Love With A Capital L

A journey towards living an inspired life of love in the modern world

Smells Like Real Life — November 5, 2019

Smells Like Real Life

Around the same time, also in 1991, a band from Seattle called Nirvana released an album that would change everything in music, fashion and culture as a whole. This album would also give me a space (even if it was only in my head and heart) and in doing so, make me not as much of a weirdo, not as much of a misfit.

While we were all trying to be perfect – and what I mean is that while we were all trying to show everyone we were perfect – here was a band and a singer who looked like we all felt. The music did, too. We were insecure and inadequate in a land of make believe and that made so many of us so angry. We were desperately searching for meaning and purpose (there just had to be more than hair spray and insincerity holding us together, didn’t there?) and not only were we not getting answers, our questions were being ignored.

Now. The song. The drums perfectly sounded like doors being kicked down, which of course, they were. Then, the voice of Kurt Cobain mumbled: “Load up on guns, bring your friends. It’s fun to lose and to pretend. She’s over-bored and self-assured.” Hello, hello, hello, how low. Then, our worlds collectively fell apart (or together) at the chorus: “With the lights out, it’s less dangerous. Here we are now, entertain us. I feel stupid and contagious. Here we are now, entertain us.”

We might talk about “here we are now, entertain us” as the anthem for a generation, and generations to come, but it’s that “stupid and contagious” line that broke my heart. You know when someone says something and you think, “how did they know?”

How could a guy in the Pacific Northwest know who I was and exactly what I was going through? He couldn’t, and that meant there were more like me, disaffected, lost, lonely, and that was unbelievably comforting. There were more like me, I wasn’t alone.

The song destroys all pretense and perfectly sums up the ache in us all and ends… wait’ll you hear this… “Oh well, whatever, nevermind.” Whatever, nevermind!!!! Awesome. It’s angry, a heartbreaking work of staggering genius, honest, cutting, and hilarious. It is overwhelmingly real.

People began dressing differently, doing (or not doing) their hair, speaking truth, showing their wounds and scars. We started to think about confessing that no, things might not be ok.

3 years later, in April of 1994, Kurt Cobain killed himself. Sigh.

But the world had changed, he shined a light into our souls and exposed us. The images and facades were hollow, the emperor had no clothes. So now what? We could start to find the clothes that did. We could be whatever we wanted, whatever we actually were. So who was I in 1991? Nobody knew. I sure didn’t. I had spent so long being what you wanted me to be that I hardly noticed who I truly was.

I didn’t know how or where to find out – only that it was absolutely necessary. One thing I knew for sure was that I wouldn’t find anything in Mariah Carey videos. Or the church.

Emotions — November 1, 2019

Emotions

I gave a talk at a youth group near Gettysburg last Saturday. The church is fairly conservative (although it could be said that, to me, maybe every church is fairly conservative) and there was a very good chance that I would not play well there. I shared the message for their Sunday service several years ago and have not yet been invited back. The looks on the congregants faces told me as much, so the fact that I was not yet invited back was far less surprising than that I was for their youth group.

I was because I have very good friends who either persuaded everyone else who (hopefully) had forgotten the past or hidden my visit from them altogether. I didn’t ask which one.

My very good friend asked me to come and speak about music and faith. I said yes, of course, then asked “um, what kind of music?” Because the kind of talk I would give on Christian music might not be what she had in mind. And actually, what music I consider to be Christian might not be everyone’s, and we should probably know what definition we’re using to avoid the kind of misunderstandings I enjoy. She said whatever I wanted, and I asked her to pretty please repeat that. And she did. So, I said yes again.

Now, I think it would be fun to explore those songs and ideas here, in a short series based on that talk, called “It’s a Cold and It’s a Broken Hallelujah.”

The songs are: “Emotions,” by Mariah Carey. (So you know and can follow along as intended, we played the videos – easily found in a Google search. For this one, however, I offered to simply play the song because there was “a significant cleavage issue.” And there is.) “Smells Like Teen Spirit,” by Nirvana. “Help Is On The Way,” by Rise Against. (This one is the only one that the video is absolutely necessary.) And “Hallelujah,” the cover version by Jeff Buckley.

“Emotions” was a gigantic hit record in 1991. It was all of the words that begin with P: polished, produced, perfect. What an unbelievable showcase for that extraordinary instrument of hers, right?!! She looks and sounds absolutely beautiful. The video is exactly like the song, glossy and refined, as if a team of marketers created it in a laboratory for maximum exposure and sales figures.

The problem is that it’s called “Emotions,” and I don’t feel any at all. Except that she’s awesome, I suppose.

Pretending is the other P word that comes to mind with something like this. It’s like an advertisement for LIFE, or at least the life other people are living, that I could be living if only I…whatever. It brings to mind – and the reason I play it in discussions of spirituality – gauzy pictures of Christians with perfect teeth and plastic smiles. This was the perspective I had of people of faith for the first half of my life. To me, they all looked like Joel Osteen book jackets, all smiles and manicured nails. My life wasn’t all smiles and manicured nails. In fact, no life I knew was all smiles. Sometimes, there were tears and dirt and darkness and hairs wildly out of place.

When you’re upset and the wheels are falling off, a Christian, with their cliches and cheery platitudes and “God’s plan,” is often the very last person you’d like to see. The carefully crafted images of rounded edges and masks they wear usually just amplify their uncomfortability and insecurity.

Everything is fine, and if it’s not, shhh, we’ll just hide that behind the closet door and hope it goes away.

Phony (another ‘P!!’) That is what “Emotions” means to me.

I understand that this is not the most positive way to start a conversation, but it gets better. It has to.

catfish — March 7, 2019

catfish

Today on MTV, Catfish in on. If you are unfamiliar, Catfish is a terrific show where people who think they’ve found true love online discover, with the help of host Nev Schulman, that the objects of their affections are not at all the people they believe them to be. It’s pretty great tv, where the drama is in the search to find the actual person, then the reveal and subsequent confrontation, and finally the tears and broken heart resolution. Who knows what all is real? (Only children still believe that reality tv is, in fact, reality. It’s more of a ‘based on a true story’ situation, probably.) But there is an undercurrent that is very real, that is too easily missed as we watch shows, detached and judgmental – the judgment either taking the form of sympathy for the fished or disgust for the fisher.

It’s interesting how quickly we can dismiss the Bible as outdated and irrelevant, stories about ‘they’ and ‘them’ and not ‘we’ or ‘us.’ It is much the same with programs like this. The lines that separate us are nowhere near as defined as each of us like to think, and the more we can dismantle these structures and erase those lines, then there is the chance for understanding and genuine connection.

It’s not surprising that we draw these lines of comparison and condescension, it’s all part of the foundation of Catfish. The people who are fishing, deceiving those on the other end of the screen, are creating images of themselves. They are actors on a stage pretending to be someone else, someone they are not, to gain acceptance and belonging. And I watch, pretending to not be just like them, pretending that we are very different. Now, I have never used your pictures or lied my face off to waste years of someone’s life, but I have a loooooong history of image-building. I have been what’s called a pleaser, trying desperately to fit what I think you want, to be cool, smart, funny, mean, trendy, or whatever.

I shake my head and say, ‘these people.’ But like so much, there is no ‘these people,’ there is only ‘me,’ only ‘us,’ and the weight of the show is in the mirror it uses to shows us how unsatisfied we are being who we are. I need better jeans, a better job, a better car, more money, clearer skin, bigger biceps and a smaller spare tire, to find fulfillment, peace, happiness, peace.

Who am I? is The Question that is always looming, just beyond fake plastic filtered smiles and sunshine instagram posts. Not everyone’s food (or workout or pants or marriage) looks that perfect all the time.

Ok, so I am a catfish in all kinds of ways. But I am the catfished in more (and the truth is, everybody is.) I do all of these things, contort myself into more desirable positions, for the same reason everyone has ever done, since the beginning of time – for that beautiful bond, for a hand to hold, for love. That’s why the unbearably naive victims on the show believe EVERYTHING, because they are willing to close their eyes and cross their fingers in the hope that this time it might be true, that they might not be alone. Of course, the paradox is that as long as we wear masks, we’ll never find the authentic relationship for which we are wearing the masks in the first place. But we have to wear the masks because we’re all so busy trapped in ‘us’/’them’ theology, and this catch 22 rolls over and flattens us all.

But yesterday is not today and today is not tomorrow. Just because we have always done it this way doesn’t mean we will continue. It is not just what it is. The revolution starts when we say it does.

 

 

Memento — January 20, 2019

Memento

There was a great (GREAT) movie in 2000 called Memento, in which the protagonist Leonard searches to find the man who raped and murdered his wife. Standard thriller plot, except he has no memory at all, leaving notes all over his body, all over everything.

Now. There is a very interesting discussion to be had on the philosophical idea the film’s title is taken, Memento Mori, a Latin phrase that means ‘remember death,’ or ‘remember that you will die.’ We’re not going to have that discussion.

Instead, the discussion we’re going to have is about Lady Gaga. I have been a pretty serious fan since ‘Paparazzi,’ a song so good it forced me to re-evaluate the 2 earlier singles. The problem I have with Lady Gaga is that I am afflicted with much the same issue as Leonard. Every Gaga song is without question THE BEST LADY GAGA SONG!! If ‘Hair’ is playing, it’s the Gaga masterpiece, until ‘Bad Kids’ or ‘Alejandro’ or ‘Monster’ or ‘John Wayne’ or ‘Angel Down’ or ‘Summerboy’ is playing. The truth is that her finest moment is ‘Bad Romance,’ but I just don’t remember just how fine a moment it is until it’s on.

I read the Bible, and one of the narratives is how the people of Israel get themselves in a mess, God rescues them, and they celebrate, promise to follow Him, and forget, thus beginning the circle anew. It’s terribly frustrating and impossible to read without the thought of, “seriously, again?” It’s like Mr. Incredible’s quote on saving the world, “Sometimes I just want it to stay saved! You know?! For a little bit. I feel like the maid: “I just cleaned up this mess ! Can we keep it clean for, for 10 minutes?! Please?!” Why don’t they just pay attention?!!? Do we really have to keep running the same story on a continuous loop forever?

To which the answer is, apparently, yes.

I sigh, shake my head and mumble about ‘these people,’ while I make the same mistakes over and over, step into the same traps, fall into the same holes, continue to think ‘Manicure’ is better than ‘Bad Romance.’

We all have a little bit (or a lot) of this Leonard, forgetting really important details of our lives.  I know Lady Gaga songs aren’t the ‘really important details of our lives,’ but you get the point. We certainly aren’t bound by our pasts, but there is value in where we’ve come from, who we were, how we have grown, overcome, transcended, value in celebrating the times we were rescued. All of it provides the context for living and where we will go and who we will be. I suppose we all need more notes and tattoos as reminders.

My boy just walked into this room where I am writing, sat on the edge of the couch and expressed some remarkably insightful thoughts about Marvel characters. I hope I don’t forget this moment – it’s just perfect. (What’s not is how he’s going to get himself into trouble in 15 minutes, but for now…perfect)

There’s no special, clever ending here, just the same thing. I want to be present to every second. That’s mostly what the idea of Memento Mori is about – we are going to die, so we should enjoy each moment as if it’s the last, and then, we will really live. (Maybe we are going to talk about this now.) This is from a site called The Daily Stoic: “Meditating on your mortality is only depressing if you miss the point. It is in fact a tool to create priority and meaning. It’s a tool that generations have used to create real perspective and urgency. To treat our time as a gift and not waste it on the trivial and vain. Death doesn’t make life pointless but rather purposeful. And fortunately, we don’t have to nearly die to tap into this. A simple reminder can bring us closer to living the life we want. It doesn’t matter who you are or how many things you have left to be done, a car can hit you in an intersection and drive your teeth back into your skull. That’s it. It could all be over. Today, tomorrow, someday soon.”

This purpose, priority, meaning, urgency, all of it is so overwhelming in its beauty. It’s called presence, right? Being present to my life, and never taking any of it (the what, where, why, how and especially the who) for granted. And remember, because I don’t want to have to keep relearning it every day.