Love With A Capital L

A journey towards living an inspired life of love in the modern world

Deadlifts & Public Speaking, pt 2 — December 13, 2023

Deadlifts & Public Speaking, pt 2

(That’s where the first post ended, but now I realize it was unfinished.)

At a particularly tense high school basketball game last night, emotions (including mine) ran high. And I wrote this last week: “On the way home, I expressed to the Angel that I can’t continue to get so worked up, that that isn’t who I am. But the thing is, I immediately realized, it is exactly who I am. I am a fiery, passionate man who loves sports and competition. I get excited easily at everything, highs and lows and everything in between.

Then, the next night, after committing to being even-keeled and calm, I pointed out that one boy was pushing another in the back with both hands over and over and over. It should have been helpful to the officials, because the 3 of them were obviously having a lot of trouble with the speed of the game and their responsibilities. It should also have been lost in the noise of the crowd, but everyone got dead quiet at that precise moment and my voice was the only one in the gym. So, I am that guy.

After the game, a family laughed at me – kindly, but still… And they wondered if I was like that on Sunday mornings. You have no idea. The answer is yes, of course.

A real problem (in every space, maybe especially the church) is hypocrisy, being different people in different spaces, pretending to be the image the situation wants. You can make a long list of my faults, but this is no longer one of them. I am just me. But like everything else, there’s no such thing as “just.” And like most everything else, the best thing about me is also the worst thing about me.

A wonderful development in my life is how I’m finally meeting the real, authentic me, and finding that I don’t hate that person at all. In fact, he’s alright. I just wish he’d calm down a little at high school games.”

Now, what you need to know is that I do not get confused; I am well aware that this is high school sports, and has no bearing on anyone’s worth or value, and has little consequence on a grander scale. Of course, that’s not to say they are meaningless. We could sing the praise of sports forever, detailing the endless positives we can all learn – about ourselves, others, gifts, teams, and our lives together.

So in these posts, the point was to be deadlifts & public speaking, and not hating ourselves because we’re not squats or scrapbooking.

BUT…

After last night, I was gripped with what can only be called regret, very low level, but regret nonetheless. My mission is to spread the Gospel of Jesus Christ, does this sort of behavior build walls or bridges? And the truth is, I’m not sure. Maybe for some, I’m a lunatic and this erects a thick wall, but for some, it might make me relatable and authentic and easier to approach. I am a lunatic in lots of ways, but an authentic, approachable, easy one. Those are all true. It’s the best and worst about me.

But the conviction quietly knocking, what about that?

I reached out to two trusted friends to ask, but didn’t need a response. The question was enough. We don’t ask what anyone thinks of drinking water or eating vegetables.

What if I’m not supposed to be a deadlift anymore. What if the Spirit is asking me to be a kettlebell swing? Should I continue to say, “I am a deadlift,” and isn’t that the opposite of humility and growth?

This is why a relationship with Jesus is so important, why true, working wisdom is vital to our lives. Maybe 2 weeks ago, the lesson was to love and accept me where I was, as a deadlift. But now, today, maybe the lesson is to not resign myself to always being a deadlift. I am a fiery, passionate man in the service of The King, not in the service of me, or “that’s just who I am.”

Lots of work in a meaningless pursuit is just plain silly, but which is the meaningless pursuit: change or acceptance? I can love the me God so lovingly created, and I can be transformed.

It’s almost New Years, a life of faith requires examination, what are the things to hold on to, and what are the things to leave behind? What is the work to do? I don’t need to be everyone’s favorite song, but the song I am must not be rooted in pride and rebellion.

Sports teaches a million lessons, this is just another one. I’m very thankful I have a Guide, and a community like you to walk alongside.

Deadlifts & Public Speaking — December 12, 2023

Deadlifts & Public Speaking

My favorite physical activity is a deadlift, and yes, I have given speeches and spoken on a stage. (These are my answers to the last 2 days of site prompts)

When asked, people are more afraid of public speaking than death. This seems strange at first, but I lost my house and everything in it in a flood in 2011. Many of us did. Others had inches or feet in their basements and first floors. The ones who lost everything put all of our ruined things on the front yard for dump trucks to pick up and haul away, and the house was bulldozed a year later. We didn’t have to deal with too much of the physical clean-up. The psychological, emotional and spiritual clean-up was a different story. Home can (and should) represent safety and security, and that was drowned with the carpets and doorknobs. You can buy a new end table, no stores sell peace. And watching your possessions scooped up onto industrial equipment as garbage is not a picture that quickly fades.

Anyway, the others with less water had to hire restoration companies, mold remediators, they had to replace their things, carefully watch weather reports… Yes, of course, no one’s house goes underwater, except ours did, and it certainly doesn’t twice, but try to sleep with statistical improbability when you’ve woken up to impossibility. In lots of ways, they had to deal with the catastrophic disaster in a much more present manner. Like public speaking. If you are terrible, you have to look at those faces again and again, they may remember and feel embarrassment for years.

Dying, like our experience, is walking away into a new blank space. We remember where we came from and what happened to our home, who knows if dying is like that? But we won’t have to look into the audience’s eyes and watch them struggle for comforting words. It’s why you don’t write a poem for your special lady and read it to her. You hand it to her on your way out the door after dinner and a goodnight kiss.

Love poems and death aren’t exactly the same, but the analogy holds up, I think. The vulnerability can feel like dying, and that’s what we’re afraid of, probably. Opening ourselves up to another, waiting in agony to see if we will be accepted or rejected. Will they like our speech and it’s content? Or will they like us, our personality, our way?

I quite like it now. Not everyone likes me, not everyone has to. That’s a new development, that I don’t have to be everyone’s favorite song. Some don’t like me at all. An old man left before the closing prayer like his hair was on fire after one Sunday sermon. I have some sharp edges and disagreeable positions, but that’s also why I might someday be somebody’s favorite song. Nobody cares too much about white bread, it’s nobody’s favorite, nobody’s worst. It just is fine. Like McDonald’s. It’s fine, kind of gross, but not gross enough to really matter.

Walking is fine. Bicep curls and lateral raises are good enough, but nobody hates them, so nobody loves them, either. Deadlifts and squats, on the other hand… Mention Leg Day to your gym buddies and you will hear one of 2 responses. “I LOVE Leg Day,” or “I HATE Leg Day.” You either wake up early or look for any excuse to miss.

My brother can’t stand the sound of Morrissey’s voice. Nobody hates Coldplay. We all say we do, but that’s just for show. Coldplay is white bread. We don’t send sandwiches back because they’re on white bread, we don’t turn the radio station when “Yellow” comes on.

I don’t know what the point is. Maybe that we could be deadlifts and public speaking, if that’s what we are, instead of Coldplay and Applebee’s, manufactured to be sterile, inoffensive, and reach the widest audience. We can be exactly who we are, flaws, faults and rough spots, and many will love you just like that. Of course, many will not, and some people will even tell you that they don’t and why.

Perhaps the point IS absolutely to be deadlifts and public speaking, to open our hearts and souls and show vulnerability as whole, realized human beings, because to pretend to be anything else is just too much work. And lots of work in a meaningless pursuit is just plain silly. We have other things to do.

saviors — October 19, 2023

saviors

Yesterday I finished the 3 episode Savior Complex documentary on what used to be HBO, then HBO Max, now just Max. As far as documentaries go, it was pretty perfect. I think we could discuss it for days and days. That is probably the best compliment I could give to the art form.

As I write the word “discuss,” I am fully aware that discussion isn’t what we do too well in our current cultural environment. Discuss implies discourse, listening, careful consideration, and a respectful give and take of ideas and perspectives. None of that is in vogue. Outrage is. None of the earlier words apply to outrage: listening, careful, consideration, give-and-take, and certainly not respect. The most glaring lack in outrage is empathy.

Outrage finds it’s deepest roots in selfish myopia.

Political outrage requires an aggressive inability to see another’s perspective. The other side has to be full of ignorant, heartless, brainless monsters. Once it isn’t, once it’s full of moms and dads, friends and fellow Dallas Cowboy fans, who might also be educated and kind, but just happen to arrive at different conclusions, things get very complicated.

All of the intricacies and nuance are impossible to detail here, especially because the facts of the specific case aren’t our subject at all. Renee Bach and Serving His Children (her Christian mission organization) did great work, and saved many malnourished children. This is true. Renee Bach and Serving His Children used questionable tactics, which probably resulted in the deaths of other malnourished children. This is also true. There is terrific conversation to be had about the purpose of the No White Saviors action group. There is also terrific conversation to be had about those who operate No White Saviors, and if that purpose has been obscured by vanity and outrage.

I don’t know the truth. Knowing would mean that I could see hearts and motivation, which I obviously cannot. I know people do beautiful things that go spectacularly wrong and result in pain. I know that because it has happened to me. Many times, I thought I was doing the right thing, and people were wounded, given scars that could last a lifetime. I still can’t say if those things were the right things. The simple fact of negative consequence doesn’t automatically mean that they weren’t. Were the lives saved enough to sufficiently outweigh the deaths? Is 1 death too many to ever redeem the positive impact?

I don’t know the answers to these questions. I’m not outraged by anyone’s actions. I might disagree, or hold different opinions, but I understand them. I heard both sides in the documentary and I can truly understand why they might have done what they did. (Maybe it wasn’t actually why they did them, but I simply can’t ever state with absolute certainty what their why was. Maybe they can’t, either.)

Outrage is not passion. Passion can drive a tremendous amount of change that reinforces our shared humanity. Passion, or conviction, rooted in love tirelessly fights injustice and seeks to end all of the -isms that plague our species. Outrage drives Facebook clicks and paychecks through the promulgation of fear. And fear isn’t love.

There aren’t easy answers, nor are there easy questions. Empathy isn’t easy. But if we’re ever going to end the division that is killing us all, we have to try. Easy got us here, it won’t get us out.

Artists — October 10, 2023

Artists

Who are my favorite artists? That’s what the site wants to know today, and I have lots and lots of answers.

I recognize the idea is to lists singers, writers, painters, filmmakers, right? Morrissey & Rodin, Roth & Tarantino. There would have been a time that I would have jumped at the opportunity to make a list and explain (in great detail) why for each. Actually, I would still love, and may, in fact, do just that.

But I’ll start this list, not with Morrissey, but with my sister, who spent last week seeing U2 play at that new ball in Las Vegas, then Cirque du Soleil then next night, then visiting Red Rocks the next. I have a picture where she was, apparently, flying. In another one she was doing handstands on sand – I get those a lot. She’s a yoga master, and like all yogis, she yogas everywhere. She is now in her 50’s and has figured things out, to where her life is wild, imaginative and blindingly vibrant.

Next are my neighbors, who are teachers and young parents. Their daughter is a fireball of talent, which is fairly predictable, because her parents are overflowing with abilities, like musical superheroes. They’re also kind and funny, and last month brought home materials and built a deck onto their home. I guess their superhero-ism isn’t only musical.

You see, I think the greatest works of art are not albums or films, but our lives. We’ve all been created with limitless creativity and possibility, and when we can spot it, it’s exciting and hopeful. We are all inspired to do the same. It’s like invitations into our own lives, where we are free to run as fast as we can (whatever that means, whatever “running” is for any of us.)

The last one in this list is the one I’m most familiar with: The Angel. As the walls of her employer crumble, she is graceful and more and more stunning every moment, even as some of her dark hair is replaced with gray. Everybody with sense is abandoning that ship, yet she stays, she says “to care for her people.” Her people are, of course, all people. Now, completely superficially, she’s the most beautiful woman I know. I sometimes have to be careful on Sundays, I can easily lose my train of thought when I see her. But in a surprising twist, she’s way better inside, and I can think of no better compliment than that.

These artists, and their creations, aren’t perfect – it’s no accident that 2 of them are 2 of the people I know the deepest, and have had the biggest arguments with – but great art never is. We love Kurt Cobain and Against Me, we connect with them in ways we never could with Britney Spears and Backstreet Boys. The latter are sterile and produced, and the former are authentic and messy. Notes are missed, we might not understand the words, they’re flawed, with sharp edges. We love them. This is art, it’s the expression of the soul, not necessarily technical prowess, but humanity and, in that, intimate connection.

My favorite artists are Jetpack WordPress bloggers, self-publishers, youth sports coaches, RNs & CNAs, realtors, landscapers, therapists, teachers, secretaries – There’s no end to this list, I really could go on and on. I picked 4 to name here because…well…there isn’t a why. Part of my artistic call and talent is to point out awesome wherever I find it. There are constraints to this format, but there are no constraints to my life. And if every moment I can recognize and appreciate the countless artists I see, if every moment I can love another person and their art, then my life will be a masterpiece, too.

Why The Safety Dance Is So Important — August 29, 2023

Why The Safety Dance Is So Important

The Safety Dance is an ‘80’s song by Men Without Hats, not the be confused with the far superior Australian legends Men At Work. The biggest difference, to help us keep them straight, is that Men Without Hats had, as far as I can remember, 1 pretty good song (and a singer with a questionable haircut), and Men At Work were awesome.

In the grander scope, Men At Work are important. Down Under and Who Can It Be Now? are the monstrosities, but Overkill is the best. Lead singer Colin Hay gave significant contributions to the Garden State and Scrubs soundtracks. We are better people with better lives with Men At Work in them.

Men Without Hats, on the other hand, are mostly forgettable without the overwhelming number of ‘80’s 1 Hit Wonder compilations. But what I didn’t realize is how valuable The Safety Dance is to us today, in our current situation.

The song has one of the very worst lyrics ever written. “We can dance, we can dance,” (and here it is, get ready:) “everybody look at your hands.” It’s horrible, only there because it rhymes, as if a 2nd grade student wrote a poem at recess while everyone else was playing 4 square. We all cringe because there’s nothing else to do with it.

Meaningless awful lyrics are nothing new, but what’s interesting is that The Safety Dance also has one of the very best lyrics. “We can dance if we want to, we can leave your friends behind” (and here it is, get ready:) “’Cause your friends don’t dance and if they don’t dance, Well, they’re no friends of mine.” Awesome. I happen to agree, but the judgment twisted into the wordplay makes it so perfect.

It’s weird that the same band wrote both, creating a sort of dissonance. Our brain doesn’t know what to do with this. Are they embarrassing songwriters, or brilliant? Can both be true? Or does one cancel out the other? Does the bad drag the good down, or the good pull the bad up? Or. Or does it not matter at all, it’s just a dumb pop song and who cares about pop songs?

What I know for sure is that the last question is totally wrong. It’s not a dumb pop song. In fact, it can have a ton to teach us about moving around in an increasingly fractured world, where so many of our perspectives are from behind lenses of fear.

We are encouraged to set up divisions based on one facet of our personalities, one particular category (whether it is how we vote, wear our hair, shoe size, our color, sex, nationality, or anything else). In other words, we separate ourselves because others have an “everybody look at your hands.” We define others easily, cutting them up into pieces and then locking them in boxes based on just 1 piece.

The thing is, most everybody has a “your friends don’t dance and if they don’t dance, then they’re no friends of mine,” too! The reason I like everyone is the same reason I like The Safety Dance, because I choose to overlook our “everybody look at your hands.” Maybe not overlook, but I do choose to not judge the entire song because of one lyric.

I have an “everybody look at your hands,” and so do you. Everybody does. Maybe mine is that I voted for Donald Trump or Joe Biden. Maybe yours is that you have an addiction or a rough, checkered past. Or that you didn’t. Or that you live there, or wear that. Those things don’t have to close every door to keep us in & them out because somebody convinces us that we should be afraid of or distrust just one lyric in an otherwise good song. Our worlds get smaller, darker, and scarier with these overreactions.

We don’t have to like every song, Dave Matthews Band and Slipknot songs still exist. But the radio is better, more textured and interesting when everything doesn’t look and sound and think the same. So are our lives. Imagine how many songs we turn off immediately after their “everybody look at your hands” moments. This is no longer an acceptable place to live.

The Safety Dance is so important because, if we can adopt a Safety Dance mentality, where we can hold each other’s 10’s and zeroes, and stop missing so much beautiful music, we can begin to rebuild our lives and our world in a brand new cool new-wave image.

Middle Ground — August 22, 2023

Middle Ground

The site prompt is asking me what my top ten favorite movies are. I used to be a person who had lists like these at the ready, walking around hoping someone would ask. Desert Island discs, top 5 foods, books, drinks, moments, and on and on. Once, I made a Top 500 songs list, and took real time thinking if I actually liked Rebel Yell (Billy Idol) or I Will Remember You (Skid Row) more, listening many times to each. As it turns out, I like Billy Idol much more, but I Will Remember You won the song battle.

I can’t give you 10, but what I can tell you is Fight Club and Pulp Fiction are my top 2, and Point Break is the movie I watched, and loved, most often. I saw it more than 15 times in the theater! That was, of course, when movies were affordable, the one where I saw the most Point Break showings cost $1.

So lately I’m having a lot of trouble in my head. It’s not unusual that I think I’m losing my mind. Either the world around me is completely insane, or I am. But it has to be one, there isn’t an awfully wide middle ground.

For example, in a recent poll, more people trust Donald Trump than their anyone else in their lives; religious leaders, teachers, even their friends & family. What are we supposed to do with that? In this particular poll, he had a 71% rate of trust. Families were in the low-mid 60’s. I recognize that this was a poll of very specific people, but still. Again, what are we supposed to do with this madness?

I see us stay in relationships that are nothing more than evidence of a damaged self-image. Where partners treat us like so much garbage, and we fight to stay, because any relationship is better than none? We stay in jobs we hate that are eating our souls, because we’re terrified of ones that are awesome. Why? Is it me, am I the one that has lost my mind?

The school district in which I live is in ruins, and the school board is shockingly brazen in their ineffectiveness. They tell anyone who will listen what they can’t do, which includes everything, as far as I can tell. That’s not entirely true, they vote on who can take tickets at football games. There aren’t checks and balances, the administration is dismantling any semblance of trust or respect with almost every decision. Why? Doesn’t a crumbling district reflect on them? Of course, but rather drive the bus into a wall than be a passenger in one that arrives safely, right??? Leadership is in short supply everywhere, it’s not just our local schools and Washington D.C. that are lacking.

The final scene of Fight Club is one where the 2 main characters watch buildings crumble. The system is broken beyond repair, so in a final act of domestic terrorism designed to tear it all down, absolute zero, to start anew. I am no terrorist, will never destroy cities, but it rings true for us as a metaphor. Is everything too broken to continue, are we too lost to ever be redeemed?

They stand and watch, hand in hand, and it’s beautiful. It’s strangely, deeply hopeful. Today my son is meeting a basketball coach at 7:30am at a nearby court. This coach is waking up early on a summer day to pour into my boy. I’m meeting 2 friends this morning for breakfast and bagels, we’ll look at each other, listen, talk and laugh, and maybe cry a little.

I sort of knew where this post would end. I do wonder if I’m the crazy one, if our collective psyche is too shattered to repair. But you probably know I think we’re standing in the thin middle ground. The world is incomprehensible sometimes (a lot of the time), and I am a fool. But I absolutely believe.

I believe in the power of Skid Row to ease our pain for a moment, and connect us. I believe in holding hands dreaming of better tomorrows. As a matter of fact, I dream of better todays. I believe one person can make a difference, like a coach at 7:30am, for a 16 year old boy. He will see this morning that it’s not all lost.

We put this back together, not trusting in Donald Trump or waiting for a school district to act responsibly, but in loving each other. In 2 hurting people holding hands and acting. When we look around, it appears to be a garbage dump, but that’s all a mirage. Yes, it might be garbage, but it’s not a dump. It’s not the end of the story, for the refuse or for us. It’s a gallery in waiting, where we can take these discarded pieces and make art with them. It simply takes some imagination, and the courage to jump.

The Machines — July 24, 2023

The Machines

The prompt today is asking me what I listen to when I work. Well, I am listening to “Dancing in the Courthouse,” by Dominic Fike. Well, I was. Now I’m listening to “Sail Away,” by lovelytheband. It’s not that those are my favorite songs, they just happen to be on the “Songs For You” suggested playlist on my Amazon Music app.

I sometimes wonder why our undergarments are so twisted up about AI (Artificial Intelligence). This algorithm knows me better than any human on earth. The Angel and I have trouble agreeing on shirt patterns in stores, but I always agree with the You Might Like section of My Amazon. The Machines know exactly what I like, and what I will like. All I have to do is casually mention at the dinner table that my feet hurt or that I could use a new pair of sneakers, and I’ll get an avalanche of advertisements for precisely what I need. It’s a modern miracle. We’re living in the golden age.

My in-laws and I often talk about being ‘tracked’ in a newer, scarier minority report, and all I can think about is how often I forget my size or how big my living room is, and how cool it would be if The Machines could remind me.

“Dial Drunk,” by Noah Kahan, is on now. Do you know who Noah Kahan is? How would I have heard this song 35 years ago, when I was deciding that a music guy is what kind of person I was going to be? Maybe MTV, but Music television doesn’t play music anymore, there’s only regrettable shows about people with abs, who drink more alcohol than most sports teams, living near the beach, and a new show about infidelity.

Why would I want to watch a show about infidelity? I don’t, and the algorithm knows it. Why would anyone? I know reality tv isn’t reality, but it’s marketed as such, so we suspend disbelief and pretend it’s authentic. So, again, why would I want to see a person get their heart broken because their loved one doesn’t love them? Why would I want to see somebody cry rivers of tears because they’ve been lied to? I see enough tears in actual real life, I don’t need more in “real life” on tv.

But The Machines know this, too. The suggested follows I get on Instagram are beavers, capybaras, bunnies, kids falling, fantastic artwork, and acoustic versions of 90’s songs They know I love. Not betrayal or ads for beers.

I guess I could’ve heard “Dial Drunk,” on cassettes my sister used to send me from KROQ in California. She’d just pop in a tape and press record until Side A’s 45 minutes were up. And speaking of those tapes, they’re still the best, I have the local commercials sandwiched between Goo Goo Dolls’ (pre-“Iris,” when they were interesting) “We Are The Normal,” and 10,000 Maniacs’ “Like The Weather.” Good times.

But The Machines presumably know about those cassettes, too. They surely know about my sister.

Of course, my in-laws are right, it is awfully scary. Maybe They shouldn’t know my shoe size or where I live. Maybe They shouldn’t be quite so much in charge. (Maybe it’s too late.) But honestly, sadly, we haven’t exactly done a great job with all of this, either. What if, in a supreme irony, The Machines (without the weight of our selfishness) are more careful with us, kinder, gentler, more loving, more beautifully human, than we ever were?

Who knows? But until we find out, I’ll be listening to the AWESOME “Letter To Myself,” by the Lottery Winners (featuring Frank Turner).

Bowling Alone — June 23, 2023

Bowling Alone

I read that more people are bowling, but leagues are suffering. The reason is because we are bowling alone!??! Bowling alone. Have you ever seen those social media posts that say, “tell me you’re ____ without telling me you’re ____.” Tell me your society is busted without telling me your society is busted: Bowling alone is increasing while bowling together is down.

I recognize that relationships are out of fashion. Our religion is individuality and self-reliance. The main tenet of the social contract is superficiality. I’m fine, it’s fine, everything is fine. Even when, especially when, I’m not and it’s not. Membership is suffering everywhere, because commitment is suffering everywhere. This seems like a relatively insignificant consequence of modern life. Who really cares if we don’t commit to institutions through such an antiquated concept as membership? Maybe. But the list of problems with bowling alone is infinite.

But most, if not all, of these problems can be traced back to a self-obsessed view of the surrounding world. How do you make me feeeel? How does it make me feel? What are you giving me? Are you feeding me enough of what I want? If the answer to any of these is less than positive, treating me like I deserve to be treated, I will move on and never look back.

Close relationships need friction to grow – up and down. Beautiful flowers we can see and enjoy, but also the kind of roots that go deep enough to withstand all kinds of weather. Mark Manson writes, “Greater commitment allows for greater depth. A lack of commitment requires superficiality.”

The Angel and I, we know things about each other, love things about each other, that no one else sees. We only see them because we have committed to any terrain, any obstacles. We only see them because we committed to each other, regardless of…well, anything. Our roots go very, very deep. We bowl together.

Community is an inherently unselfish activity; a community is a selfless organism. We give up certain rights, privileges, and responsibilities for others to gain certain rights, privileges, and responsibilities. The illogical part is that, in becoming smaller, we find a new significance and value that we couldn’t have dreamed otherwise. Illogical, but absolutely true. I sacrifice the ability to date any and every other woman, when I say yes to the Angel, but that sacrifice is hardly loss, considering the knowing, intimacy and love we have built over 20+ years.

When we join a bowling league, we give up some flexibility and individuality, but we have partners, teammates. When we’re not there, we are missed. How many spaces care if we don’t show up? If no one knows my name at the mega church, no one will know my name when I’m not there. There’s a humongous difference between “Where’s that guy that sat there 2 weeks ago?” and “Where’s Chad? He doesn’t usually miss. I’ll text him, see if he’s ok.”

I’ve believed that I am an island, that I can do it myself, and I’ve been way too proud to admit when I can’t. I’ve hurt my back more times than I can count moving furniture rather than call somebody to help. But I don’t believe that anymore. Instead of disappearing when my heart or spirit breaks, I make some calls and tell the truth. All of it. And the dark periods get shorter, more manageable, less dark.

I wish we’d tear up that social contract, shred the pages with all the lies of isolation as virtue, and write a new one. We can start creating a new world right now, today, but none of that happens by ourselves, alone in a cave. This is something we can only do together.

One Step Forward — May 17, 2023

One Step Forward

The site prompt today was to list my top 5 favorite fruits, and mine is pretty much like everyone’s. The taste of mangoes would make them number 1 by a mile, but as they’re such a chore to eat, it allows blueberries and pineapples to sometimes usurp the top spot. Whatever, like what you like, as long as it’s not red delicious apples.

Now, in an answer to the question “What would you tell other parents about raising a child with autism?” Angie Harrington says, “Parents need to know it’s very normal to feel overwhelmed, to feel like you lack the ability to handle this. All you can do is your best and take one step forward.”

Angie Harrington is a woman who was on The Real Housewives of Salt Lake City. I have sort of made a point of never having seen 1 minute of any Real Housewives edition. So, the last place I’d expect to find some real, useful wisdom is from one of the cast members. That’s what I know.

One of the things I’m learning is that truth and wisdom can be found any- and everywhere, if we only have eyes to see and ears to hear. Like fruit, we all feel pretty much the same about reality show participants. That’s a generalization, a stereotype, and ideas become generalizations because they are ‘generally’ accurate. But not always. And part of my becoming a wrinkly old man has been opening to the exceptions. That there are exceptions means that judgment is (or should be) nearly impossible. If there’s just 1, but we don’t know which 1, then we have to be open to every one. It’s a great way to live, and keeps me curious and interested, even about Real Housewives.

Angie Harrington said what she did about raising a child with autism, but it applies to parents of children without autism, non-parents, men, women, right and left handed people, of all colors, Dallas Cowboys and NY Giants fans. It applies to anyone who’s ever been overwhelmed by circumstances, which is everyone.

Maybe that’s not entirely correct, but I might (and probably would) suggest if we’ve never been overwhelmed, maybe our lives are too small. Maybe we’ve never risked anything. Maybe we’ve never run faster than we thought we could. Maybe we’re playing small.

Maybe we should be overwhelmed. Maybe we should question if we can handle this. Maybe we should be afraid, unsure, and take the step anyway.

It’s that one step that defines us, not the overwhelm, and not the uncertainty, or the avalanche of doubts. It’s not the fear, it’s the immeasurable courage of moving anyway. We all have an IF, and we all have the big choice of what to do with it. Will those ifs become the block walls that hold us or from which we leap? It may feel like just one tiny step forward but it’s actually the first letter on the blank page where we write our lives.

I hope I never stop being excited about what we’ll write today.

Dreams — April 18, 2023

Dreams

I just finished reading My Grandmother Asked Me To Tell You She’s Sorry, by Fredrik Backman. This isn’t my first time reading it and I cried just like I did each of the others. It’s absolutely beautiful. It’s inspiring and hopeful, and reminds us all why we don’t just give up when the news gets so bad and the searing pain of engagement gets so intense.

I turn down corners of pages that contain words, sentences, and/or passages that move me. When I re-read books, I look forward to those pages and sometimes I read the page several times and have no idea why I turned down that particular corner. Others, I know immediately. One of those turned down corners held this peach: “Because not all monsters were monsters in the beginning. Some are monsters born of sorrow.”

I’m thinking about the things we like and why we like the things we like. Maybe we choose the books/songs/movies, for whatever reasons (we like the cover art or it’s cheap or our friend gives us a gift). Or maybe those books/songs/films choose us (and we’d find them in our path somehow, over and over, until we finally pick it up when we’re exactly ready and explode). Do we like those things because we’re a certain way, or are we a certain way because we like them? Or a wonderful dance between the two? Maybe we are predisposed, open to the impact of a book about an 8 year-old girl, her grandmother, wurses, and monsters born of sorrow, and when we find each other, we join this dance.

On another page: “And probably a lot of people think Maud and Lennart shouldn’t do that, and that types of people like Sam shoudln’t even be allowed to live, let alone eat cookies. And those people are probably right. And they’re probably wrong too. But Maud says she’s firstly a grandmother and secondly a mother-in-law and thirdly a mother, and this is what grandmothers and mothers-in-law and mothers do. They fight for the good. And Lennart drinks coffee and agrees. And Maud bakes cookies, because when the darkness is too heavy to bear and too many things have been broken in too many ways to ever be fixed again, Maud doesn’t know what weapon to use if one can’t use dreams.”

I hope we’re all fighting for the good. In fact, I believe we’re all fighting for the good, in the way we fight for the good. (Well, mostly all – some people are selfish psychos who want to cause damage, but there are so few of them… Well, it’s like this. Bad pizza exists, but pizza is so rarely bad that it’s hardly worth ordering our lives around. Most bad pizzas aren’t psychos, they’re bad pizzas born of sorrow and loneliness and despair, and that sort of pizza doesn’t want to be awful at all.) So we’re fighting for the good, trying to find what weapons are ours to use.

Dreams are a Swedish cookie, that’s what Backman and Maud and Lennart are referring to. But when the darkness is too heavy to bear and too many things have been frozen in too many ways, maybe the other kind of dream is necessary, as well. (Actually, Maud and Lennart are the only ones referring to the cookie. Backman is obviously referring to both.) We get our imaginations drummed out of us very early, until we believe this is simply “how it is,” that people are untrustworthy, and all pizza is inherently bad. Reclaiming the truth requires, first, a dream. A dream that things can be better than they are, that we are worth fighting for, and that holding hands is still the best way to remember that all isn’t lost, that we are alive and that we are together.

Maybe amazing art like this is what made me so naive and awesome. Or maybe these books affirm my naïveté. It’s fun to think about but, in the end, who really cares? We have dreams to bake, people to love, and fighting to do.