Love With A Capital L

A journey towards living an inspired life of love in the modern world

Kong — April 8, 2021

Kong

Last weekend I saw the movie Godzilla vs Kong.

First thing to know about me, while you might think it’s just the kind of movie I’d like, it’s not. There are roughly 2,500 movies in existence with King Kong and/or Godzilla in the title, I haven’t liked one. This wasn’t an exception. My sons loved it, so I said I did, too. I want them to like mostly everything, to not become one of those insufferable snobs who thinks it’s cool to hate. I used to be that guy. I’d tell them (and anyone else who would listen to me self-righteously pontificate) about dialogue and plot holes and blah blah blah and they’d feel silly for loving it and who wins in that? No one. I don’t believe in “guilty pleasures,” either. We can like anything we like and there’s absolutely no guilt in that. Unless it’s that song “Watermelon Sugar,” by that boy that I think used to be in One Direction. Anything else, have fun, man. Life is heavy a lot of the time, if monsters pro wrestling each other is your deal, this is your movie, enjoy!!!

That’s my review of the movie itself, but I’m writing this to tell you how much I LOVED going to the theater to see Godzilla vs Kong. I was overjoyed to buy tickets and popcorn and sit in a mostly empty deafening theater with other actual flesh-and-blood human beings having an experience together.

COVID stole a lot of things from us, and to take them back inch by inch is wonderfully satisfying. Our friends have been on screens and telephones, hugs are virtual, smiles have been obscured by masks. Theaters have been closed. There has been so much loss in these past 13 months, a monster movie in the theater is hardly the most important, but sometimes it’s the little things we might consider trivial at another time that perfectly capture the pain or the hope in any situation.

One time a flood destroyed my home and all of my things and that was horrible, but it was months later when I had a wedding to attend and realized I didn’t have dress socks that broke me into a million pieces. I wept loudly, bitterly in my truck along the highway. Dress socks were hardly the most valuable thing we lost, but as symbols go, it was priceless.

Godzilla and Kong ushered in a new mindset for me, for us, that pointed to a reality outside of quarantines and pandemics. It illuminated a hope that we would be together again, that we would connect, that we would hold each other’s hands in our own, that we would be human again.

And as far as experiences go, I can’t imagine one better than Godzilla vs Kong.

How To — March 23, 2021

How To

Several years ago, I was working full-time delivering medical equipment, pastoring a new local church, a full-time husband & daddy, and working far more than full-time discovering and becoming who I was/am. Even though I loved all of it, individually, I was teetering on the precipice of a complete breakdown nearly every moment of every day. The illustration that makes sense is of trying to fit a gallon of water into a shot glass.

Eventually, I scaled back the medical delivery to part-time (while still juggling the unholy on call responsibilities, which years later, cause me to shudder. No kidding. I sometimes wake up in the middle of the nightmare of thinking my phone is ringing.) which helped a little, though not as much as was necessary. My life was still a gallon and I was still a shot glass.

Many of my friends have greater capacities than mine, like a tumbler or a Big Gulp. The Angel does, too. Maybe you do. I’ve stopped feeling guilty about this. We all are created differently, different gifts, talents, passions, and different capacities.

It’s entirely probable that my capacity was reduced by the sheer number of should’s inside, like ice cubes filling a glass before one drop of liquid could find room. Wildly important should’s like responsibilities in providing for this family, safety, security, and on and on…then stepping outside, less important should’s like ‘what will people think?!??’ When you devote so much energy and space to the negative loops of b.s. in your head, it leaves very little for elements like purpose, meaning, and life. I needed a push, either out of the boat or back into the cabin, straddling both was tearing me apart.

Then the book How To Be Here, written by Rob Bell, was released. How To Be Here was about quitting your job delivering medical equipment and taking your shot at all of those things that make you feel alive. Among other things, of course.

“Your Ikigai is your reason for being. If you’re like a lot of people, the moment the words path and vocation and calling come into the conversation, let alone a new word like Ikigai, a thousand questions come to mind. Questions about paychecks and responsibility and passion and what you wish you could do if only you didn’t have those bills to pay.”

Maybe the book wasn’t about medical equipment delivery at all, but as I picked it up to reread it today, it sure sounds like it. Books can be like anything, tied to a certain time or event. Like how if you’re a certain age, it’s impossible to hear “Stairway To Heaven” without thinking of school dances full of butterflies and self-consciousness. This book is a very good friend who walked into my life when I was in desperate need like a hurricane, gently rested both hands on my back, whispered in my ear that I could, and then shoved me into a brand new life.

Hardly anything has been easy in the transition, but it has been awesome and I just wanted to thank Rob Bell and my very good friend How To Be Here.

In Working Order — February 1, 2021

In Working Order

Throughout the months of COVID isolation, like so many others, we have been swimming in screens. We binge watched the entire The Office and fell hopelessly in love with Jim and Pam. All 23 MCU (Marvel Cinematic Universe) movies, even The Incredible Hulk, which almost nobody watches. Now, we’re moving slowly through the Star Wars saga, including the extras like Solo and The Mandalorian. Our commitment to wholeness required us to suffer through the prequels, disappointing then and only marginally less so now. I do love the new ones, especially The Last Jedi. It’s actually my favorite of the films.

As you know, I’m reading, too. I read another Fredrik Backman novella called “And Every Day The Way Home Gets Longer and Longer.” This tiny gem is set inside the head of a man who is suffering from dementia, and losing his memories. Every day the way home to himself and his memories gets longer and longer. Obviously, it’s heartbreaking, but it’s the sort of ache that we need to have form time to time to keep our hearts soft and in working order.

I shouldn’t have read it, not now. You see, there is an unreasonable amount of death and suffering in the circles around me. I could write forever about any of them, but this is the one I will. A man lost his wife, a lovely woman, to cancer a few days ago.

I took him some bread and a card yesterday morning, half hoping he wouldn’t answer the door. (I know that sounds awful, but you know just what I mean.) He didn’t so I left it at the door and left. As I drove away, he passed me in his car. There are certain moments in your life where you see who you were, who you are, and who you are becoming. Usually these transformations happen so slowly we don’t notice. But sometimes we are able to see clearly. I wanted to keep driving. He didn’t see me, I could’ve let my card and bread be enough. I wanted to keep driving even as I was making a u-turn in the street to chase him.

He pulled into his driveway and I followed. We hugged each other, he talked, and when I could stand it no more, we both cried in the front yard.

Some things hit you harder than others. I think I know why this one leveled me the way it did. It was that it was his wife. In the book, he speaks to his deceased wife in his fading mind. And as I sat in that sadness, tears soaking my cheeks, I realized that every love story is our love story. Every lovely wife is my lovely wife. Art is of course about it’s creator but it’s also about everyone else.

Luke Skywalker and Darth Vader matter because fathers and sons matter, specifically, your father, your son, my dad, my son. My dad wasn’t an evil oppressor of galaxies, but we did have issues where I might have wanted him to be something other than what he was, I might have wanted him to see me as who I was, rather than trying to make me into what he wanted, or seduce me to the dark side of the force. As these things tell us a new story, they’re also reading the story of us to us in language we can understand.

My friend and his wife weren’t art, they were real life and real death. But what’s the difference, really? We’re all telling stories with our lives, finding connections in the dark, noticing hidden relationships, and it is in discovering the things that tie us together that real life truly becomes artwork.

Funeral — January 26, 2021

Funeral

There was a funeral last Friday for a lovely woman.

I’ll sometimes force my sons to attend funerals or memorial services with me, to which they usually respond, “I don’t want to,” because they’re teenagers and human. I usually ask, “why?” because I am their dad and horrible, to which they say, “I don’t like them.” Here, I lie and say, “nobody likes them.”

I tell them that lie because sometimes you have to do things you don’t like and it’s mostly better if everyone else is doing things they don’t like, too. Like eating vegetables or running.

The truth is that I love them. I know how that sounds, but it’s not to be confused with loving death, dying or anything weird like that. I’m not a psycho. They’re thin spaces, and I find thin spaces – where, according to Eric Weiner in The NY Times, the “distance between heaven and earth collapses and we’re able to catch glimpses of the divine” – absolutely inspiring and beautiful.

When you stare out of the car window, flowers, grass, guardrails, and other cars blur into one undefined smudge. Nothing is clear. You can’t even tell where the flowers start and the Honda ends. This is like my life. I have a full schedule, see a lot of people, go a lot of places, drop off and pick up from practices, grocery stores, and on and on. Too often, I hurry, don’t stop to listen, don’t pay attention.

Last March when the world stopped turning, I dreamed of a new normal where we would find that we quite liked the slower pace. Instead, almost a year later, the new normal is just the old normal with more Zoom meetings and Amazon deliveries. It’s still a blurry smudge if we’re not careful.

Funerals operate like isolated March 2020’s. They stop us where we are, open our eyes, heaven and earth collapse, and we are invited to see these divine glimpses. Now, maybe we don’t accept the invitation. Maybe we stuff our emotions and check the boxes on what “has to be done,” work like crazy until we can finally get back to work (because who knows if the company will actually be standing if we’re not there to hold it together.) Maybe we numb and check out. Maybe we pretend we’re SuperSpiritual and read from the list of cliches while we convince ourselves that it’s somehow selfish to acknowledge the honesty of the loss and stifle anything that looks like tears and feels like grief.

But, baby, if we do accept the invitation… The clean lines of the Honda, blades of grass and bright colors of the flowers come into focus and we can actually see the beauty all around us that we’re too busy to notice any other time. We cry our eyes out when we need to and often find those tears surprisingly becoming laughter and smiles at the wonder of our tremendous gratitude.

[There is a pink elephant in this room. What if the tears are of sadness but also anger or rage or bitterness or resentment? Then, there is no laughter and gratitude is in short supply. This sort of situation is even more important that we accept the invitation into presence. There’s a character in the movie Magnolia who says, “we may be done with the past, but the past isn’t done with us.” The longer we run from the fact that there are chains around our necks, the longer those chains stay around our necks, strangling us slowly, perhaps imperceptibly, just taking our lives a breath at a time. I know it’s horrible, but we face what comes, dump it on the ground, look at it, and then we maybe pick it up and do it all again next week, but at some point, we leave a little on the ground, we pick up a little less, until the tears feel less like acid and more like peace. It’s not quick and it’s not easy, but we have to believe it’s possible. If the tomb was empty once, nothing is impossible ever again.]

So, all of this mourning, grief, celebration, gratitude, looking at an empty place at the table or in the chair… well, it hurts like crazy when our hearts break. But we are awake. Our eyes are wide open to the blessings of today, and open to the blessings of yesterday, when they were here (It was awesome when they were here) and what a gift it was that, of all the people in the world, they were here with us and it was great.

New Years Day — January 1, 2021

New Years Day

This morning, 5 seconds ago, I finished the Britt-Marie book by Fredrik Backman that I was telling you about. It was amazing. It’s interesting what gets you to where you are.

A great friend gave A Man Called Ove to me for Christmas and it took me over a year to read it. Then years later, I bought My Grandmother Asked Me To Tell You She’s Sorry at the beach because I didn’t adequately plan. I bought it with Adjustment Day by Chuck Pahlaniuk, which I immediately started. My Grandmother waited months for me and then it broke my heart in every wonderful way. Then I got The Deal Of A Lifetime and Britt-Marie Was Here from the library. (I’ll buy both of them today.) The titles are perfect and the covers are better. It’s interesting how superficial some things are, but they open the doors that need opening.

The first characteristic I noticed about my wife was her smile. Then her legs and the shape of her, like a guitar. She is the most beautiful girl I had ever seen, then and now. Her fonts and cover were excellent. But fonts and covers and clever titles only go so far.

These books are full of depth and soul, and so is she. To say that The Angel is the most beautiful girl I had ever seen, then and now, is a little offensive, like only seeing one small tree in a forest as big as the ocean. She is an ocean of everything lovely, a few things that are not lovely (because she is after all a human being), and the small tree that is her cover.

It’s New Years Day and I can’t tell you how thankful I am that I waited to work out until I finished Britt-Marie Was Here. It makes me feel that this year could be anything. That’s the same way I feel when she walks down the stairs everyday. Like I, we, all of us, are possible.

All is still quiet on New Years Day. She’s in this room in her pajamas on the couch. I am thankful. Content. Happy. And I can’t wait to see what’s next.

So, Let Me Tell You About Yesterday — December 11, 2020

So, Let Me Tell You About Yesterday

So, let me tell you about yesterday. 

The Angel & I took the boys to school and left immediately, driving north to Scranton (home of Dunder Mifflin Paper) for the funeral service of a friend’s father. He (James Chickson) was a terrific dad, husband, and man – exactly like my friend. At the Bridge, we would call men like him bull elephants, and the world doesn’t have enough of those, so we gathered to mourn. It was a catholic service and as a general rule, I find catholic services a little sterile and impersonal (just me, just my opinion, but I am very messy, overly sensitive, mushy and untraditional, so I would), which this one was…UNTIL my friend stood to give the eulogy. He was beautiful. He was all of the things we love about him, and probably all of the things we loved about his dad. It was awesome and exhausting, just what a funeral service should be. 

Then we came home, picked my boys up from school and had some ice cream because ice cream is perfect for a broken heart. 

Then at the dinner table (dinner after dessert is also perfect for broken hearts…well, any hearts, really), we discovered that there were new PA COVID restrictions that would, among other things, “pause” school sports. It was then that my boys expressed their emotions in what is sometimes the only appropriate way, with tears of sadness and rage. 

Now, I know school sports are comparatively minor in relation to the widespread wreckage COVID has wrought, but it is absolutely real to them. And to me. Because we all have those comparatively minor’s, right? 

Once the tears stopped and we were able to re-focus and gain a smidgen of perspective, then I began the phone calls to the core group of the Bridge to discuss what we would do, if anything, to address the new restrictions. Again, a small church in Annville is comparatively minor in the grand scheme, but it is my family and it is definitely doesn’t feel comparatively minor. 

We are losing loved ones, businesses, homes. We have been disconnected and isolated, and that leaves us raw and exposed, sensitive to very fine points. I remember months after the flood took our house, I had an appointment where I would need dress socks. I rarely wear dress socks and now that I needed them, I realized, I didn’t have dress socks. The pair I had was lost in the flood. I was working, driving on a major highway towards State College, when I realized this insignificant detail (big deal, stop anywhere and pick up a new pair) and had to pull my truck off the road when my sobbing made driving impossible. Everything was overflowing, all of the months of “What are we going to do????” and utter powerlessness to answer had crested, and dress socks pierced the thin shell that barely kept it all on the inside. 

High school seniors have lost proms and graduations, weddings have been moved, suspended, our lives have been radically upended, and we know that a missed dinner & dance for upperclassmen is nothing in relation to 200,000+ dead in this country alone, countless more worldwide. But that doesn’t make a canceled school dance hurt less. There isn’t a finite amount of love and care in our souls, we can deeply feel all the things in this human experience. There isn’t a cause/effect relationship where ignoring our pain leads to an increase in empathy. I would suggest if there is a relationship, it’s an inverse connection, where turning the blind eye to suffering (in any and all forms, even our own) leads to a practiced desensitization to suffering (in any and all forms). 

I bring all of this up because what I notice is that we often say the words, “but other people have it much worse than me/us,” as a way of minimizing or trivializing our own pain & suffering. At funerals, we say the person is in a much better place or that God has a plan (which are both true) and pretend that we are fine, that are hearts aren’t shattered. In the Scriptures, God asks us for 1 thing above all. He asks us to bring who we are, everything we are, honestly and without pretense, to Him. He says that He doesn’t want our sacrifices, He wants our hearts. He weeps over the death of a man He intends to resurrect to validate the suffering of his community. 

The Bible says, as we walk through the valley of the shadow of death… and it’s that through that makes all the difference. We can’t walk around, or avoid, or fake that it’s not the shadow of death. We can’t get through anything without going through. My beautiful buddy’s eulogy had very evident pain and loss, and it also had a lived-in gratitude that his dad was his dad, and I’m pretty sure the 2nd doesn’t come without the first. 

So, I guess what I’m saying is this: Sometimes you need ice cream to ease the ache of a broken heart, or screaming rage for a 3-week break from basketball, or an offering of bitter tears over dress socks. There are no comparatively minor’s with God. There is only us, and that’s enough.

A Bad Review —

A Bad Review

I posted quite a while ago on a book I read called A Man Called Ove, by Fredrik Backman. I loved it more than I can tell you, though I tried in the post. I will always try.

So. I finished another book by Backman, My Grandmother Asked Me To Tell You She’s Sorry. I stayed up too late several nights ago to finish it and was exhausted all the next day. That day was heavy and my heart was soft, hammered into mush from the book. (I told you about that day – the post on that is called “So, Let Me Tell You About Yesterday,” in case you wanted to read that, too.)

I bought 4 copies today to give as gifts. Maybe I’ll buy more, but 4 was a good enough start.

The story is about a girl, 7 year-old Elsa, and her Granny, who dies and leaves a treasure hunt of sorts behind for Elsa. There are people and dogs and fairy tales, it’s funny and sad, about death but more about life. The characters are odd (I would say “delightfully odd” if I were a critic. I’m not. I’m just a man in a chair who writes for a blog that few read. If you’re reading this, you’re part of a select club. Thank you. But maybe a critic is just a person in a chair, too. Anyway.) The characters are odd and not all are very likable.

Not everybody is likable in real life, either. And those that are to me aren’t to everyone. I think my neighbors are probably the only people I know who it would be impossible not to like.

But what makes me not at all like a critic is what I’m about to do now. I don’t want to talk about the book any more. I thought I wanted to talk about the story and how it felt when I was surprised by the characters. As it turns out, I don’t.

Last night, I read another Backman book, called The Deal of a Lifetime. It is also, to borrow a phrase from Dave Eggers, a heartbreaking work of staggering genius. This one is short and devastating. I won’t talk about this one, either.

The best thing about art, these books in particular today, is how they are an invitation into the parts of ourselves that are usually roped off, back rooms where nobody goes. Real life is so much more about brushing teeth and alarm clocks than themes, narratives, depth and connection, but they’re all there if we only take the time and attention to recognize them. They’re all there barely under the surface, asking to be unearthed. We hide them because of their uncomfortable complexity, but they are ultimately the things that make life so wonderful. My tears were a cleansing, an offering in gratitude that we are here and we are now. In such tremendous gratitude that we are alive.

Ain’t The Same — November 18, 2020

Ain’t The Same

Jasper Mall is a documentary on Amazon Prime. It’s pretty unremarkable, actually. It chronicles the decline of a mall in the American south and nicely weaves in the death of a store, a young relationship, and a man. It was slow, melancholy and predictable. (The irony can’t be ignored that it’s playing on precisely the monolith that is murdering malls like this one)

It finished 5 minutes ago and, if I am completely honest, I am much more broken hearted than it deserves. But you understand my heart isn’t broken from this mall or this relationship, instead it’s a mourning for my own youth, my own mall, my own relationships. I spent so much time at the local mall, well spent with my best friends doing nothing at all except being together and learning each other and ourselves. I miss those guys, those seats in front of the Bavarian pretzel, the ice hockey table, and cassettes (which would later morph into cds).

I miss those guys the most. Cassettes were wildly overrated.

I often get nostalgia for details. For instance, no 15 year old boy will ever know the overwhelming fear of sitting by the phone mustering the courage to call the girl, and when/if he finally does, it might be busy (!!!) or (infinitely worse) answered by HER DAD!!! Now, he’ll text at 2am. A student like me will never cut classes to wait outside of the record store to buy the new release of his favorite band, speed home, and spend the day in bed with the liner notes. A new release the record store dude will already have pulled and waiting at the counter. Now we stream it a track at a time and forget it.

There was a lot that wasn’t great, too. My rose colored glasses are tinted, not opaque.

But the thing is, when things change, any change, even wonderful ones, hidden in the gooey center is loss that must be mourned. My oldest boy is very nearly able to beat me when we wrestle. I’d never tell him, but it’ll be such a cool celebration when he does. But he’s no longer the boy who slept on my chest and that I carried through stores. He won’t ever be that small again. I could cry for days when I consider how much I miss that tiny baby. AND I love the young man he is now. Things change. We often don’t get to choose what we carry with us, the best we can do is be fully present as they are happening.

The Security/Maintenance/Cleaning man in the movie says, as the last line of the movie about the domino game that has lost a player, “It just ain’t the same.” No kidding. Maybe we spend too much time looking at yesterday or tomorrow at the expense of today. I know this is nothing new or groundbreaking, but we probably thought malls and high school friends and ice hockey tables would last forever, right? And we thought hugs and meals together were so commonplace, we were too busy checking our phones to notice them for the divine gifts they were. Maybe a totally average film is just the reminder we need from time to time to jolt us into our lives here and now.

10% More — November 6, 2020

10% More

Last week I told you about this leather bound notebook, a gift from my sister that I wrote quotes I find or ideas or things you say or do that I want to remember. Here’s one that’s very early in the book that might be particularly appropriate, here & now. Actually, it’s probably particularly appropriate whenever now is and wherever here is. It was originally said by a man named Hank Fortener.

Here it is: “How much is enough? The truth is…enough is enough, either now or never.”

I heard a statistic once that when people were asked how much income was enough, and the most common answer (from ALL income levels) was 10% more. Then, we could pay our bills and put some into savings and give to those charities we want and have a little left over to go out to the movies or to eat every now and again. Then, we would have enough. No matter how much we make, we think 10% more would be enough. We are always wrong, because then we neeeeeed another 10% more. It is never enough. If we meet somebody. If we get married. If we have a child. Or another. Or once they start going on the potty. Or going to school. Or once I get that job, that position. Or when I get that cleaner, that shampoo, those jeans. Or when we can retire…THEN, it will be different, better. THEN, we will have enough.

But it isn’t.

I don’t know when we learned that contentment is only found in more, but it simply isn’t true. If we are lacking now, right now, wherever we are, we will always lack. If we don’t appreciate what we have, the blessings, the people, the things, then we will never appreciate what we have, and any blessings, people, or things we receive/experience will pale in comparison to the next, the more that’s just around the bend.

Contentment is different from complacency.

Complacency is the mistaken belief that we are finished. That what we are at this moment is all we’ll ever be. That there’s no more to learn, discover. That we’re done growing. That (get ready for it….) it is what it is. Complacency has its roots in despair.

Contentment is security in our identity, confidence in our standing in the universe, stillness in our existence. We are content, peaceful, loved, and we belong here. We are on a journey and there’s joy and loss and fear and celebration and suffering at each step, but we continue to take the steps because there’s something going on here and we want to see what it is, but the journey itself is amazing and we don’t want to miss any part of this step, this moment, this snapshot of our lives in motion. The plant is beautiful today, it’ll grown into something very different tomorrow, but today, where it is right now is wonderful.

Complacency is a hideous lie. Contentment is awesome.

If we can’t (or won’t) dance today, what makes us think we’ll know how tomorrow, when the song changes? If we can’t (or won’t) enjoy that kiss, hug, or touch today, why would we assume tomorrow will magically bring a different response? No matter where we go, we are still there. The grass is never greener on the other side. The scenery might transform, but we’ll still interpret it through the same eyes.

So, what is it that we are waiting for?

My boy has been attending school 3 days/week at home (Tuesdays and Thursdays have been in person). Today is the last day. Monday he’ll go back full time. I’ll miss him more than he knows. I have absolutely LOVED him being at home with me. But Monday he’ll go because he must, and that’ll be ok, because we had this time, because we have today, and it is very, very good.

The Spectacular Us — October 15, 2020

The Spectacular Us

Last week in this space, I mentioned the “just” fallacy. There is no “just” anywhere, no “just” anything, certainly no “just” anyone. Everywhere is sacred, charged with meaning and potential, if we only have eyes to see and ears to hear.

Every other Wednesday, we are studying a terrific book called Inspired by Rachel Held Evans.

(I love that her name is Held. There is a song called “Held,” too, that is gorgeous. I have no idea if her middle name is Held or if it was her maiden name or if it was her name at all. Or maybe she took the name as a constant reminder of her place in the arms of God. It’s easy enough to find out, but I don’t think I want to. Like a song, I think I’ll live with the story it is to me.)

The last 2 meetings we have been in chapter 7: Fish Stories. It’s an exploration of the many miracles throughout the Bible and belief/faith. Initially reading it, I couldn’t really find much for discussion, which was ok, because I wasn’t this chapter’s facilitator. I didn’t need to find much for discussion. It was somebody else’s problem. I simply needed to show up.

As it turned out, our time was lively and full of the fantastic in each of our lives, those occurrences that can’t be explained in words or reason, like car, train, and tree accidents, amazing coincidences, forgiveness, and love.

This book is wonderful, but the real draw of the group are the people in it. I suspect it’s that way with most groups and communities. Where it might be an activity, event or shared interest that brings us together, it’s the relationships that keep us there.

It’s a trendy idea that I can follow Jesus on my own, in my bed or living room, by myself, privately, just me and God. I really don’t know how that started. I do know how and why it’s trendy – the independence and arrogant self-reliance is very modern. The more I think about it, it’s not really modern, it’s human. But the point is, this notion didn’t start in the Bible. In fact, it’s just the opposite. In Genesis 1 & 2, before the fall, it’s only the man and God, and God specifically deems it “NOT good.” It’s the only thing that isn’t good. So He takes a rib and makes another person.

We’re made to be together. (Not all the time, of course. We all need a break from each other from time to time;) This group makes me remember, and sometimes the learning comes outside of the explicit lesson. We were talking about miracles, trying to explain our way into loaves & fishes or walking on water. But as I looked at the Zoom pictures of each of our faces, brought into the space by a mutual love of our Creator and nothing else, sharing the extraordinary stories of our lives, I understood. This was the miracle, this safety, this connection, this love. We were God’s miracle. And it isn’t confined to this particular book study group or any particular group, not confined to the religious or spiritual, not confined by anything at all. I guess we miss it, or are looking for a parting of the sea, when it’s right here in front of us all along. It isn’t “just” a small group, not “just” a local church, community, football game, gym, class, office, grocery store, not “just” you or “just” me. It’s the breathtaking, spectacular us.