

Love & Thunder and She-Hulk made fun of me. They treated these movies as if they had heard the criticism of “serious” auteurs and wanted to sit at the cool table, too, so they ridiculed those of us who found ourselves entertained and stimulated by their work. Before those 2 stinkers (and less so the output of the last few years), I made the argument that these movies were the mythology of our generation. Certainly not just sugary snacks for fanboys alone, they explored social and cultural issues through the lens of extraordinary people. The psychology of the characters (and all of us) were on display and gave us all more substance than we were prepared for, if only we had eyes to see and ears to hear. They were never Pulp Fiction or The Godfather, but to lazily write-off these movies as spandex daydreams for teenage boys was an offensively grievous error. Quantumania didn’t make fun of me. It wasn’t The Winter Soldier or Civil War, but it was a stand alone story that did not patronize (or at least, I did not feel patronized.) That’s 1.

The second is its wild visual unreality. Now, this was precisely the reason The Angel did not like it, but we are very different people. If our pop cultural preferences met at a party, not only would they not talk, mine would probably ask hers to leave immediately. Usually, our imaginations are drummed out of us as we age, we are encouraged to leave them behind and focus only on the world that we can see, touch, feel, and prove. When an artist remembers that we have been made to be fantastically creative beings, as in the Star Wars cantina (for example) or the Quantum Realm, we see our original imaging bursting through into an increasingly monochromatic landscape. There were no limits on colors, characters, no restraints on what could be possible. Of course, some of it didn’t work, but that’s what happens with shooting; sometimes, you miss. But I really love the risk of shooting. I hadn’t seen anything quite like it, and that’s inspiring to me.

But that’s enough about the actual movie (not that I don’t have anything else to say about it, I do). I’m wondering how much of my appreciation of Quantumania had to do with the steaming pile that was Love & Thunder. I think I’m sort of out on the MCU. Obviously, I’ll see the movies as they come out, I’ll watch the streaming shows, but they no longer captivate me. It was a beautiful time that I shared with my sons, we saw every one together as they were released. (Quantumania was the first one we didn’t, and don’t even get me started on the heartbreak of that.) Thor convinced me that those movies were of a time that had passed. Thor showed me what I already knew, everything changes. The movies change, we change, our reaction, our connection to them changes. With one swing of his hammer, Thor broke any idea of corporate trust or loyalty. I know, I know, the studios (including Marvel/Disney) care about me only as long as I’m buying tickets and paying for their streaming service, but the delusion is one I would have liked to keep. I took Love & Thunder and She-Hulk like a personal affront, like an act of disrespect. Why? They don’t care at all about me, they care about worldwide grosses and merchandising deals.

And on one hand, that stinks. But on the other, it’s pretty liberating. If I want to see the next one, I’ll see it. If not, I won’t. I don’t owe Disney anything. I’m a product, but so are they. (If it’s seems embarrassing for such an old man to come to such elementary conclusions this late, it’s not for me. I understand/understood perfectly, but I just didn’t want that to be the last word. I want to let my imagination run and dream, too.) I have no more expectations for quality – She-Hulk smashed that into tiny little pieces – so when something is good, like Quantumania, I enjoy myself. I don’t expect greatness, I don’t expect anything. I am free!

Strange, Moon Knight, and Wanda Maximoff — May 9, 2022

Strange, Moon Knight, and Wanda Maximoff

Yesterday I saw Doctor Strange and the Multiverse of Madness, last week Moon Knight wrapped up, and there is something quite interesting about them. They aren’t for everyone. I can’t remember previous Marvel films about which I could’ve said that.

Doctor Strange was a mind-bending horror trip through multiversal universes. I don’t even know if that last sentence makes any sense to you, but spoiler rules dictate that I can’t say anything else. I will say one of my sons and I liked it very much and my other son and wife, the Angel, didn’t at all. (That she didn’t is no surprise, we had come to terms with that long ago – however, that I took her on Mother’s Day is a term that we’ll need a bit more time with.) After the movie, I received a text asking me how it was, and I couldn’t exactly answer. I said it’s not for everyone, and that’s 100% true.

Moon Knight was a series on Disney+ about a relatively unknown… superhero? Avatar? A man who is awfully handsome and awfully mentally ill whose multiple personalities are being manipulated by an Egyptian god that may or may not be the skeleton of Kevin from Up. I liked the promise of the 1st episode, liked the series less and less through episode 4, LOVED episode 5, and episode 6 was fine. The first 5 were less standard superhero stuff and more painfully honest character study, until they lost their nerve and returned to a standard final act which resolved until the last 30 seconds, when it didn’t.

I feel a certain way about the Marvel Cinematic Universe, that it is our mythology. Why those stories are treated with reverence and studied in English classes, and these films are treated as lowbrow trash is so confusing to me, maybe it actually is the perfect illustration. Maybe I am the lowest common denominator. Who knows? I don’t really care, though. I’ve long since left behind the term “guilty pleasure.” I am drawn to artwork that helps me understand the human condition and emotionally connect. I can’t think of a better wide AND deep, completely relatable depiction of grief than Wandavision. Or a more relevant dive into our complex mistrust of authority (sometimes we are paranoid and they really are after us) than the Winter Soldier. And though the movie was pretty disappointing, Iron Man 2 saw and highlighted our collective struggle with our own mortality in the middle of a backbreaking responsibility and a clear call to something greater.

I am not a witch destined to rule or destroy the cosmos, (at least as far as I know), but I have lost people, knew that my heart was irreparably broken, and wailed under the weight of “what do I do now, without you????” You too, right?

Anyway. What I think about these latest 2 installments of the MCU is, they were ok, not for everyone and it’s THAT evaluation that is so hopeful to me. The things that really affect us, that really mean something, probably aren’t the things that are sanded down to avoid all edges. McDonald’s “hamburgers” are engineered to be ok to everyone – that’s how you sell billions, but they’re nobody’s favorite. Your favorite probably has bacon and cranberries and a special kind of hot sauce or pickle, right? And maybe the person with you sits there wondering how you, how anyone, could possibly like that!?! Ask 3 people about Wandavision, 1 of them will have HATED every moment of it. And 1, like me, will think it’s PERFECT and go on and on, write blog posts about how deep and wonderful and real it was.

It’s funny to talk about a studio that makes movies that bring in billions of dollars like this, but I might really dislike this next Thor movie and that prospect thrills me.