Love With A Capital L

A journey towards living an inspired life of love in the modern world

Camp. — May 15, 2020

Camp.

This morning I watched Camp Hollywood, a documentary on the Highland Gardens hotel, providing the backdrop for actors trying to “make it” in an industry that is mostly indifferent. The ocean doesn’t care if you sink or swim and neither does Hollywood. For every name you know, there are millions and millions you don’t.

A reviewer named Naphiah on IMDb writes “this movie is really a love poem to each of our own lives.” I didn’t see it that way… It looked like a slice of life where once-hopefuls drown their despair in loads of alcohol and chain-smoked cigarettes. It was a depressing film, honestly; interesting, but I wouldn’t say I enjoyed it. I wouldn’t say the actors enjoyed it, either. They arrived with huge dreams and a life savings that doesn’t last long enough. (The filmmaker, a stand-up comedian, had a plan and enough money to stay for 2 months, instead leaving after 20 and $87,000 in credit card debt.)

I have 2 thoughts.

It is actually about community, (as I’m finding most things are), about finding belonging, acceptance, a tribe. These people travel from Canada, usually, and form fast relationships as they face the struggle of auditions, finding celebration and far more often, rejection, together. We all know rejection goes down much smoother with another who understands. From a certain perspective, all of these documentaries are really about The Church. This would be obvious if only the local church knew how to hold the complexity of real life without cliche, knew how to hold depression and pain without scrambling to ignore it to preserve carefully crafted hairstyles and images. The Church could/must fill these holes (but without the destructive escape into substance abuse.) We could learn volumes about the words of Jesus through a Netflix (or in this case, Amazon Prime) curriculum.

Now, the other. Does the fact that they are rejected make them failures? What if they don’t book the role or the pilot isn’t picked up? What if they have to move home? Have they lost?

Naphiah also says, “the director captures…the real success of following one’s dreams. Each participant is therefore, already a success.” (I guess I found her review more inspiring than the movie.) Maybe she’s right. Probably she’s right. We can live sweet, contented lives with a “No,” but may never sleep again nursing a “what if?” These people took their shots, which is more than the majority of us do. Of course, it’s hard and it’ll take years to pay off the debt (and detox from the vodka and nicotine avalanche), but how will you ever really know unless you try?

I guess this is actually a film about courage and imagination, which is what my favorite parts of the Bible are about, which is what my favorite parts of sports and books and stories are about, which is what my favorite parts of life are about.

An Undeniable Truth — May 9, 2020

An Undeniable Truth

I just love documentary films. Right now, I am a few episodes into something called ‘Wild Wild Country.’

(On an article called “The 6 Best Documentaries About Cults To Watch On Netflix,” the subtitle was, “What to binge when you’ve finished ‘Wild Wild Country.’” And as I’ve never watched ‘Wild Wild Country,’ that was clearly the next choice. Now, is it weird that the artificial intelligence algorithm recommended an article about cults to me? I wonder what about my previous online history would suggest that cults would be my deal… Anyway, it’s not important to think about that too much; these algorithms are surprisingly on the nose. I would totally be interested in cult docs. So I’m a few episodes deep into ‘Wild Wild Country.’)

It’s about Bhagwan Rajneesh (who is called Osho, I don’t know why) and his gigantic group of followers. They began in India and moved to Oregon, outside of a tiny town called Antelope, and built a town called Rajneeshpuram. Eventually, it’s going to morph into something awful, but I’m not there yet. So far, it’s just setting the scene for that something awful.

I posted months ago about one called ‘Holy Hell’ that was absolutely fascinating. This is not that different. These cults are primarily about community. The members who are interviewed today, decades after the implosions, are still visibly moved, teary-eyed over their paradise lost.

People come in droves to find belonging and family, they give up everything for this pursuit. And they find it. They do. When these films/series begin, it’s easy to see the attraction. Now you ask “Why would they become a part of this????” But when you hear them reflect on their stories, you don’t ask anymore, you know why.

As far back as I can remember, I’ve learned our core virtues are independence and self-reliance. We worship the legend of the solitary hero. We pull ourselves up by our bootstraps. Asking for help is a sign of weakness that isn’t easily transgressed. We suffer in silence, thank you, and please mind your own business about it.

We tell stories about how we were in a big mess, how we were hurting, how we were depressed, how we were at rock bottom – NEVER how we are hurting or at rock bottom – because these stories are actually ones of our incredible capability. It appears and sounds like vulnerability, but is actually the opposite.

We believe we don’t need anyone.

My son will tell you he likes this time, likes being at home, likes not being around people (except Angel and I and sometimes Samuel). He doesn’t, though. He’s increasingly restless, aimless and grouchy. He doesn’t know this is because he has been created for community, because being alone is “not good,” and the other 3 who live in this house are simply not enough for months and months. He calls it “out of sorts.” Yesterday, he was on a Zoom call with 3 of his buddies for a birthday, and it doesn’t take the smartest man in the world to see the “sorts” he’s out of, that he’s missing, is them.

I think he’s like most of us. We’ve believed we’re islands and that we can do it (whatever it is) ourselves and we fill our lives up with anything to distract us from the fact that we are wrong. These cults abuse and manipulate in so many ways, but they always leave us with one undeniable truth. Maybe their power and attraction lies in our stubborn denial of that truth, leaving us empty, wanting and open to the lure of the group.

And if I am grateful to COVID-19, it’s because this virus is showing us, in vivid color, what we have been missing.

Smells Like Real Life — November 5, 2019

Smells Like Real Life

Around the same time, also in 1991, a band from Seattle called Nirvana released an album that would change everything in music, fashion and culture as a whole. This album would also give me a space (even if it was only in my head and heart) and in doing so, make me not as much of a weirdo, not as much of a misfit.

While we were all trying to be perfect – and what I mean is that while we were all trying to show everyone we were perfect – here was a band and a singer who looked like we all felt. The music did, too. We were insecure and inadequate in a land of make believe and that made so many of us so angry. We were desperately searching for meaning and purpose (there just had to be more than hair spray and insincerity holding us together, didn’t there?) and not only were we not getting answers, our questions were being ignored.

Now. The song. The drums perfectly sounded like doors being kicked down, which of course, they were. Then, the voice of Kurt Cobain mumbled: “Load up on guns, bring your friends. It’s fun to lose and to pretend. She’s over-bored and self-assured.” Hello, hello, hello, how low. Then, our worlds collectively fell apart (or together) at the chorus: “With the lights out, it’s less dangerous. Here we are now, entertain us. I feel stupid and contagious. Here we are now, entertain us.”

We might talk about “here we are now, entertain us” as the anthem for a generation, and generations to come, but it’s that “stupid and contagious” line that broke my heart. You know when someone says something and you think, “how did they know?”

How could a guy in the Pacific Northwest know who I was and exactly what I was going through? He couldn’t, and that meant there were more like me, disaffected, lost, lonely, and that was unbelievably comforting. There were more like me, I wasn’t alone.

The song destroys all pretense and perfectly sums up the ache in us all and ends… wait’ll you hear this… “Oh well, whatever, nevermind.” Whatever, nevermind!!!! Awesome. It’s angry, a heartbreaking work of staggering genius, honest, cutting, and hilarious. It is overwhelmingly real.

People began dressing differently, doing (or not doing) their hair, speaking truth, showing their wounds and scars. We started to think about confessing that no, things might not be ok.

3 years later, in April of 1994, Kurt Cobain killed himself. Sigh.

But the world had changed, he shined a light into our souls and exposed us. The images and facades were hollow, the emperor had no clothes. So now what? We could start to find the clothes that did. We could be whatever we wanted, whatever we actually were. So who was I in 1991? Nobody knew. I sure didn’t. I had spent so long being what you wanted me to be that I hardly noticed who I truly was.

I didn’t know how or where to find out – only that it was absolutely necessary. One thing I knew for sure was that I wouldn’t find anything in Mariah Carey videos. Or the church.